Poor Skunk Apple really is the runt of the litter. I think we can blame my rookie mistake of giving it a gallon of water that was way too strong. It's been struggling to recover ever since. Hopefully this little guy will catch up eventually, but I'm not gonna hold my breath. Well, another year has come and gone. Yesterday was New Year's Eve, and I want to wish all of you a happy and healthy 2025. May this year bring you all the things you've been wishing for. Let's make this the best year yet! I can't believe how much my plants have grown during this stretch! It's like they've been on some serious plant steroids. They've all at least doubled in size, some of them even more. I have a hard time with overwatering, especially now that it's harder to let them dry out. I just don't know if I'm damaging the roots with all this growth.

the headbuds of the rainbow triangle were already harvested with the other plants (Forbidden Nectar and Sunset Kush Pop Clone), as one of the thick headbuds had already a little bit budrod We left the rest of the plant for another week. During this week, the lower buds really put on weight again. The head buds are already dried and will be cured. The rest has now been hung up to dry.

Next step...harvest 😎🤘

She’s still a one floor house between skyscrapers but probably she will become bigger one day 😛

Videos for week 5

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Info: Unfortunately, I had to find out that my account is used for fake pages in social media. I am only active here on growdiaries. I am not on facebook instagram twitter etc All accounts except this one are fake. Have fun with the update. Flowering day 2 since time change to 12/12 h. Hey everyone :-). Yesterday it was put into bloom and can now develop beautifully 👍😃. In the next few days I will remove the bottom shoots and add 2 g GHSC Powder Feeding Bio Bloom per l cocos. Of course, cuttings were cut into the flower before moving 👍. I wish you a lot of fun with the update. Stay healthy 🙏🏻 You can buy this Strain at : https://www.exoticseed.eu/ Type: Herz Og ☝️🏼 Genetics: Larry OG X Kosher Kush Indica 60 % / Sativa 40 % 👍 Vega lamp: 2 x Todogrow Led Quantum Board 100 W 💡 Bloom Lamp : 2 x Todogrow Led Cxb 3590 COB 3500 K 205W 💡💡☝️🏼 Soil : Canna Coco Professional + ☝️🏼 Fertilizer: Green House Powder Feeding ☝️🏼🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.5 - 5.8 .

I've been slacking on here, too much going on. 😥 ended up giving the outside one away Day 74 since sprouting Week 6 of flower Have rearranged almost every day since last update! Currently and hopefully until the end, she's in the 2x2 Spider Farmer with Seedsman Northern lights Auto. Had to raise light as far as it would go.

Week 4 Veg🌱 Some very selective defoliation this week only removing as little as possible to get as much light to the lower developing bud sites as possible. All 3 females are showing signs that they are starting to transition into the the flowering phase which is pretty cool. It’s been challenging keeping up with the feed requirements when feeding in just coco but all 3 plants seem to be healthy. Continuing to tie down the main stem to help open up the canopy. Hopefully the next week shows some good growth again as they start the stretch phase. Peace ✌️ 🕊️🌱

Sour stuff! Great daytime smoke and head high

Cambio timer a 12/12 cambio spettro,e con il controller cerco di imitare il sole di fine estate,uso le co2 tabs nella soluzione dei nutrienti

Mother of seeds has gone purple. Waiting for tricombes to get a little more amber. A very aesthetic plant

Photos and video Day 78. Can't control it, temp got a bit higher during day/night. Started low EC feed. Will probably harvest main colas of the gorilla on the right side in 7days(if anyone more experienced can confirm ?). Rest will wait a bit longer (Gorilla on the left and lower buds gorilla on the right). They probably want more light hence its only 150W LED, maybe will try some reds for next run

A l’origine acheter en auto mais il y a du avoir un bug du breeder passer 2 mois j’ai compris que c’était une féminiser classique en tous cas début de Flo enfin sachant que je l’avais lancé que mi mai

