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@Kirsten
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23.2.25: I watered with approximately 1.5 ltrs per plant. I mix 6.5ltrs of dechlorinated water PH'd to 6.4. This time, I only added Ecothrive Biosys to the water because I have just top dressed the soil. Adding anything extra right now would probably be overkill and result in toxicity from too many available nutrients. I defoliated minimally mostly Do-sì-dos, Watermelon, and Pink Mist. Due to the scrog net, it's about all I can reach 😅 I've moved the plants to increase space for Gorilla Cookies 🍪 and Bubble
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I've uploaded a quick video for you guys showing how the ladies are looking at the end of Week 4 of Flower 👍🏾 Going Great! Could be going alot better to be honest but still doing really good.
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Week 7 is done and that overdrive really packed more buds on her colas, spot where you could kinda see through got filled with more buds and that is neat ! Everyday she seems fatter and fatter, the trichomes are filling up slowly and developing everywhere. If you point a led flashlight at her she will sparkles more than santa Christmas tree I was right about her phenotypes regarding bud development, instead of lots of golf balls sized buds i will get 6 colas jammed pack with lovely buds. Her structure is really strong and she now drinks a lot more than she used too. She put on very nice colours under the right atmospheric conditions and the smell is getting more and more sweet as time passes Overall this cultivar is what you would expect of a blueberry in any way, from the size, the odour , the buds and leaves structure too . Where she Surprised me is in the redish/purple she shows . Dont get me wrong i have seen purple blueberry but not with that red shade in it . I am looking forward to harvest and will starts looking at trichomes with my lens more often, id say another week of full nutrients and a week of flush combined with a 48h of darkness prior to harvest Until then fellow growers, keep growing and take it easy 👊🏻
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Hola a todos!!! , la planta ha crecido esta semana algo de 20 cms , al día de hoy ( dia 42).... me refiero a hoy 24/09😅. Regue con top auto, top bloom, top candy 2ml x litro de agua, ayer (dia 41) El resto de los días solo con agua
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@aquaMan
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Premise was to see how "optimal" i can get my first ever Grow. After some Research i came up with the idea to build an Aeroponic System myself using Water Buckets and Venturi Injektors to provider proper aeration. Sadly Seedlings had to wait in EazyCubes cause some parts and Nutrients didnt arrive on time. System was fully operationable on Day 16. Atami Nutrients are inside the System since Day 24, Calmag has been added Day 28. Before that, some Tri-part Nutrient. Planning on switching to Plagron in the Long run, as well as adding Co2, a water chiller and a ~700W LED. Stats: - 5 30L Buckets, 4 Plants and 1 Reservoir - Recirculation happens through 90mm PVC pipes - 16000 l/h pump going through 4x 1" Venturi Injektors pulling around 700 liters of Air per hour - 1mx1mx2m Growtent - 250W The Jackson Nemesis LED Happy about any Questions and Suggestions!
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Decided to ditch the clips and go for a more natural solution. I backfilled the pots with some fresh Light-Mix around the stems and added 3-4mm coco mats. The plants responded instantly—leaf turgor has improved and everything is now standing strong on its own.
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These seeds seem to be doing great. They were misplaced for some time so happy to see them back and thriving. These girls will do great. My primary focus with this grow is bigger yields.
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ACTUALIZACIONES A DIARIO!! Miles de gracias al equipo de Royal Queen Seeds y a @James por proponerme esta aventura tan trepidante y poder conocer de cerca las nuevas F1 y sobre todo a la gran Titan F1. Espero que lo disfruteis y os sirva como referencia. ¿Qué piensas cuando lees la palabra “Titán”? Hay quienes la asocian con los hijos de Urano de la mitología griega. Otros saben que Titán es la luna más grande de Saturno. ¿Y entre los cultivadores de hierba? Estas personas reconocen a la Titan F1 como una variedad de marihuana con una genética de vanguardia. Se trata de uno de los primeros híbridos F1 autoflorecientes, y es una variedad pionera que ofrece productividad, resistencia y algo completamente nuevo. La Titan F1 deleitará tu olfato durante la fase de floración y más allá. Esta variedad autofloreciente ofrece un potente perfil de terpenos compuesto principalmente por mirceno, farneseno, ocimeno, pineno, bisabolol y limoneno. Gracias a MarsHydro 😊🙏 por darme la mejor luz que hay en el mercado. La marca numero uno en focos 💡, carpas de cultivo ⛺️, extractores 🌬️ y demás aparatos que necesitas para tu cultivo. Para esta aventura arrancaremos con 💡Mars Hydro TS 1000 Full Spectrum LED Grow Light 150W Regulable y 1 semilla autofloreciente a un ciclo de 20/4. Verdaderos 150w con este TS1000, la mejor luz de cultivo LED para principiantes. Ofrece una luz adecuada para 2-4 plantas 🌱. Su precio razonable, la marcada mejora del rendimiento y el control variable de la producción la hacen amigable para los nuevos cultivadores. Todo un tesoro para cualquier cultivador que este comenzando. Usaremos para esta aventura una carpa de 60x60x90, MarsHydro una carpa para los más exigentes.Con una solapa de cremallera mejorada, dobles cremalleras de metal con forro,reflectante diamante tipo Mylar, postes de metal para una estructura mas solida, no se puede pedir nada mas. Garantizando una respuesta en solo 24 horas tanto si has usado antes la marca como si no. 