Likes
Comments
Share
It’s been a long day potting these girls into there new home. All is looking well. Little bit of heat stress but ime sure they will cope 🤞
Likes
6
Share
Start of week 7! Week 6 went really well. The Blue Dream has show the most signs of nute deficiency, but it hasn't gotten any worse. She's also very sticky, with dense buds that are starting to fatten up. This lady is on an 8 week schedule, removed big bud and added overdrive to the nute lineup.
Likes
18
Share
@Roberts
Follow
Zealix is doing good. She is stretching and doing well. Everything is looking good, and she should be developing flowers soon. Thank you Spider Farmer, and Terpyz mutant Genetics. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g.
Likes
18
Share
Hi guys and welcome back to week 12 😉 The plants look pretty good but the smell is even greater! The new dehumidifier does its work and the humidity is much lower now. Before the max was 79%. Now max is 63%. And if you just could smell it!!! You would fall in love immediately 😉 I just let the pictures speak for themselves ^^
Likes
17
Share
@laxx
Follow
WE ARE SO BACK PEOPLE!! 🎉🎉 Welcome welcome back to my weekly update, we got some good and some bad news this week. Bad news first: I will postpone harvesting due to the trichomes remaining clear which I am pretty frustrated about. BUT good news: we got some new light! I updated to a FC-1500 EVO from MarsHydro which got some insane efficiency compared to my last light. I can hang it 10 cm higher with a better light spread and a PPFD increase of 200 (now staying at around 900 PPFD throughout the tent) and all this while taking 10w less! Truly a technologie of all time! 😂 However I will harvest on Wednesday in the upcoming week, because it allows me to have my desired 10 days of dry-time while also maintaining my schedule with starting the Cup-grow February 1st. I also included some Bud Porn this time around because I felt like messing with DavinciResolve again, nothing too fancy though :) 14.01.: - watered all plants with 1L/plant - increased max. temperature to 26 Celsius - decreased the light to 20 cm height ➡️ all of this to boost the metabolism of the plants for them to produce cannabinoids faster and making my trichomes milkier 16.01.: - changed the lamp to MarsHydro FC-1500 EVO - height at around 30 cm while maintaining the temperature levels 17.01.: - watered all plants with 1L/plant - this is the last watering they will receive
Likes
116
Share
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_ 10/14/21 😻 Everything looks great!! It's not often that our seedlings pray like this, they couldn't be happier under this MarsHydro..we should of noted last week that all seeds were placed immediately in their final pot (we do transplant autos sometimes, this was more for convenience) ..being a new light we're a little iffy on distance but 24 inches has them pointing skyward (we're keeping a close eye for any buring)..we typically do 18/6 for all autoflowers but thought we'd try 20/4 for a change..we'll update again midweek..thanks for reading if you made it this far and happy harvests everyone!! ❤️💡🌱😽💨 ⚡Mars Hydro/SP-3000⚡ Specifications ⚙️: Diodes: Samsung LM301B / Osram 660nm (960 total!) Driver: Meanwell 300watt 🔌 (300W±5% @AC120V-277V) PPF: 824umol/S ☢️ PPE: 2.8 µmol/j 〰️〰️ Lifespan: >50k hrs ⌛ Veg Coverage: 3 x 5 ft 🌱 Flowering Coverage: 2 x 4 ft 🌼 Weight: 10.1 lbs (4.6kg) -Uses an aluminum heatsink (no fan) and the driver can be removed to be placed outside the tent 🌡️⬇️ -IP65 waterproof ratings, tolerant to high humidity grow environments 💦 .. -Up to 30 of these lights can be daisy-chained together and controlled from a single light! 💡~💡~💡~💡~💡 ~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_
Likes
2
Share
@Palermo91
Follow
👍👍 keep grow let see what happens next week
Likes
7
Share
Was pumping those buds for the last 2 weeks big time chopped now and hanging to dry
Likes
2
Share
We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
Likes
18
Share
@smoker420
Follow
Some really nice cherry here rosing runs are great on this strain good returns and the rosin has a slight wax texture to it glad i had chance to grow this will be deffinatly growing again
Likes
Comments
Share
ScrOGed this girl in the big flowering tent. Lots of stretch and good development this week. Budsites dknt appear too far between each site. Super excited about this monster cropped plant... thinking she’ll be my biggest yielding Purple Trainwreck plant to date. Crossed this girl with an unknown bag seed. He can either be another pt plant with perhaps a different pheno or a white widow plant based on the seeds I had available as a possibility. Pollinated and marked a branch on this girl, unsure of the strain on the male but whatever he is he’s a hybrid. He appeared indica as a seedling and throughout veg but the sativa look dominated him in flower. Dark green and healthy, I’m excited to see what kind of crosses I can make. Pollinated branches are marked with a green plant tie.
