I have to dry the buds in the dark, at 20 degrees in 50% humidity 🙏

Mid/late flowering buds are sticky and strong like rock but too baby

Royal Queen seeds easy start, first time used excellent results, 100% germination rate, All seeds have popped and have been transplanted in three to four days. Very happy on to start of veg

today Day 22 and Hilde still goes well 🙏 Speedrun video 21 Days 😉 Day23 was cloudy an alot of rain 😩

Alright Then We just hit week 2 and all is well , have to admit she's ahead of all the others of same age , nice Growth in just 14 days😃 ....... Middle of last week I decided to start a little training by pulling her over to the side 👌 Im happy with the internode spacing but not the branching , begun heavy lst to try and bring the internode branching up👌 haven't decided yet on Topping 👈 Very little water given ,so far and rain water to be used entire growth Lights being readjusted and chart updated .........👍 👉I WISH GD HAD DISCORD SERVER SO GROWMIES COULD HAVE A PLACE TO HELP AND TALK THINGS RELATED TO GROWING IN REAL TIME.....👈 👉SO I CREATED ONE ALL YOU NEED IS TO JOIN THE GROWDIARIES DISCORD SERVER !!!!!!!!!!!👈 LINK IS 👉 https://discord.gg/zQmTHkbejs AND SEE HOW IT PLAYS OUT !!!!!!!

Week 7 🌸 This week went by rather unproblematicly The Buds are developing, no more Nanas and the smells are getting stronger. Some of the plants will need support for their Buds sooner rather then later, therefore we will be getting Bamboo-Sticks by next week. On Day 43 we defoliated one last time to ensure better light penetration for the lower buds and better airflow for these last weeks of flower. On Day 45 we fed the ladies with again 75% of the week 7 dosage. PH to 6.0, EC: 1.69mS. Drain: pH 6.3, EC: 3.6mS (7% run-off) Day 49: Pink Milk and Fx3 seem to be ahead of the Limonario and will propably come down first. Though they still show new growth and have some time left. The trichomes haven't turned amber, yet. Limonario still has lots of white hair and new growth developing. Terp-Talk 😍: Pink Milk: creamy, gassy, berries💜 Fx3: sweet strawberry, a little creamy❤️ Limonario: lime, mint, lemon balm, fresh, loud💚

she grows very nicely takes water and nutrition well. I have started to train it and it responds well to that.excuse the lighting a get home the lamp for the photo and dry cabinet so there will be good pictures outside the tent too

The flowers seem to be filling in nicely. I have been feeding every other watering keeping the ph at 6.5. Not sure when to start flushing since these are the fast version keeping an eye on the trichomes.

the last week was really sunny again and the temperatures are also constant. it is growing and growing. it has now reached a height of 100 cm. it has become beautifully bushy. i am really looking forward to seeing when it finally starts flowering.

Im doing at the start of 1st week bigger defoliation for better light penetration and air movement.Top dressing with GHF bio Bloom 3g/l top dress mixed With wormhumus and watered with Homemade compost Tea And superthrive

🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡 Welcome to week 10, dear fish lovers! 💙 Here you can see a mature fish filet. 🐟 We will chop soon, I am really tired. Patanjali can go sit on a scallop. 😇 DAY 68 Stopped feeding. Flushed with Clean Fruits. 🌊 Giving only Green Buzz boosters now. 🐠 Thanks, growmies, for checking in! 💚 💚 💚 😘 Always remember, we are not our thoughts, nor are we our emotions, or experiences, we are limitless, immortal and divine souls making a 3D experience. 🙏 ❇️ ____________________________________________________________________ Strain info: Tropicana Cookies Auto is the perfect variety for growers of all levels, especially beginners as this strain performs very well outdoors and indoors, and can produce up to 500gr/m2 in 56-63 days without needing extra maintenance. Reaching up to 110cm, this strain grows fairly tall with medium-sized branching, showing its mixed heritage. Definitely the right choice for those with a high tolerance looking to get their hands on the strongest autoflowers out there. Thanks to the 27% THC, you can expect an extremely powerful and long-lasting high that’ll boost your mood and give you that extra push you need to start your days on the right foot. This variety offers the whole range of citrusy and woody flavors with a strong candy-sweet background that will keep you coming back for more and more. Bud description Tropicana Cookies Auto produces gorgeous dark purple flowers, so expect really dark buds with gorgeous hues of pink, purple and blue, and thick dark-orange hairs that get completely covered in resin by harvest time, giving them an almost shiny-white appearance. This variety develops a typical Indica-like structure and very few sugar leaves that will make your trimming sessions a breeze. But make sure to store your trimmings as the gorgeous flowers reek of a mouth-watering blend of lemon peels, orange juice, and sandalwood that gives it almost a citrus candy-like flavor that makes for the most aromatic hash and extractions. Smoke report Thanks to the 27% THC, Tropicana Cookies Auto’s effect starts with an energizing head rush that gets your mind up and running while leaving you in a nice calm state. As the Indica-dominant side kicks in, the powerful cerebral effect gradually moves downwards and hits your whole body with a deep relaxation that leaves you with a joyful stoney sensation that alleviates chronic pain while leaving you in an overall happy and positive state of mind. It’s the perfect daytime and nighttime strain as it can boost your mood and enhance a night out with friends but can also quiet your mind as you get ready for a good night of sleep. No matter the scenario, expect a powerful high that lasts for hours on end. Plant appearance Tropicana Cookies Auto reaches up to 110cm and develops a tall main cola with shorter side branches, typical of hybrid strains. You can expect a stocky yet tall main cola with medium-sized side branches and thin fan leaves that fade into a yellowish hue with a beautiful dark purple tint. Thanks to the excellent selection, this variety develops a short internodal spacing that makes the medium-sized flowers look like they’re growing stacked on top of each other. It’s the ideal choice for growers who want to get big yields without having to deal with huge plants, as this monster yielder can produce up to 150g per plant while growing relatively short. Grow tips This variety grows super dense buds so make sure to space out the branches by tying them down, this way you improve airflow which helps prevent mold and other pests. Tropicana Cookies auto reek of a delicious sweet and sour smell so make sure to flush thoroughly to enhance the aromas even more. This terpene heavyweight finishes with lots of resinous sugar leaves that make for fantastic hash and extractions so remember to have your trim bucket ready! Flavor Tropicana Cookies Auto boasts remarkably sweet flavors that resemble a blend of lemon peels and fresh orange juice, with subtle floral undertones that make it the perfect choice for extractors looking for unique terpene profiles. Expect an overall citrusy zest that’ll coat your whole mouth and leave a delicious tropical candy-like flavor aftertaste. The sweet and sour flavors get balanced out with a herbal background that gets stronger as you exhale and gradually opens up, bringing out the whole range of woody, floral, and spicy flavors, making it the perfect choice for the most flavorful extracts. https://2fast4buds.com/seeds/tropicana-cookies-auto _________________________________________________________________________________ SETUP: 80x80x180 cm Zelsius 240W Full Spectrum LED IR UV dimmable DW240H-A6-HS Heatsink color red LED Chips: 512pcs SAMSUNG LM301H + 24pcs Osram 660nm + 8pcs Osram IR 730nm + 8pcs UV 385nm Color mix: 2700K + 4000K 2,8umol/J Driver HLG-240H-C2100B Coverage: veg 5x3ft / flower 4x2ft Product size: 628x205x68mm Green Buzz Nutrients Shouts go out to my sponsors @GreenBuzzNutrients, thanks so much for your support! ❤️ If anyone would like to try their amazing organic products, use code GD42025 for generous 25% discount (for orders of minimum 75€) ✨ https://greenbuzznutrients.com/ Mills Nutrients Biobizz Lightmix custom exhaust fan 320/270cm³/h Carbon Active Granulate 240cm³/h tab water pH 8 - EC 0,25 with Calmag to 0,5 Advanced Hydroponics pH minus Grow + Bloom to pH 6.2 🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡 🐟 🐠 🐙 🐡

A few days late on the update for this one. She is the shortest plant in the bunch and looking like she is going to put on some nice buds. Gave them a pinch of beastie bloomz today so they have plenty of feed to build those buds

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I will be focusing this diary on the smoothie strain but you’ll be seeing some other plants in the tent that are not the same strain. I only have room in this tent so bare with me. There are 2 Smoothie, 1 CNC, and 1 Stardawg (dog). The smoothie are the two bigger ones in the back of the tent. Now, the Smoothie from FastBuds is just killin it right now. Since I popped the beans they have done nothing but show signs of greatness. I don’t think this one is gonna slow down much either. I’m going to push these plants harder than my last harvest. I had a really really amazing harvest last time. I was even able to pull sap out of all 4 plants. 2 Zkittles and 2 LSD-25. This was all done by feeding at the right times and keeping a “moist” soil. Also I want add that I ran pretty much the entire line of Nectar for the Gods at a little less then the recommended ratios. This time I plan on going a tiny bit over the recommended ratios just to see what these plants will do. Trust me, if the plants have a bad response I will go back to the recommended ratios. The reason I want to do this is because I really think these auto strains can handle a lot more than a regular flowering cycle plant would. They can handle more stress, that’s for sure. When do you think I should add a compost tea into my regimen? Soon or wait till the plant is a little larger?

Crecen muy bien muy

The GG is fillin up the screen pretty nice...next few weeks will be nice...TD is growin good, started training a little early with great results already.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

D71/F27 - 10/06/23 - Added Nutes and water, EC 1 and pH 5.0 D72/F28 - 11/06/23 - Nothing to report D73/F29 - 12/06/23 - Added Nutes and water, EC 0.8 and pH 5.3 D74/F30 - 13/06/23 - Nothing to report D75/F31 - 14/06/23 - Added Nutes and water, EC 0.9 and pH 5.3 D76/F32 - 15/06/23 - 👉Changed Water. Some signals on the leafes. I think it is because of heat but I0m going to ask to the community. D77/F33 - 16/06/23 - I've asked to the community and is heat stress, so I'm going to change the light hours to 12/24 (4 only red ligh and 8 red-white)

8 Days 60 55-60 Hum, 65-70 temps