First week of flowering! There are already small hairs coming out, so that's the third female i got from some bagseeds

Was such a pleasant harvest from start to finish, no issues at all. A tip for next time would be to have the SCRoG lower as I couldn’t really tuck any node sights this time round, smells absofuckinglutely amazing from 3RD week bloom onwards!

- BioBizz Light Mix soil - BioBizz Nutrients used according to their schedule - stopped LST

Hello. I've finished, cured and put away the Sleepy Joe. It didn't have the strength I was hoping for but it is still nice to smoke. It gets you couch locked and sleepy so before bed stuff. Plant #1 Wet Plant - 875g Dry Buds - 99g Plant #2 Wet plant - 1085g Dry Buds - 114g Plant #3 Wet Plant - 871g Dry Buds - 92g Plant #4 Wet Plant - 807g Dry Buds - 116g Plant #5 Wet plant - 967g Dry Buds - 99g Plant #3 was the strongest and I'm going to reveg it. Thanks for tuning in. Chuck.

Notbtoo much stress this week....LST, Screen in place...bout ready to just let it take its own course as soon as the screen is filled....the TD is growing great...wanted to try FIM with it but ultimately just topped it while i had the chance...as i defol the GG i figured while im just tossing out useless branches i figured id try a few clones out, 🤷‍♂️🤷‍♂️ yea i know most think its a myth but why not?...anywho, stay tuned for the bud show in the next few weeks...surely to be quite the sight the way this GG is fillin this screen...salutaions growers🤙🤟

This week in my perpetual auto garden all by Tastebudz. - Purple Punch is in the back left corner & - Mimosa is in the back right corner. - Vanilla Frosting is in the front left corner. I hope to harvest her this Tuesday. Flushing with 2 teaspoons per gallon of unsulfured blackstrap molasses 1 gallon total added to the reservoir. - Peanut Butter Cookies is in the front right corner I hope to harvest her in about 10 to 14 days. Flushing with 2 teaspoons per gallon of unsulfured blackstrap molasses 3 gallons total added to the reservoir. * FYI The Unicorn burst that I'm germinating is by Gas Reaper Genetics.*

Lem cook wee

31/03 Belle pousse.🙂

Suite du rinçage et récolte de la première plante, la deuxième à besoin d'encore 2/3 semaines je pense ! Placée dans sa box de séchage, 20°C et 55% d'humidité.

Hey everyone! Another week down, and the heat has officially entered the chat. A brief stormy spell kept things cool last week, but the moment it cleared, the box jumped to 31°C during the day and 28-29°C at night. The Stickies are holding their ground though, no visible heat stress so far, and terpenes are starting to come through beautifully alongside a solid trichome build-up. On the feeding side, runoff EC came in 0.8-0.9 points above input. Message received loud and clear: I'll be dialing the nutrient solution back accordingly. Now for the elephant in the room. The dominant Sticky simply will not stop. Every stem reaching the light has been super cropped in an attempt to contain her, but the side effect is that half the box is now sitting in her shadow. The real frustration? Those same overcrowded tops are shaping up to be the most promising colas in the entire grow. Timing and space haven't done them justice this run, but the potential is undeniable. Nothing left to do but trust the process and see what next week brings. Good luck to everyone and as always critiques and advice are more than welcome! 🙌

Have you ever smelt alien sweat? Not me but if I was close enough I'm almost sure this would be the smell of it, the Kosher Tangie is really smelling like something out of this world, there is not much big buds in my view but her smell and bud structure if definitely something to witness, cant wait to roll one stay tuned.

GELATO-K BY KANNABIA WEEK #20 WEEK #9 Flower Mar 22nd-29th This week she it's starting to show she's almost done. Leaves are getting yellow and dry. She's also getting purple hues in her buds. She has some large buds covered in trichomes she's definitely a producing plant that can also be trained to your growing desires. She smells outstanding!! Thank you for taking a look!! Stay Growing!!

After 11 weeks, I harvested the plants in two stages. It went faster than I thought, and the yields are impressive. The yields are much better for the four plants that I was able to keep shorter in height. They developed more dense, firm buds than the taller four plants, which is why I harvested them a few days later. I only watered with water during the last week and lowered the light to 600-700 ppfd. I'm drying now at 20 degrees Celsius and 55-60% relative humidity until the first stems snap, then the herb goes into hygrometer jars for curing. This time I trimmed wet because there were some really thick branches, and I didn't want to risk mold. All in all, it looks like a good harvest. I misjudged the height with this strain. I thought I could keep the plants relatively short by using topping and LST (low-stress training). This only worked for half of them. One of the plants was about 3 cm below the light, which is really suboptimal because I have no space above. I might have chosen a smaller pot size and swapped the plants' positions more often. I was also a bit too cautious with defoliation and pruning, but this was planned as an experiment to grow bushier plants, which didn't make me as happy in my application. Due to the high CO2 content, the cannabis grows exceptionally bushy and leafy. It requires regular pruning. The buds themselves have turned out really well. They are nice and firm, some quite large, and covered with many trichomes. The smell of the strain is less intense than I thought but still very pleasant.