Likes
54
Share
@Roberts
Follow
So Gorilla Cookies is doing okay. She got topped today. She is looking pretty healthy. I think the HPLVD I had been battling got to all my other plants again. This one should be clean due to its isolation. Plus I have always taken care of this one before anything else. So there should be no issue. I am running the G3000 light at 30 percent. Thank you Spider Farmer, and Pure Instinto Seeds. 🤜🏻🤛🏻🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g Spider Farmer G300w: https://amzn.to/3S2zvsd Spider Farmer 10X20 Heat Mat Kit - https://amz.fun/lsa0J Spider Farmer Amazon Store: https://www.amazon.com/spiderfarmer Spider Farmer Official Site: https://spider-farmer.com Discount code: saveurcash (stackable)
Processing
Likes
31
Share
@Endriu
Follow
Hello Bros&Sis! Ciao!😊 quick update! Switching to flowering phase, hope everything goes fine! I've burned some tips due to use of HPS, even if in combo with cooltube. Hopes in some fine stretch to had an even canopy! In the video is shown the first and last day of this week, enjoy!😘 See ya, and always thank you for stoppin' by. Ciao! :D
Likes
16
Share
Today marks the 7th week of flowering for my cannabis plant, and it's truly fascinating to observe the changes that are taking place. The stretching phase has officially come to an end, and now the plant is fully focused on developing its buds. I can see that the buds are starting to swell and gain size, which is a promising sign of a healthy flowering process. I've adjusted the feeding schedule with BioBizz products to match the plant's current needs. Overall, the plant looks healthy and vigorous. The pistils are turning a beautiful shade, and the resin production is beginning to increase. I’m excited to see how the buds will continue to develop over the next few weeks. I’ll keep monitoring closely and make sure everything stays on track. Be excited for the coming weeks 💚🌱🌱
Likes
5
Share
This plant seems to have grown much denser and better than my first plant. I just got the ac infinity ventilation setup with controller 69 for my 2x2, still trying to learn, hopefully grow #3 goes even better. Stay tuned
Likes
1
Share
Likes
41
Share
11/2: They're off to a good start! 11/3: Some of the other seedlings almost immediately started showing signs of N deficiency, but these two are fine. I fed them a little bit today, and am foliar feeding them every few hours with Microlife Super Seaweed. 11/4: They are the most vigorously growing seedlings in the garden.👍 11/7: Growing very well now!
Likes
3
Share
@Lilze
Follow
It’s finally getting a nice green colour This week I changed the scrog net , it’s about 7” above the top of the pots . upped the nutes to 1.8-2 ec. Sprayed with canna cure Watering every morning to about 10% run off Lollipoped an defoliated ,Waiting to fill the net a bit more but will be switching to 12/12 very soon.
Likes
23
Share
28° giorno di fioritura iniziano a formarsi .e profumare
Likes
10
Share
@cezario
Follow
Humidty Around 52% and temp around 20c lights on 75% capacity in the middle of week 2. Will be updating in a few days. So temperature shot way up, it got a lot colder outside so my heating started to work overtime and because the thermometer is in my livingroom, it got prettty hot in the growing room. It peaked at 30 and after i adjusted a few things it has now stabilized at 27 degrees celcius. Humidity went way down (-40%) so i turned on the humidifier and it's now back to aaround 55% Despite that te plants are looking good and the lights are now at 100%.Most plants are looking good, only the one in the front left of the tent is looking weird. It isn't growing it's main shoot, instead it looks like it is developing more of the side shoots. Will keep an eye on it the next few of days. I also sealed the room from light and adjusted the exhaust pipe for better air circulation.