Glue 31 - Compound Genetics Day 100 🚿 Watered every 3 days with 2L of RO tap water pH'd to 6.3. As she is approaching harvest, I have slowly reduced the nutrients until she was receiving just plain water. From today, she is just about half way through flush, so another watering and then she'll be left to dry back. ✂️ I've removed some of her larger sugar leaves from around the flowers at the top canopy to improve light penetration, as well as the usual inspections for mold and pests👍🏻 🌸 Week 9 of bloom, Her flower has bulked out really nicely and she has just been maturing for the last few days - her trichomes are mostly all cloudy and her pistils have dried and turned amber 👌🏻 By looking at her, I'd say she's just about ready for harvest, so I'll water her once more, let her dry back and then she'll be harvested 🙌🏻

Defoliation and lst of the four super sour s1 and the 2 peanut butter soufflés as well they are growing great. Flipping to flowering in the next 3-4 weeks

Many updates this week !!! I bought a new tent, twice as big as my initial (60x60 to 120x120), which gave me a lot more space for the reservoir and for the plants. Now I'm feeling like a professional They started to bloom this week and include liquid koolbloom in their diet. I believe that all the work of LST and scrog is almost over and I am very hopeful of having a great harvest with a yield above expectations. Wish me luck =)

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 6 of flower on sour crinkles and week 1 of flower on green gelato

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Day 14 flower gonna tidy up around day 18-21

Yield Pheno #1: Dry flower yield: 287g Fresh frozen for Live Rosin: 1 kg Bubble Hash (Micron 70–159u): 44g Pressed Live Rosin: 28g Yield from fresh frozen: approx. 2.8% Pheno #2: Dry flower yield: 297g Aroma & Flavor Pheno #1: Dry flower: Skunky, green, fresh with strong pine notes and gas. Very old-school, almost boring in flower form. Rosin: Sour and gassy, with fruity-sour overtones that are very nose-catching. Rosin texture: Cream-colored, relatively dry consistency. Pheno #2: Dry flower: Sweet and candy-like, reminiscent of Blue Cookies. Not too loud, but gassy undertones present.

Yo guys whats up Check out my videos and lemme know Im trying my best to keep up MY girls are doing very good Im just too busy right now with my son He is 10 months old now and sometimes I have to leave behind the girls thank God I had built over the past months a great setup and I keep improving every time I have budget so it is very kind of you every like you give and every Comment is a blessings for us as a family you guys help us a lot to continue promoting and growing the best medicine in this world, thanks brothers happy growing and keep enjoying our diaries we will keep posting once we get the time and space for sure stay tuned Now this PPM 1000 lowering down to 800/600/400 Until we are done for the remaining weeks Also we stop adding nutes for like 2 weeks now or so We only add water every Day Like 300ml at least to keep them hydrated But for us is best to add one 1.5 liters then wait for them to drain and leave them like that for like 3-4 days until water in the bottom is full absorb this forces the roots to go and drink water which makes the plant grow bigger... I know THESE are autos but you would be impress depending on the genetics of what they're capable of The only thing that really f them up is time They dont go back just forward so yeah Got to be quick Anyways how you doing guys Happy growing thanks for everything

-I moved the tent next to my heater because temps were dropping and humidity went above 65% at night -removed the scrog net for convenience -besides that not much happened sorry for the few photos. Next week will be more detailed

Chopped on day 84. 2.96 Oz of flower after 7 day drying. Will update review post cure and smoke report. Smells like grapes so the name suits in perfectly

Week 10 since switched to 12/12h. (it's in time if the first week of blooming is deducted.) Trichomes're 80% cloudy. I didn't find any amber trichome yet. Pistils are 50% orange 50% white. Today I started flushing the coco (a lot!). I really don't want any sign of fertilizer in my pot. So, from here no more food, only plain water. Suggestions are always welcome!

D64: Well, as I mentioned in yesterday´s report, she has some kind of deficiency I cannot tell why, so I presume it is salt buildup - which I can see from outside the pot a little more than usual - from the heavy feeding. So in that regard I flushed her and watered until it runs with 6.2 pH water. Did a little defoliation for the last time, from now on she won´t be getting anymore training nor defoliation. I expected her to be a little bigger by now but at least the seems like a fast runner and will probably finish on the estimated time by RQS of 10-11 weeks. D65: The deficiency don´t seem to have evolved. From day to night she developed some nice purple on the leaves! D66: The defiency seems to have stopped and she has a lot of dying leaves, I think it´s natural and not related to the deficiency. D69: She is getting ready.. the thricomes are looking overall about 60-70% cloudy with some clear and amber, some more days, maybe a week and she´s done. D70: Well, last day of the week and unfortunately last day of the life of this beautiful girl. I guess she had 1 or 2 more weeks still but today I woke up and she had mold – Botrytis -. It was on the low buds, closer to the ground even tho I didn´t even water, but the problem I found out later what it was: 88% humidity during the night. Now, I trimmed her all and put to dry, which will be a problem since the humidity outside is 90% and it doesn´t stop raining in this time of the year. Let´s see how things go... keep following for the harvest week and review in a few. Thank you very much for reading my diary. Peace ✌️

Hey growmies, So I'm into the final 5 days of Flushing before harvesting and hanging up to dry!!. All I can say at this point is this plant smells absolutely amazing very potent is smell and looks. She is so frosty under a light its unbelievable. I have also just started a journey on edible cakes,pastries. Some pics I will put up from a previous harvest of grape gusher and wedding cheesecake. I cannot wait to cook and make butter and oils with this beauty.

strong healthy

Ya tenemos una semana de floración y vemos cómo la planta comienza a mostrarnos el desarrollo de la flor con sus primeros pistilos espero seguir viendo el desarrollo de esta planta y documentarlo perfectamente 🙏🙏

🥊 🍼Greenhouse Feeding BioGrow & Bio Enhancer ⛺️MARSHYDRO The ⛺️ has a small door 🚪 on the sides which is useful for mid section groom room work. 🤩 ☀️ MARSHYDRO FC 3000 LED 300W ☀️Also special thanks to VIPERSPECTRA P2000 (200W) & XS2000(240w) LED growlights 🌱 FASTBUDS 420

Start of week 3 flower the small plants didnt stretch too much cannopy is filled with only 3 plants :D top lef: critical top right: critical super silver haze bottom: purple Haze Ro water with 250ppm calmag by GHE Then added basic nute (4-6-6)Npk ratio untill the ppm hit 1500

Not long now! Trichomes turning milky. I would think within the next week she will be harvested.