Still pulling top fan leaves to allow the side branches to catch up to the main stem. Plants are enjoying the new root space and increased feed.

Hey there, fellow plant enthusiasts! Welcome back to another exciting update on my P.C.R. journey. We're now into the second week of veg, and let me tell you, things are really starting to take off! These little beauties are soaking up the Aptus Holland veg mix like it's their own personal feast. The growth is phenomenal, and I couldn't be happier with how they're thriving. It's like they've hit their stride, and there's no stopping them now! Let's talk numbers for a moment. My TDS is sitting comfortably at 420, ensuring the plants are getting just the right concentration of nutrients for optimal growth. The solution temperature is a cozy 21 degrees, creating the perfect environment for nutrient uptake. And of course, the pH is a stable 5.9, maintaining that sweet spot for nutrient absorption. Feeding these plants is an absolute joy, especially with the Aptus Holland veg mix. It's like giving them a gourmet meal tailored to their exact needs. I can see the difference it's making in their lush, green foliage and sturdy stems. Every day, I'm amazed by the progress these plants are making. It's like watching a masterpiece unfold before my eyes—a true testament to the power of nature and the wonders of cultivation. A huge shoutout to Art Genetix for providing these phenomenal P.C.R. genetics that continue to impress me with their vigor and resilience. Your dedication to crafting exceptional strains is truly commendable! I also want to express my gratitude to Grow Diaries for being a platform where I can document and share my journey with fellow growers. Your community support and feedback have been invaluable in shaping my cultivation practices. And to the entire community of plant enthusiasts out there—whether you're a seasoned grower or just starting out—thank you for your ongoing support, inspiration, and camaraderie. Stay tuned for more updates as we continue this green journey together. And as always, a heartfelt thank you to Aptus Holland for providing the nutrients that make it all possible. Here's to another week of growth, discovery, and endless possibilities! Genetics - P.C.R. @Art_Genetix_Team Nutricion @aptusholland LED Power @Lumatek and @viparspectra As always thank you all for stopping by , for the love and for it all, i fell blessed to have you all with me for one more love journey Thank you Thank you Thank you , you guys are great and have been amazing , thank you for everything ! #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trueplantscience #dogdoctorofficial #growerslove
 With true love comes happiness , Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so ! Growers love to you all

Terceira semana de vegetativo Master grow a+b Complex b Iluminação cob cree cxb3590 driver 60w Ppm 1300 Ph 5.8 Defensivos alternados Bio Block ( fat crystal) Enxofre Calda bordalesa Vegetativo em geladeira Vasos de 1.7l

Sour Jealousy Auto FastBuds 2025 Outside Grow Week 7 May 11-17 FLOWER 1 Sour Jealousy has started to flower. She is 18” now after a 6-inch spurt. She really benefitted from last week’s rain. This week’s weather has been cloudy and sunny but the temps ranged from 93 high and low of 53 at night. I watered and fed 2x with Kelp 30 ml/g and TPS1 4ml/g. I included some garden pics and some cool boats. I live in a coastal area with 6 bridges. Since maritime law still governs commerce, the boats have the right of way to vehicles. On this day I got stopped by the bridge opening and was close enough to see the boats. A parade were luxury yachts. Your likes and comments are appreciated. Thanks for stopping by. Growers love 💚🌿 💫Natrona💫

Gorilla Glue #1 - Harvest Comment - I Am Very Satisfied With What I Got, I got 3 ounce 7 grams - I Uses Advance Nutrients PH perfect In veg then I switch to the iguana juice organic juice for the flowering stage. I notice a much more slower growth when I switch to organic nutrients.00

Hola a todos! Espero que anden bien!!.. Les comento que hice esta semana, la he regado con agua un riego y el último hoy, con nutrientes en sus dosis indicadas más arriba. La planta ha crecido mucho esta semana 35 cm en 7 días, ha pegado el estirón, y también han mostrado sus preflores. Esta semana he tenido una humedad alta 70% y no la he podido bajar,pero con humedad y una temperatura que ha rozado los 28 grados por momentos, he notado que las plantas les gusta ese ambiente, por eso el crecimiento que ha pegado. Hoy (17/09 ) ,dia 35, de la Strawberry Gorila Auto he quitado las hojas más grandes que tapaban las ramas bajas, espero que en este momento no estrese la planta. Bueno, no los aburro más, nos vemos la próxima semana!. Buenos humos!!

