Auto Opium is growing good. She just had a solution change today. She looks like she might be starting to bulk. It's definitely time she starts. Everything has been going good. Thank you Divine Seeds, and Medic Grow. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

It’s been a long day potting these girls into there new home. All is looking well. Little bit of heat stress but ime sure they will cope 🤞

So happy my gorilla glue have started showing their first signs of floweringlast night. One in the front is filmed ( non intentionally ) The back one was toped once. They are flourishing in their growtechgarden self wicking pots

🚂 Cash Express – Pheno A Week 8 | Small Plant, Serious Flower Power Welcome back to another week of the 8×8 Adventure! 💚🌱 If this is your first visit to the diary, welcome! This project brings twelve different cultivars together under the same environment, lighting, irrigation and nutrition. By keeping the growing conditions as consistent as possible, we give genetics the opportunity to become the real variable. And that's exactly what makes this adventure so fascinating. Even when plants share the same room, the same nutrients and the same schedule, they can tell completely different stories. Cash Express Pheno A has certainly chosen her own story. Growing under a strict 12/12 light schedule from seed, beneath the Future of Grow Black Series LED and with her roots connected to the AutoPot system, she has always been one of the smaller plants in the room. But as we've already learned... Small doesn't mean insignificant. In fact, this week she's looking more and more like a little powerhouse preparing to show us exactly what she can do. 🌱 A Quick Recap — How Did We Get Here? The 8×8 Adventure is based around a simple but fascinating concept: twelve different cultivars growing together, under essentially the same conditions, from seed. There are no separate environments designed to favour one particular genetic. They're all sharing the same room. The same light cycle. The same irrigation philosophy. The same nutrient programme. And that's where the fun begins. Cash Express Pheno A started her life under a 12/12-from-seed approach. For anyone new to the diary, this means she wasn't given a traditional vegetative period followed by a later switch to flowering. Instead, she has experienced a 12-hour light / 12-hour dark cycle from the beginning. This allows us to observe how different genetics naturally develop when they're given a limited photoperiod rather than an extended vegetative stage. And Cash Express has responded by becoming a compact, beautifully structured plant. She may not have the height of some of her sisters... …but she has developed plenty of character. 🌸 Week 8 — She's Ready to Perform This week, the biggest impression comes from one thing: She looks lush. The foliage is carrying a beautiful, rich green, and the overall plant looks incredibly alive. There are some differences visible in individual leaves, including some colour variation, but when I step back and look at the plant as a whole, I'm extremely happy with what I'm seeing. The flowers are developing. The leaves are supporting that development. The plant looks vigorous. And most importantly, she looks like a plant that is comfortable with where she is right now. The flowering sites are becoming increasingly defined, and those long white pistils are absolutely everywhere. They're reaching outward from the flowers like tiny fireworks. And behind them, we're beginning to see the real structure of the buds developing. This is the stage where looking at the plant every few days becomes incredibly rewarding. Because suddenly... what started as little white hairs is becoming a flower. ? The White Hairs Are Taking Over One of my favourite things about photographing Cash Express this week has been watching the pistils. There are so many of them. The flowers are throwing out fresh white hairs in every direction, and they're becoming increasingly prominent against the darker foliage. When you look closely, you can also see the beginning of resin development around the sugar leaves. It's still early enough that the flowers have plenty of work ahead of them, but we're definitely past the stage of wondering whether she's going to flower. She's flowering. And she's doing it with confidence. The coming weeks should be particularly interesting because the plant now has the basic flower structure established. From here, the question becomes: How much weight and density can this little lady put behind those flowers? That's what I'm watching. 💚 Small Plant… Lush Plant I know I've said it before, but this phenotype keeps proving the point. Height doesn't tell the whole story. At around 72 cm, Cash Express Pheno A remains one of the more compact plants in the 8×8 Adventure. But visually? She carries herself beautifully. Her branches have created a very manageable structure, and the flowering sites are distributed throughout the plant in a way that makes her extremely interesting to photograph. She's not trying to dominate the room. She's simply doing her thing. And right now, she's doing it very well. There's something particularly satisfying about seeing a smaller plant suddenly become so full of life. She's compact. She's green. She's flowering. And she's looking hungry enough to tell me: "Don't you dare slow me down now." 😂 ⚗️ Feeding — When the Plants Ask, We Listen This week we made another small increase to the nutrient programme. And yes... We're already above the manufacturer's chart in some aspects of the feeding schedule. Normally, charts are an excellent starting point. But plants don't read charts. Plants tell us what they need. And these girls have been asking for more. So we're responding. For Cash Express Pheno A, this week's feeding included: Plagron Terra Bloom – 2.2 ml/L Plagron Power Buds – 1 ml/L Plagron Green Sensation – 1 ml/L Plagron Sugar Royal – 1 ml/L pH adjustment products as required Compared with last week, Terra Bloom has been increased slightly, from 2 ml/L to 2.2 ml/L. It's not a dramatic jump. It's a controlled adjustment based on what we're seeing across the room. And Cash Express certainly doesn't look like she's complaining. Quite the opposite. She looks lush, healthy and ready to put that nutrition to work. The AutoPot system continues allowing the plants to take up solution according to their own demand, with approximately 1.2 litres per plant per 24 hours recorded this week. So, as always, we're watching the plants rather than blindly chasing numbers. If they ask... We listen. ? Those Purple Stems — Yes, They're There Now let's talk about something visible in the photographs. Some of the petioles and stems