This plant was an absolute joy to trim. This plant consisted of buds and stems only, so I am actually curious what the dry weight will be.

Plant is growing fast now. The hot days are back, but we are still going strong.

Que pasa familia, hemos vuelto para actualizar las skunk que ya tenemos cosechadas. Que gran genética, y muy típica entre fumadores de hierba, un crecimiento más indico pero floración lenta bastante lenta, en teoría se supone que es Sativa, 17% thc en la tas con un tamaño medio pequeño pero flores mi compactas y dulces, un cultivo ni fácil ni difícil, sin más, bastante neutral para los cambios climáticos algo sensible con el aspecto alimentación. La recomendaría en verdad, sobre todo para aquellos amantes del dulce. Nos vemos en próximos proyectos fumetillas

March 7, 2019 Update: Cream & Cheese CBD have been fed this week with MegaCrop and Cal+Mag Pro. I'll start flushing this weekend for a week. The Cream & Cheese has the longest buds of the plants in flower. She's really very lovely. Looking forward to the first hit! 👍

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

MATARO BLUE by KANNABIA Week #13 Overall Week #12 Veg This week she's doing good no issues to report great genetics being outside she had dealt with the heat and elements. Stay Growing!! Kannabia.com MATARO BLUE

She is thriving and has been my favorite auto Ive grown so far. Always wanted to try some Ethos genetics and I finally got the chance.

Only 7 weeks to go. I'm noticing some leaves are browning. It's mostly leaves that get little light, but I believe it may be over watering. Gonna reduce how often I water for right now. The plant itself smells little to me, to others its very noticeable. Not skunky at all, more of a cookies and cream scent I believe. Also slight wpm residue, tried watering thru the leaves because of how low the plant is. Terrible idea.

Eine rechte Enttäuschung. Durch den wochenlangen Regen schwer ramponiert und dann kam danach das große Krabbeln.

Low bucket grow =))) First week i use 2 65w 6500k led bulb using lm301b chip led. 18 hours of light per day. I'm not using nutrient yet

Hello my grow mates 😇 As first week occur I cannot complain at all. She start to develop a foliage and it is a little to much for her, so today (Day 7) she was supported 💪 Please have a good evening, You Lovely Girls Growers 😇 💪 🙏

Have seen a lot of good diary’s on these had to get some for myself to see how it goes! Hopefully we get some super purple buds! Stay tuned & happy growing friends!🤙🏼✌️🏼🌱 Day 1 - Finally got them planted & water with fox farm big bloom (6tsp per gal) Day 2 - all 5 have sprouted & doing great! Day 3 - 2 out of 5 seeds have fallen off but they are all still growing & looking good! Watered them a little more this morning👍🏼 Day 4 - Looking great🙏🏼 Day 5 - Grow babies Grow!! Day 6 - Plain PH water 6.4

Starting the week with PH water and calimagic. Fed and defoliated this week.