Growing well.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

***Sponsored Grow*** = Medic || https://medicgrow.com || Grow = ***Sponsored Grow*** This week has been interesting, I was getting some weird runoff numbers in terms of EC/PPM and PH, so I decided to try and bring the PH up with a flush of high PH water into the medium. I did not have any PH up on hand so I used borax, PH of 9-10 plus it will help kill off any microbes in the soil that I believe is causing the PH swings. After doing this and getting the PH I wanted in the solution I released that the amount of B in the solution was to high and would cause more issues down the road, It was late in the day so I left the next flush to fix the excess B till tomorrow morning. Morning came and when I processed to flush I added in a bit of peroxide to the water and a dash of dish soap to break the waters surface tension so it flows through the pots more easily. This was going fine till it started to not drain out at all. I think it was foaming up in the medium and preventing a normal flow, plus on two of the pots I lost my perlite that sits on the top of the medium. I had to massage the pots "like when you transplant" to make then start draining again and then purchased a Yucca extract to help it flow through. Everything is back to normal. The pots are really root bound and should be transplanted but its mid flower and that's not going to be happening. I also don't know if I'd even have the space for it. I added in a b1 vitamin as well on recommendation of grow shop as apparently their other lineup I purchased did not have any. No idea if its working well only first week in the feeding. The Cytokelp is fun, but the one hormone in it is similar to a PGR but its not a real PGR. I am skeptical of it and not using it as foliar, just root watering. I also added in a bit of CaMg supplement that gave the plants a boost in N and Ca. The mg of this product was lesser then others I have seen about a 5:1 ratio of Ca to Mg. after the big flushes the runoff was hitting 120ppm so I gave it a good feed at 1.8EC Time will tell If i fucked it up royally by doing all this, this Kannabia plant is still doing ok, its been having some issues with N and Ca, can see on the leaves some prominent signs it needs more Ca, so hopefully the addition helped this week of CaMg. Some of my other plants are also discoloured but not to the same extent as this one. All the plants are still stretching but it seems slow to me. Maybe it will continue going but it only put on about 4cm in the last week and a half. Feels slow. I may see more stretching in the next week upcoming and it just had a ruff start. Lights still running at 100% with V1 spectrum, everything seems to be working just fine, no light burn. Till next week. ***Sponsored Grow*** Official Website: https://medicgrow.com/ + https://www.kannabia.com/en Facebook: https://www.facebook.com/medicgrowled + https://www.facebook.com/kannabiaseed/ Twitter: https://twitter.com/medicgrow + https://twitter.com/kannabiaseeds Instagram: https://www.instagram.com/medicgrow420/ + https://www.instagram.com/kannabiaseedsint YouTube: https://www.youtube.com/channel/UCNmiY4F9z94u-8eGj7R1CSQ + https://www.youtube.com/c/KannabiaSeedCompany Growdiaries: https://growdiaries.com/grower/medicgrowled https://growdiaries.com/grow-lights/medic-grow + https://growdiaries.com/grower/kannabia https://growdiaries.com/seedbank/kannabia

Well this was the last week! Had to chop her for various reasons but she’s pretty much done! I will let the pics and videos do the talking! I will update in 7 days with details of the harvest weights etc 😎

I was selected to test some of Fastbuds new genetics. Seeds germinated in 48hrs and 5 days later it broke ground and hasent slowed down. This grow is in my 4x4ft grow space located in an uninsulated shed. Each plant has a dedicated 150-200w LED from Viparspectra or Mars. Winter Temps in my area spike to -15C or more in Jan and Feb, so this will be an interesting and challenging grow. The grow room is 20-30C above ambient temperature, so there is a little manual and auto manipulation of grow Temps. See my video Lights 50-75%, 30 inches, 75-120w per plant Soil temp: 21-25C Light cycle: 5:1 Air temp: 18-27C

Ha sido una buena semana, la temperatura no bajado tanto como la semana anterior, y he regado cada 2 días para que no se estrésen por falta de agua. Solamente a la más alta le hice una poda apical, para trata de uniformar con las demás en altura. Le agregué 1,5 ml/L grotek bud fuel para comenzar a estimular la prefloracion, y aumentare en 2 horas más el período nocturno.