🌻🚀 Consigue tus semillas aqui: https://www.royalqueenseeds.es/semillas-de-marihuana-hibridas-f1/624-titan-f1.html 💡 MarsHydro TS1000: https://www.amazon.com/gp/product/B07PLY1WKK ⛺️ 60 x 60 x 90 MarsHydro: https://www.amazon.com/dp/B081PN2QDN/ Quinta semana de floracion, las planta ha terminado de estirar, las ramas laterales han estirando junto con la cola central y se muestran los futuros cogollos, es una planta muy compacta y he tenido que quitar alguna hoja baja para evitar la aparicion de algun hongo. Se muestra el principio de una gran cola principal. Es la genetica que mejor ha respondido, por no decir la mejor. Felicidades Royal Queen Seeds y MarsHydro 😁. Los cogollos han estirado muy rápido y se ha formado una larga cola principal con muchos cogollos en las ramas laterales, comienza a cargarse de resina. 📆 Día 49: Riego con nutrientes EC 1050, comienza el engorde de los cogollos. 📆 Día 50: Riego con nutrientes EC 1050 📆 Día 51: Riego con nutrientes EC 1050, esta llena de resina 📆 Día 52: Riego con nutrientes EC 1050 📆 Día 53: Riego con nutrientes EC 1050 📆 Día 54: Riego con nutrientes EC 1050 📆 Día 55: Riego con nutrientes EC 1050
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this plant is in Fox Farms Ocean Forest soil and will get straight de chlorinated tap water til week two veg.
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@Thckaos
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24-04-21 Se cambia la solución y se realiza un lavado de raíces. Para bajar la conductividad de las raíces de 2.08 a 0.2 ms para que la solución nueva sea más efectiva. Se corrige el PH a 5.8. La solución tiene 2.2 ms y 5.5 PH. Se añade una pastilla de CO2. 25-04-21 PH 5.8 Conductividad 2.10 ms 26-04-21 PH 5.9 Conductividad 1.99 ms 27-04-21 PH 5.8 Conductividad 1.90 ms 28-04-21 Se corrige el PH de 5.1 PH 5.8 Conductividad 1.92 ms. Se mezcla con agua de grifo y queda 1.04 ms 29-04-21 Se corrige el PH de 5.2 PH 5.8 Conductividad 1.17 ms. 30-04-21 Se corrige el PH de 5 PH 5.8 Conductividad 1.37 ms.
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@Canna96
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Hey now, hope everyone is having a great weekend,. It was a good week for all five ladies. The Red Hot Cookies is slightly ahead of the Sundae Driver and Durban Nights. The Green Crack is the slowest growing so far, and the Sundae Driver has some holes in the leaves that I am thinking are from bugs, I have sprayed her twice with neem oil so far so we will see what happens. I topped all five ladies on day 23 above the third node as I am going to build mainlines out of all of them. I am still not able to list my nutrients for some reason, but I am feeding with all GH, Silica, Cal Mag, and Maxi Grow at an EC of 1.2 and a ph between 5.5 and 6.5. I use an auto feeding reservoir with halo feeders set on a timer to feed every 5 hours for one minute. I am hoping to get the second toppings done sometime this week, and then the final toppings done the next, and then flip to flower around week 7 or so. I am still using this Spectrum X from Medic grow, and have it cranked up to about 50% power and they are seeming to love it. We are in the midst of hopefully the final heat wave of the year and I am looking forward to cooler temps and lower humidity by the time I flip to flower. I hope everyone enjoys the first weekend of NFL football, Thanks for stopping by, Stay Safe and Blaze On!!! 💪 Website: https://medicgrow.com/ https://growdiaries.com/grower/medicgrowled
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@ukojesita
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Zdarec pěstiči, čtvrtý týden utekl, cipa jsem dost dodrbal abych ho zpomalil ale nevypadá že by to nesl nějak špatně i když sem dojebal jednu větvičku a musela pryč Bonboňák krásně dohání ten týden zpoždění, jen jsem šoupnul plachťáky pod vrcholky a dole střihnul listy co nechytí světlo. Jelikož mi fishmix ucpává pipetu leju jen od oka ale holkám to evidentně nedělá problémy. Zatím Čus.
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67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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Esta variedad me encanta, huelen genial y sus cogollos son super densos y llenos de resina siempre. Poca tolerancia a los excesos y es muy fácil de estresar. A pesar de todo sigue siendo una de mis variedades favoritas ya que su aroma old school con toques ácidos me fascina!. Actualizaré luego del secado y después notas de humo. Saludos!
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I will b running the SHERBCAKE again to dial her in properly took a lot clones of her so I can’t wait to run her again terps of her is dessert and fuely 🍰⛽️ seeds made by k1 kreationz