This one is the runt of the group, but she is still kicking. Started getting some yellowing on the lower leaves on all the plants. I increased the maxibloom a little today so hoping that makes them a little happier. I also changed the setup where the plants dont sit on top of the reservoir. This will make it easier to adjust the nutes if needed. I also hooked up a valve to adjust the water flow because I had a couple overflows last week. These cups are just packed full of roots. This "little" grow has become a lot of work. Chugging along though....

Week5 one plant is doing pretty good. Decided to go for topping then bending, I also cut the lowest branches. The other plant seems to have had too much heat stress and have not grown much.. Especially two of them are suffering so I put them back inside and trying now to make them recover by providing them some humidity with plastic bottles, should work hopefully

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Overall, the garden is doing great. Had a scare with the WW with letting it dry out a little but it looks like its going to be fine. The pistils are starting to change color and leaves are starting to lose color but the buds are fattening up. I can't wait to see how they all turn out.

This plant is ready and I flush it RN, pretty pink dress with a lotta tricomes makes her beautiful Not a big girl so I really hope buds will be good, tasty like the smell she has

D64/FD36 - Not much to really talk about this week. Things still ticking along. Cookies are baking nicely! 😋 SCP in the same tent on the other hand, bit of a slow goer!!! Defs going forward, only 1 strain per res and I think "Cookies" based breeds will be it for me as they're so easy worked with. RAM Oscillating Fans...again, barely 10 days running and it has died!!! WTF! Hydro place will be willing to change again but its a joke, the batch is useless!!! Not the Hydro Shops fault though! They're bending over backwards as I do a good bit of business with them! :) Apart from that, dropped my EC by 0.2 this week (Pulled back on the base and bloom by 10-15%) just because they're drinking but not taking on food at any big rate - rather not poison the roots with a rising EC when they have a wee swallie to themselves!!! Changed the CalMag to Biobizz calmag as no nitrogen in it (it is a lot dirtier in a tank though which is the down side!!!). Apart from that, no real big changes. Happy Growing all!!! 💪

The last two weeks of been fantastic you can follow all diaries individually this is just an overall diary for all three strains. But it has been in school the week call me foliar spray with Neem oil water and it drops soap with a pretty standard mix they seem to be doing very well powdery mildew to seem to of went away and it doesn’t look like we’re too far from harvest now thank you for following

This girl is just frosty as the snowman lol she is so sticky whenever I touch or brush past her she sticks me up smelling beautiful diesely lemon with a nice indica kick she looks like she's starting fattening up can't wait for this 1 not much else to report thanks for reading happy growing guys

Plants are not doing great, more like an absolute disaster. The height is app. 51 cm and 34 cm measured from the top of the soil, far to small and not growing anymore. I think I drowned them a few weeks ago, wasn't paying attention when watering my 2 Sour Diesels and Humbold Seed Headband. Posted some random pictures and a video from the last few weeks, hope you like them anyway.

Update last week of Goofiez 2 the harvest is coming!!!

Hey guys sorry about lack of update been real busy, but the grow has finally come to a end and the star of the show was the blue gelato by a clear distance . I will show rest of strains next week keep a eye out. This blue gelato is bursting with blueberry and cake pheno really nice and strong buzz highly recommended and will surely be keeping this girl around for a few more runs

I've let our girl blue grow for an extra week and I think our base is looking really strong. It's time for topping to creat the base of our manifold. To do this were going to use he Nebula's Manifold technique by Nubula Haze from GrowWeedEasy.com. I'm in no way affiliated with the site or Mrs. Haze but I have found her website to be a great place to start my cannabis growing journey. I've done so much more research now but it did start for me back in 2020 at GrowWeedEasy.com Anyway I've got some video that will explain the method as I top the plant but basically what we're going to top down to the 3rd node and then clean all the extra growth off. This should leave only two growth tips and their fan leaves. Check out the photos and videos for more details. Feeding and light schedules continue as normal.