At last I ha e seed popping out! Nice full sized seeds 2 hybrids of my own creation with more to come.not sure if the gelato cake pollen was still viable doesn't appear so however I have a monster cropped clone that will serve the purpose.

The stickiest plant I have ever grown. The smell is out of this world. Very very strong smoke, enough to put me in a coma! Great plant will grow again.

I'm impressed with this C4 Auto, from fastbuds this is one of two plants I grew. This plant is a real indoor plant she grows lovely. The other plant is an outdoor plant it's pretty too don't get me wrong but where i thought the outdoors would produce a bigger plant i got the opposite of that, I got a Mutated plant, nice colored bud on here but she continues to mutate even in flowering stage my indoor plant is twice her height and size but love both my C4 Auto from fastbuds. Even if they broke my heart by changing payment policy, I'll never be able to get seeds from fastbuds again so I decided to spray my runt on the outdoors with tiresias mist feminized seed spray..... hopefully I get some pollen and able to pollinate my indoor C4 Auto..

This guy is one of the easiest I have ever grown, barely needing any water or nutrients, but he us just spreading out great. Should have a few nice little colas. I know what this light can produce, so anything near an ounce would be phenomenal. Peaceout Mosuckas

Another week and the tent is bursting with a very sweet candy citrus aroma, then bam your hand hit a nug and it's like the cotton candy mod stepped in. I've stop using silica now since I'm two week out from harvesting.

MID-WEEK UPDATE: Gave the twins their second last feeding today. A few nights of 14-16 Hour Dark periods as well due to plans/not having timers but as I said before I think the longer Dark periods have really sped up the flower development. PURPLE IS STARTING! Some very nice purple is starting to come into the cals and sugar leaves 😈 Going to push some lower temps in week 8 to get as much colour out of them as possible. Arnold still heavy fan leaf fading. Ran straight water through the medium before todays feeding incase any build up nute locked it. Never fully bounced back from the last feed but also getting near the end. I have a feeling I'll pull Arnold first in week 8 then maybe let Danny go for a more couch lock. Danny: GRAPE SMELL. Holy, I don't know if it's more of a Grand Daddy Purp pheno or what but holy is the grape smell off of Danny insane. Almost like a different strain compared to the smells off Arnold. WEEK 6! HOME STRETCH OF GLAZED GROW #1! The smell is insane. What started as a premature musk has slowly evolved into sticky ass chocolate goodness, fresh mint/herb, and even some grape/fresh fruit smell on the fingers after defol and mold checks. Noticing a hint of that GASSS too as we start to enter the final ripen. This will also mark the final week of Nute feeding. Fed today and probably two more Weds/Sun. Then will switch to Molasses/Water for Week 7 and plain water for first half of Week 8 before the dry out. As you can see, Big Arnold is showing cal/mag and PH problems. Always bounces back after PH perfect feedings and I've been defoliating the faders as we go to save bud energy. It's been rootbound since mid-flower and I'm sure the whole root zone is a mess. The extra work I've had to put into a soilless peat-based medium like ProMix with a photoperiod plant has been great practice and experience but I'm looking forward to a few round of autoflowers and soil grows to dial back the difficulty settings through the winter months. Broke out the good camera for some shots since we're getting to the good stuff 😎 - Canon EOS 760d - 75-300mm - 50mm Have the twins hanging out with the SoundLink again for those good vibrations 👊 PLANT PLAYLIST: Kendrick Lamar - To Pimp A Butterfly Sublime - Sublime Shad - TSOL

Good week, slow going but huge plants, sativa side definitely showing on these ones. Careful with the nutrients and make sure to use cal mag. Thanks everyone

Hello people week # 9 is at the start, unfortunately I can not get the humidity below 40% but we always stay in the 40s, this is accompanied by a temperature of max 26c. The buds are in production, you can clearly see a difference from last week. This strain is a late bloomer. The harvest is still difficult to estimate when that will be. I fertilize them as on the BioBizz plan until week 10 and I rinse them for another 2 weeks. A little tip: if you turn the pots 1/4 circle every day, this simulates different wind directions. The plant reacts differently to it than when it stands still in a place for 10 weeks. As already mentioned, my rules for autoflowering are: LESS IS SOMETIMES MORE. This helps beginners to take their time to study the plant. To understand the stages of development. Mastering the harvest is only possible through experience. Thanks for your time and for reading. Your green fox 🦊

Dear Grow Community, I'm reporting back with the third week of my Northern light grows. All 5 plants have grown very nicely and enjoy the climate and the fertilizer. As with the RG plants I will start LST in the 4th week and keep you up to date. Best wishes absolute growth

So time flew by these last couple weeks and the girlies finished nicely. I harvested last night and they doin their thing under the cover of darkness. They all had some amazing color when trimming. I can’t wait to see how colorful they become. The 🦍 Glue pistils started with almost an orange sherbet like color and were almost like a strawberry milkshake color when I trimmed. Once again the only disappointment was me 😔, for many reasons. They outperformed my expectations yet again. I’m amazed still, that even if you find your girls face down in the dirt, you still gonna bag something……which is always better than nothing 💯 #ResilientDNA #HellaResistant #StickyIcky #Pungent #Fruity #Gas #FastBuds #AdvancedSeeds Will update with photos, weights etc. most likely Sunday night/Monday. Usually takes 4-5 days in my environment however I’m having a Little issue at the moment. I’ma little warm and a little extra moisture in the air than I like. Stay tuned 😮‍💨

Ladies are doing ok this week. Had a heat wave with high humidity here the last few days. Been struggling to keep temps and humidity down. My Lemon AK #2 has a tad of leaf curl along the serrations, but other than that I think all is well. The frost is building nicely and the Lemon AK is getting nice and sticky. My Gorilla Glue is still a bit behind on flowering but they are making good progress. Overall I'm happy with last weeks results. Thanks for checking out my grow! 👍

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

the second week passed smoothly and without any problems, maybe the temperature is a bit high during the day, because Summer is not going away and it's 30+ outside, so it's normal that it's 28 ° in the tent, but everything looks good :) good luck to everyone:).

Plant has good smell already. Some sweet Funk. VPD around 1.4–1.6 The light hits the plants with around 900 PPFD.

Pretty sure suffered some root rot .nice bright white roots thick coming from baskets hopefully 1 more week of veg and can switch to flower cycle

Added 3 mars hydro sp3000 300 watt led bars I got locally for under 100$ Chopped one down that just wouldn’t vertically stop growing and was suffocating the rest of the plants and now everyone has good light penetration all around Buds are getting fatter and the smell is insane AN BASE b52 bud factor x bud candy and overdrive

07-11 - Plants all looking healthy - good growth so far 08-11 - Plant nearest to the fan has bent over a fair bit - re-positioned away from the fan - bottom fan turned off - top fan still running 09-11 - Bent over plant is looking far better 10-11 - Watered with PH 6.02 water

Last days with nutes. Peace to all ✌️🏽✌️✌️🏾✌️🏿✌️🏼✌️🏻 Day 59 : started to flush with ph'd water. Day 60 : flush 💦 Day 61 : flush💦 Day 62 : flush💦