Ginger Nut Cookies & Aussie Music Videos Week 16 Harvest 17 th April 2020 This Entire feminised seed making and growing project was a very good learning experience for me. Right from the very start, when I successfully got a Cutting ,taken from a Barneys Farm Red diesel female plant to produce feminised pollen after treating it with a silver thiosulfate solution. I then used it to pollinate a Fastbuds Girl scout cookies auto plant and let it grow to maturity. This only produced 3 viable seeds one of which is the subject of this Diary. I made up the name "Ginger nut cookies" after a variety of cookies we have here in Australia that are made with ginger. They are the same colour as the distinct red hairs on the red diesel buds. And would you believe those same vivid red hairs were passed on to this plant so I wasn't too far off the mark with the strain name. Her flavour however is nothing like red diesel or girl scout cookies and infact as taken on a smell and aroma all of it's own. She has a lovely tropical fruit like taste and the smell is a bit like fruit yoghurt. It has an unreal after taste on the exhale and the lingering second hand smoke smells very sweet and enticing. She has a pretty well balanced high too not as potent as the GSC nor as energenic as the red diesel but just a pleasant mix of the two. It was a very easy to grow and undemanding plant that didn't seem to require a lot of extra feeding other than the 100% organic nutrients that were within the soil and a few things like compost teas etc. The other element of this diary was of course the weekly Aussie music videos That I provided the links for and put up a little video clip preview of each Artists song. Week 1 Dance Monkey Week 2 Gotye Week 3 AC/DC Week 4 INXS Week 5 Dire straits Week 6 Yothu yindi and Midnight oil Week 7 Divinyls Week 8 Was Request week where I asked growers to pick and because only 3 growers put in a request I decided to choose all three which were Kylie Minogue , Flume & Airbourne Week 9 Paul Kelly Week 10 Daddy Cool Week 11 Cold chisel Week 12 Jimmy Barnes Week 13 The Angels Week 14 Crowded House Hoodoo gurus Mental as Anything Week 15 Empire of the sun Big Pig , Silverchair , Peking duk Grinspoon , Hilltop hoods and the White stripes And Finally for the last lot of music videos I have chosen another multi list bonanza of Aussie Music with the artist/s name and Youtube link below. So in no particular order here are my last choices for this Diary its been a fun grow with a steep learning curve. John Williamson True Blue https://youtu.be/ceWKrsJX9N4 Nick Cave and Kylie Minogue Where the wild roses grow https://youtu.be/lDpnjE1LUvE John Farnham Your the Voice https://www.youtube.com/watch?v=tbkOZTSvrHs Powderfinger Pick you up https://youtu.be/4Ha-dtNXTM8 Slim Dusty Pub with no beer https://www.youtube.com/watch?v=8E0aZ387M_I Men At Work Down Under https://www.youtube.com/watch?v=XfR9iY5y94s Icehouse Great southern land https://www.youtube.com/watch?v=3mkidP2OUCk Before I go I'd like to thank all of you who read & like my diary updateseach week you are all awesome!! This is a great platform full of great growers and great people : 1: The End.......

Back on track today is Day 35. In the past I have fed lightly I dont like burnt tips but with the variety of strains in this grow with the co2 I bumped it up a little. Some strains like the Polar Vortex 6 are much more sensitive than some others so it was unavoidable. Other than the tips they are all doing pretty well. The Cherry kush mints in the 4x8 in my eyes is clearly a beast it had the shortest veg time and caught up to most of the big girls. Also its development has been impressive with a unique terp profile at this stage. The sleeper is the garlicane 5. I've grown most of these once or twice before but with the upgrades and the co2 that one has developed nicely and looks like it will put on some serious weight. Things will start to heat up over the next couple weeks. See my IG for some promo codes @bangdangbuds

day 2 - week 7 of flower has started and tbh it feels like the flowers are not growing too much at the moment. lets just hope paitience pays out and just continue just as before. she is still being H2O stressed, but not only getting water every other day. if i see her leafs hanging in the day time i also give her a good amount of water so shes not being tortured :) day 5 - got a new LED light today, so no more shitty NDL pics. also i found brown leaf tips on some sugar leafs and i will give her more water now. at least a little. i think it is caused by too much H2O stress. i will keep you updated on that day 7 - day 2 i said it feels like the buds aint grow fast enought, but if i compare todays pictures with last weeks i think she is doing just great! still will have to give her at least 1 or 2 more weeks until i can think about harvesting but she looks good in my opinion! because of H2O stress, she got a little more water now and also the tips are just fine and seem to dont brown out any further.

In size they grow ;) attempting to keep mainlining and light defoliation. biggest plants starting to flower up. gonna feed her with bio pk, next watering sensing that the other plant is a little week behind. 24-05 sweet cheese got her first dose of biopk

The buds are starting to be big and smelly, they are fattening and we can see her grow day after day. We are super happy with this breed and we can't wait to see more from her. Some bigger leaves are full of pollen and that makes us hope for the best. Hoping everything keeps going well 😀