11/3 Week 6 Watered roughly one gal each @6.5PH, Fish Sh!t 5ml - Karo 1 tps /gal Flower Girl still in the pot, no deficiencies I can see, well new ones :) Mag-Sulfur Foliar spray (Epsom Salt 1tbs/gal) on all as leaving cal-mag out this time Moved the two healthy plants to the center of the light, they can use it, the others might respond well to lower levels. 11/4 Better pics uploaded Placed Brandy on a block of coco coir to bring her canopy up to Layla's level. Moved Maggie to the corner she has a stretch going that I HOPE is ending and I dont want to set the lights to her. Watching that plant carefully Considering a PK boost watching only Layla for that as the other two ... well hell what can they tell me? 11/5 Working to getting the canopy under control with one stunted plant and another stretching like crazy. Put a block under Brandy to move her up level with Layla. Trained down Maggie this growth needs to end, it was already stressed. Still giving light pref to healthy plants. 11/6 Raised lights three clicks, increased extraction, showing some heat stress in those edges. 11/7 Good results on the heat stress curling has ended. Noticed some improvement also in the tops of Brandy and Maggie, so raised lights another couple of clicks. See if it continues, coming up on a make or break feeding in couple of days. update Foliar Feed All - Epsom Salt 1tbs/gal Well Maggie's came today - To runoff- 1% peroxide - 5ml CalMag - PH 6.8 Hitting Sulfur as hard as I can. Before pics posted Brandy not dry enough waiting Layla just got fed but she got pics too as there are signs of Mag deficiency 1 gal 6.5 PH - CalMag 5ml - Fish Sh!t 5ml - Bio_Bloom 5ml as a PK booster JIC 11/8 Video of plants 24hrs after giving Maggie the h2o2 1% , think she looks better lets see how it goes 11/9 48 hrs after treatment and Maggie is showing great improvement, serious improvement in leaf structure and coloring. Pics at lights out tomorrow new week anyway. Brandy showing some improvement but its early. Canopy is level now so lights set to Maggie being slightly taller ***Last update before the new week.*** May have found ONE of my problems,certainly not THE problem, but one. I have been using lemon juice as a PH UP since we went organic late last spring. Because of all the problems I have been looking into a lot of things further and found that lemon juice begins to degrade as a PH up after as little as an hour. A 6.0 PH water gallon can go to 6.5ish in 24 hours simply sitting in a dark corner in a jug. One can imagine the variances in soil. Why I dont know but I am going back to chemical PH additives post haste in fact its already done.

Normally I am not a plant abuser (at least not in the literal term of the word) but the last few cycles I have been very superficial in the care of my plants. The result is lovely but not very large plants. I'll make up for it with the next few cycles <3

Hey welcome to the start of week 6. Week 5 is now complete with daily updates so check it out! Misty is still my least popular diary. I do not know why because she is awesome! Perhaps because she is a mystery strain? Day 38: stretching fast now, wish I had space to LST this girl but after latest LST on Nesia there is NO room at all except upwards. Let's hope she stays under 1.5m. 😏 Day 39: Okay I moved all but the big pots and fan out. I still don't have space to LST Misty. I will have to wait until Bertha or Karen are finished. Hopefully it wont be too late. 🙏🏼 Day 40: She's putting in around 2cm a day right now. Fertigated 4l. Height: 35cm Day 41: Misty continues to stretch. I have adjusted the timer such that the main tent is now getting 20/4 upped from 18/6. After monitoring DLI at 18/6 for a week I am unhappy with the overall level but because of the varying heights of the plants I am limited in what I can do in adjusting the light height. Some areas were only getting 20 DLI. So I have rearranged to have the taller plants on the edges and the lowest in the middle and doing it this way all plants are getting between 35 and 50 DLI at 20/4 - although one or two cola tips here and there are getting 55. Will monitor for a week. Day 42: Alright I finally managed to find a way to organise the tent to get a bit more space for Misty so I'm going to do her first major defoliation and adjust the LST. I will update again when done. Done. Photo's added. Fertigated 8l. This was a brutal training session. I was very hard on her removing a lot of foilage and performing both extreme LST and some HST. Don't worry too much Misty will rebound from this. I will need to reapply further LST in a day or two when the nodes all straighten up. I did the same thing to Nesia on day 42... however she had been continually LST'd so I was less hard on her. Let's see what happens. Last but by no means least... I am starting to wonder if Misty is actually another Amnesia Haze Auto... she's very very similar to Nesia.