are showing a noticeable reddish/purple coloration. It's definitely there. And whenever I see something like this, I prefer to document it rather than simply ignore it. At the same time, I don't want to automatically label every purple stem as a deficiency or a problem. Genetics can influence pigmentation significantly, and environmental factors can contribute as well. What matters to me is the whole-plant picture. And that picture currently looks very positive. The foliage is lush. The flowers are developing strongly. The plant is producing plenty of fresh pistils. The flowers are showing resin development. There isn't a widespread pattern across the plant that makes me think she's struggling. So for now, I'm doing what I always prefer to do: Observe rather than panic. The purple coloration is part of the story, so we'll keep watching it. If the plant continues looking this happy, producing flowers and maintaining healthy new growth, I'm certainly not going to start changing things simply because one characteristic caught my eye. Sometimes the plant is simply showing us who she is. And Cash Express may just have a little purple personality hiding underneath all that green. 🌡️ Environment The room continues providing a stable environment for all twelve plants to develop together. This week's recorded conditions were: 🌡️ Day temperature: 29°C 🌙 Night temperature: 25°C 💧 Relative humidity: 60% 🥥 Root zone temperature: 21°C 💦 Nutrient solution temperature: 22°C ⚗️ pH: 5.8–6 range recorded ⚡ EC: approximately 2.0 mS/cm 💨 CO₂: 639 ppm 💡 Light schedule: 12/12 🌱 Plant height: 72 cm 💧 Water consumption: approximately 1.2 L/plant/24h Once again, consistency is allowing us to compare these plants in a very interesting way. They're living the same life... …but they're certainly not telling the same story. 🌿 No Rush — Just Reading the Room One thing I really enjoy about this project is that we're not forcing every plant into exactly the same schedule just because a calendar says it's time. Training, cleaning and defoliation are tools. They're not appointments. If a particular plant needs attention because its structure is becoming too dense, we respond. If another plant is perfectly balanced and doesn't need anything... we leave her alone. That's the philosophy I've been following throughout the 8×8 Adventure. The room itself tells us when intervention makes sense. And Cash Express Pheno A continues to show a structure that doesn't need us to overcomplicate things. She has already received her LST during the earlier stages of the grow, which helped create the framework we're now watching develop. At this stage, the priority is increasingly simple: let the flowers develop. 📸 Behind the Lens This week might be one of my favourite photographic updates for Cash Express so far. The macro photographs really show the contrast between her darker foliage and those bright, almost luminous pistils. The flowers are beginning to look increasingly complex. You can see the developing sugar leaves. You can see the resin beginning to build. You can see the individual flower structures becoming more defined. And then there are those beautiful reddish tones running through some of the stems and petioles. Photography has a funny way of making you notice things you might otherwise overlook. You can stand in front of the plant and simply think: "Wow, she's looking good." Then you put the macro lens on... …and suddenly you're discovering an entire little world. That's one of my favourite parts of this project. We're not just growing these plants. We're documenting them. 🔮 Looking Ahead — What I Expect… and What I Don't The next week should be particularly interesting. 🌸 What I expect: I expect the flowering sites to continue swelling and becoming more defined. I expect the white pistils to remain extremely prominent while the flowers continue building structure. I expect resin production to become increasingly visible. And I expect this compact little plant to continue proving that she doesn't need much height to make an impression. 🌱 What I don't expect: I don't expect her to suddenly become the tallest plant in the room. That's simply not her personality. I don't expect us to force her into a particular shape just because another phenotype behaves differently. And I don't expect us to make unnecessary changes while she's telling us that she's happy. For now, the plan is simple: keep watching, keep feeding according to her response, keep the environment stable, and let Cash Express do what Cash Express does. She's earned the opportunity to show us what she's capable of. And I'm very curious to find out. 🚂 Small Plant. Big Personality. Eight weeks from seed. Around 72 centimetres tall. Surrounded by plants that could easily make her look small. And yet, when I put the camera in front of her... she fills the frame. That's the beauty of genetics. One plant wants to grow tall. Another wants to grow wide. Another wants to stretch. Another wants to stay compact and quietly build flowers. Cash Express Pheno A? She's chosen the last option. And honestly... I wouldn't change a thing. She's lush. She's beautiful. She's producing flowers everywhere. And she's starting to look like she's getting ready to show us what that little frame can really produce. The next few weeks should be fun. 🚂🌸 💚 Thank You Thank you so much to everyone following along with the 8×8 Adventure. This project continues reminding me why I love growing different genetics side by side. Twelve plants. One environment. One methodology. And twelve completely different personalities. A huge thank you to GrowDiaries for giving growers a place to document these journeys, share knowledge and learn from one another. Thank you to Zamnesia for the Cash Express genetics and for giving us the opportunity to discover what this phenotype can do. Thank you to Plagron for providing the nutrition supporting these plants throughout their journey. Thank you to Future of Grow LED for the Black Series lighting powering this adventure from seed through flowering. Thank you to AutoPot for the irrigation system that allows these plants to regulate their own demand and drink when they need it. And a special thank you to LumiFlora for the under-canopy lighting helping bring additional light into the lower areas of the plants. And finally, thank you. To everyone reading, commenting, following, sharing and simply enjoying this adventure with me — you're part of what makes documenting every week so much fun. Cash Express Pheno A may be one of the smaller girls in the room... …but she's certainly making herself heard. Growers Love, my friends. I'll see you next week as this little powerhouse continues writing her own story. 💚🚂🌱

