Aug 31: now done six weeks of flowering. Started force flowering by putting her in the dark garage for 10 h plus two hours of bonus darkness by using a 730 nm far red light at dusk as a bloom booster. After three weeks of moving in and out of garage I’ve just been using the red light at dusk. I use Civil Twilight as listed on dateandtime.com for my location. Civil Twilight is getting earlier by about 3 min per night and will be at 9 pm tonight. Awesome plant should be 2-3 weeks to finish and the weather forecast is perfect for next two weeks. Should be a strong finish, and we’re still in August. Awesome. Sep 1: flowers are huge and progressing quickly. The top buds seemed to change colour a bit today. Overnight temperatures are still above 10 C so no purple colour showing yet. Maybe right at the end in a couple of weeks she’ll show some extra colour. Sep 3: buds are getting big, dense and sticky. Perfect. Sep 4: flash pics are okay if using the 730 nm far red light right after. If you don’t have a red light, don’t take flash pics of your photoperiod plants. Nice big buds are quite hard too. Very nice. #seedsman420growoff #seedsmanseeds

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Showing some signs of preflower but probably another week for veg. Topped girl looks healthy at 34 cm tall while the small one is 15 cm. Next run I will def have 4 girls inside the tent as it feels like there is plenty of room.

I have made this week as it’s the 4 week mark (28 days) I’ve made a video to show the progress she has made! This is my favourite baby girl! She has shown so much vigor from the beginning! I have only had to adjust the ties this week was considering another top but I won’t as I may not have space! I’ve added a picture of the base of my Airpots and I’m proud to say the roots are all coming through nice and thick (photo example) I have also added my ppm results now and am going to be filtering my water so I lose the initial 200+ in my water already! I will 12-12 when she hits 6 weeks! Hope you enjoy buddies!

Hi there, As we approach the fourth week of veg, our expectations for the jungle tour continues to grow. This phase of the grow season is very exciting because at this time it’s decided how well we can lay the foundation for the subsequent successful flowering period. Our goal was to stop apical growth and teach the gals to focus on growing lateral branches. At first glance, I think we will be fine in this regard, but the following weeks will give us the answer. So we used tying wires and tent hooks to keep the branches down and open the canopy for better light penetration for the lower part of the plants. 🌞 A good defoliation has been done as well. Watered only once this week with 3 litres of PH-ed, de-chlorinated water and some Silica.💦 600 PPFD was a bit too much for them as I saw signs of light stress so we dimmed back the lamp to 520-540.🌞 Wish everyone a lovely weekend and see you next week!💨👊

29.8. I must to watering every day smart pot from zamnesia, with pure 6.4ph water. I have different phenos, smell is just amazing! Sour, pine... 31.8. Buds getting on some weight 🔥 2.9. Cant wait to taste those buds 🤤 watering day, removeing dead/yellow leaves, photo session!

We’re at Day 37 and the lady is just starting to show those first pre-flowering signs, still vibing in late veg. The growth is insane: she shot up from 25cm to 50cm in just 10 days. It’s crazy because she looks like a totally different plant compared to my other Sticky Broccoli in the tent—this one is a real skyscraper! 🚀 Since my grow is a wild mix of sizes and strains, I’ve got her sitting on a riser for now to keep the canopy even. As soon as she starts the real flowering stretch, I’ll just lower the stand or drop her to the floor to keep her in check. Keeping the levels balanced while she preps for the big bloom!

Day 107 Flower day 51 - Have been flushing for about a week now, was trying to pull another week but I couldn’t keep 2 of them from falling over so I decided to chop them this morning! Will be letting the 3rd one go atleast another week or too & I will compare the differences after cure! Make sure to check back for more updates, thanks for following & happy growing friends🙏🏼🌱✌️🏼

Only given RO water for the past week for WC2 although, WC1 has been flushing for two weeks so I think today will be their last day of watering and then chop them down due to a little unwanted foxtailing in WC2 and the light pulled back. Before chop theyll have a short period in the dark. Probably not going to have another update for a couple of weeks until the drying process is complete though. Both plants are purpling with WC1's being more intense, and the sparkling trichomes is beautiful stuff excited to try them.

MrJones Black Berry OG 🔹🔹🔹🔹🔹🔹GOALS🔹🔹🔹🔹🔹🔹 🌞Flowering Environment - 75/80℉ and 50% Humidity 💧 Feeding - Advanced Nutrients Bloom Regiment - Great APP! 🍃Training / Letting ladies stretch then heavy defoliation under the trellis and cleaning above to open up the airflow. 🕷️ IPM - Will be using Green Cleaner" 1 OZ per Gallon, and CannControl from Mammoth alternating between product each month for Integrated Pest Management. 💡Mars Hydro LED / Veg TS-1000 / Flower 480W FC 4800, this light is just performing very well! 🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹 📜 Rambling - With week 10 here, the ladies are about 2.5 weeks into flower, they continue to stretch nicely, and starting to stack on some buds! 🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹 ▶️ Friday - 03.12.21 / Just feeding and admiring, not too much left now but the waiting! ▶️ Saturday - 03.13.21 / The ladies like their 40 ounces every day, they continue to stack up, the internode spacing should make for some rather lush buds. ▶️ Sunday - 03.14.21 / Fed the ladies tonight, I hope the stretch stops soon, these ladies are just getting so tall! ▶️ Monday - 03.15.21 / Continuing to feed 40 ounces per day - the girls are just lusty drinkers! ▶️ Tuesday - 03.16.21 / The internode stacking is unreal, the leaf production is so fast, thinking I may have to do another deep defoliating! ▶️ Wednesday - 03.17.21 / Cant help to stare at these ladies, they grow so fast think I can see it! ▶️ Thursday - 03.18.21 / Last day of week 10, 3.5 weeks into flower, next week we should see fat stacks! 🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹 📜 Cultivar Information - We have created this strain by crossing the best Black Domina available with Very Berry and our own Lost Coast OG Kush, this plant produces large colas with a super intense sweet berry flavor with a sweet-smelling aroma that varies from fruit and berries to sweet candy. This lady offers tight internal stacking giving a perfect structure for those super heavy colas, which is perfect for growth both indoors and out, if grown outside she is fairly resistant to mold and powdery mildew which is a real bonus with such large colas. 🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹

The plats are not been trained, defoliated or anything, grown naturally. I’m blown away how fast this plants are growing. First time outdoors and the experience is very nice, I love the fact it requires little to no effort, in the setup I have chosen. As it is raining a lot, I’m using only a dry amendment I have built to use on them periodically, this way I’m not adding more liquids to the root system that is already highly saturated, essentially I’m using the following recipe update, I don’t know if it is correct but I live it all mixed. Use about a table spoon and a half every 15 days. - Azomite 500g - Natural fosfate 500g - Biochar 1kg - Bokashi 1kg -Kelp meal 500g -Mamona meal 1kg -chicken meal 1kg -Potassium silicate 500g -Gypsum farm 500g -Diatomaceous earth 500g -Bunny guano 300g -Bat guano 1kg -Oyster shell powder 1kg -Cow blood meal 1kg -Cow bones powder meal 1kg. -Wormcastings, spare use not in the mix. The plants are showing good coloring, no fade and no deficiencies, the green is not to deep, nor too light. As the leafs are taking a lot of water and strong sun and wind, the leafs are feeling a bit. As the wind is high since day 1 the stems are very resistant, strong. The Fastberry Is on the smaller size if compared to the other plants, together with the Banana purple punch, then we have the Bluedream and the CBD crack on the larger sizes thriving a lot, I expect to approach the end of flowed in a few weeks, the girls are very fast indeed. I’m looking forward to collect the fruits :)

I’ll update ya’ll on the smells and tastes after drying and curing! So far both are packed with ice and smell very potent, a little overpowering still, so I want to give it some time before they’re cures and can show their true terpene profile!

Week 6 - Maybe the last vegetative week. Everyone is topped and LST. I think I will let them grow in peace this week (Ill just fix the lst, no more toppings or cutting fan leaves) and install my scrog net

Week one of flower is here.

bueno se hizo una por primera vez una cosecha por partes, como indicamos en el post anterior, se cosecho los cogollos donde la luz pegaba mas al parecer y estaban mas desarrollados, la cosecha fue con tricomas blancos tendiendo a transparentes con pocos ambar, en opinion ya luego de una semanas y una segunda cosecha, es que cosechamos pronto por temor al pasarnos al ser primera vez, entonces posiblemente nos apresuramos un poco ligeramente o confundimos los tricomas tendiendo a ser transparente por los blancos que es lo que indica la teoria el punto de corte, pero no nso quejamos quedo genial! subiremos el segundo punto de corte luego de 2 semanas . LAS ULTIMAS FOTOS LAS DE LAS 2 SEMANAS MAS 2DO CORTE.

Our beauty is now 4 weeks old and continues to grow strong and healthy. She has already surpassed 18 cm in height, showing excellent progress. The light schedule remains 12/12, and we continue to monitor her response to these conditions. The daytime temperature stays steady at 28°C, nighttime at 21°C, with humidity maintained at 65%. We are consistently feeding her with Xpert Nutrients fertilizers, ensuring she gets all the necessary elements for active growth. Additionally, we are continuing the use of CO2, which, based on our observations, has a positive impact on development. A huge thank you to Xpert Nutrients for their high-quality fertilizers, helping our plants grow strong and healthy!

2 part Harvest. 95+ Grams I got from this pheno. Took about a week to find the bottom 3rd. She is lovely, gasey & fruity. Smooth smoke with a lil bite to the back of my throat. Xpert nutrients did 90-95% of this grow. Love 'em. Will definitely be a fastbud do over. I wouldn't mind a few jars of this. 9.5☆

Que pasa familia, vamos con la cosecha de estas Gorilla Zkittlez Auto de FastBuds. Por dónde empezar, es una autofloreciente que es normalita de cultivar, tiene un periodo corto de crecimiento y de floración igual no es largo, o igual tendría que haberla dejado alguna semana más no entiendo bien. En cuanto a la alimentación , pues la aplique una vez por semana y a sido suficiente, se a comportado bien en interior, la flor pues no es muy prieta porque no deja de ser una autofloreciente, pero es una flor que va repleta de tricomas. El periodo de luz pues de principio a fin a 18 horas, fue suficiente para completar el ciclo de vida como esperaba. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Hasta aquí todo, Buenos humos 💨💨💨

Black Runtz from Weed Seeds Express is a real showstopper, with its deep purple buds practically dripping in frosty trichomes. The aroma is a mouthwatering mix of sweet and spicy, with hints of grape and berry. But what really sets Black Runtz apart is its striking appearance. As it matures, the leaves fade to black, creating a beautiful contrast with the sparkling trichomes. And let's not forget the calyxes – they turn black too, adding to the strain's unique and exotic look. Black Runtz delivers a powerful punch of relaxation and euphoria that'll melt away stress and leave you feeling amazing. If you're looking for a top-shelf strain that's both beautiful and potent, Black Runtz is a must-try. I recently upgraded to the GrowPro Solutions Under Canopy lights, and wow, what a difference! The colors on my plants are seriously popping – they look so vibrant. Plus, I think it really helped them finish strong. If you're looking to boost your grow, I'd definitely recommend checking these out.

Der Haupttrieb wurde am 16.3. geerntet den Rest der Pflanze am 18.3.