welp i pushed them 1 more week and now they are receiving the flower nutrients, i gave these ladies a heavy defoliation last week and as you can tell now it does not even look like a took a leaf off.. will possibly give 1 more like defoliation and then let them all put on the weight, lets see what these ladies are made of 😆

So after conferring with one of my dispensary-grower friends, he said that its likely because I had "dry patches", which essentially means, that certain areas of the pot were not getting wet and the roots down there were dying. After being more attentive about evenly watering, and a little defolitation, she's back to looking her old self. Even better actually. She's loving flowering, almost to the point of screaming to me "FINALLY!", and I couldn't agree more. Its been a chilhood dream to be abke to grow my own weed. So after all these years, I am beyond excited. Its so close I can almost *smell* it lol. SideNote: I also took two cuts for clones incase this bud turns out to be bomb.

Esta semana hubo mucha humedad por intensas lluvias ..asi que la planta no ha sido regada ya que el 26/03/24 haré la poda de la planta.

This girl smells amazing...She was also pollinated a couple day ago with the SKUNK #1. I can't wait to grow those seeds. No complaints this week...It's rainy season here so I'm just working around that.

Sorry for the late update. Was noting much the back left one of ice cream cake was a bit messed up with the feeding but hopefully i fixed it. This is why I love growing learning from my mistakes and correcting them… hopefully 😂🤞🏽

Nice and frosty Smells like grapes Don’t think it’s going to get purple

Week 6. Im watering every 2 days. Fish shit and mammoth p every 3rd water. Rest just ph'd water. Alot of tricombs on the Purple Punch. Getting fat and juicy. Probably gonna ha4vest the Purple Punches in a week. GMOs finally coming along starting to fatten up and become a bit crystally. They still got 4 weeks or so left.

2ª Settimana di Fioritura 💐💐 👁️: rieccoci amici con la nostra Sticky Broccoli 🥦💧! Continuano le operazioni di training per tenere tutte le sue cime a livello della rete per sfruttare al meglio il sole SF2000 🔆. ⛽: come succo continuiamo a darle la base ph Perfect di Advanced nutrients, big Bud e Bud Candy ... il tutto miscelato con della buona acqua piovana 👍🏻💚

Hello friends, this week is interesting, busy, and even enthusiastic. I put compost tea for all of them only, wish you happy days🤗

SEMILLAS MEXICANAS | SEGUIMIENTO: DÍA 14 DE FLORACIÓN (SEMANA 2) ​Proyecto: Evaluación fenotípica en Planta Madre Multi-injertada (9 cultivares sobre portainjerto Jarilla Sinaloa). ​Respuesta Fisiológica y Stretch: Los 9 brazos (Banana OG, Galletas, Gelato, Black Domina, White Kush, GSC, Skywalker OG, Critical Kush y Cheese & Kush) mantienen un stretch activo bajo 12/12. Se observan variaciones en vigor, longitud de entrenudos y estructura según la variedad. ​Compatibilidad y Canopia: Uniones de injerto mecánicamente firmes, sin marchitez ni rechazo. La canopia muestra crecimiento vertical heterogéneo, bien estabilizada con tutorado individual y etiquetado para trazabilidad. ​Fisiología y Sanidad: Ápices activos de color verde claro y follaje maduro uniforme. Sin signos visuales de patógenos, colapso de tejido o plagas. ​Fertirriego: Manteniendo el protocolo en sustrato Coco 50/50 con riego automatizado (8 micropulsos, solución a 24 °C y 20 % de drenaje. ​Conclusión: Segunda semana completada con éxito. La planta muestra excelente compatibilidad de injertos y una diferenciación morfológica clara entre variedades .

FASTBERRY (Fastbuds) 28 days from sprout. Easy nutrient feed at about quarter strength recommended dose. Tried some leaf tucking and pony tailing. She seems to respond well.