Happy new year every one, The girls are doing okay I think the runtz and blue cheese are entring flowering stage. Our star is doing great, maybe some feeding issues or light burn. Otherwise they are doing great. 7.01.26 We are going into flowering already I have increased the light to 70% and left it a bit as the runtz go so long and still reaching to the light. Blue cheese have choose to be compact hopefully we will see her Stretching in the next weeks. And our star the one and only pineapple expresses is doing extremely well I love how she looks 08.01.26 A slow day with the girls, nothing major just a little defoliation for the our star as she was getting so bushy so I give her a hair cut. And for the other girl just some of the old leaves.

It was easy to harvest she was very small jut cut it quickly without stalks the wet weight is 17 g of the buds, nicely coated with THC and it was approx 70% milky and 40% amber trichomes. Hopefully good time to be harvested. This site has changed can not update and edit the comment section. The smoke is nice it is kind of relax and strong high. Not the best but not bad at all. I like it.

Everything is still alive thankfully and smells fuckin tremendous. The pictures were taken on day 49 or 50. I'll probly start flushing some of them over the next week the citradellic are lookin close. They kinda all look close even tho I expected some 70 dayers with the mostly sativa crosses but I gotta get in there and check the trichs. Didnt get enough nug shots of this one, if your interested come back friday and I'll get some more on the next feed.

Buongiorno amici! I draghi di coccinella stanno mutando🐞🐞 e la piccola BRUCE LEMON DIESEL AUTO di SUPER SATIVA SEED CLUB sta buttando fuori dei bei fiorellini! Ha un bel tronco pricipale robusto ed un profumo già intenso🚗

Fifth week of flowering. I see a difference every day. I'm starting to fear them. Every time I open the tent, a sweet scent wafts through the room.

Die buds bilden schon trichome und werden voller sieht sehr gut aus bis jetzt

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Fed all four twice with half a gallon nute water, PH 6.3, day 43 and 49. Video and photos from day 50.

Impressive how this plant managed to grow despite the few hours of light .. I guess what it could do with a better season than this year (there has been a lot of rains) and in a place where it grows with constant light.. anyway I am very happy with her, I would also say proud of how the growth went. In the last few weeks, as you can see, the plant has suffered an attack by caterpillars that have eaten some of its leaves in a short time, the plant has remained very strong anyway. I tried to remove them manually until they disappeared completely Before proceeding with the cut, I put the plant in the dark for 48 hours, further stressing it by shocking the roots with ice cubes. I've never used these two methods, but I've heard a lot about them. some say it is useless while others say that these methods work to increase the production of trichomes and terpenes. We'll see, I'll share my experience with you as always. Also follow me on Instagram for daily updates! Keep growing fam! Much love 💚

Apricot auto has loved everything that’s been thrown her way. All the way from topping her to feeding her,she’s taken it all very well. The topping and low stress training I’ve performed is aiming for that even canopy and so far that’s what we’ve got🔥

Вона вдячна. Не рубайте листя та гілки ніколи. Тільки LST і ScrOG . Листя можна забирати лише сухе - мертве, яке рослина сама скидає

Well it’s been another average week. I topped once more and did a slight defoliation. She bounced right back happy as can be. She started showing signs of sex this week and well, IT’S A GIRL! The clone I took from her 2 weeks ago has finally started to show roots. It took it a bit longer than I had hoped and it’s showing some deficiencies, but we will let it root out a bit more and then plant her into a pot. I plan on using some mycorrhiza when I transplant it into its new home to help stimulate fast root growth. The temperatures in both tents were getting a bit hard to control and I needed to have better control over both tents individually. I originally had them daisy chain ventilated together and now I am using 3 fans with a Y connection to individually control their climates. We have added a CO2 bag to help increase growth in the vegitative tent. You can check out more of my posts that aren’t available on growdiaries on my Instagram: @kind_budz_crops Please follow along as we will be announcing our first giveaway soon! Thanks everyone!😁

Crusing through week 3 no problems. :) frost already showing really pleased with this one so happy I got 9 more seeds of this left :) ready get a tent filled with gelato only. But I lovd my mixed runs :) rest of the plants are doing great new phone :) as well super pleased with the camera quality

Day 60 and a new week, with lady #2 starting to show her age by getting some more yellowish fan leaves. Sugar leaves on both started to show a very lovely, deep violet color. By breeder information they should be ready in 60–63 days. I guess it will be a few more in my case. Lady #1 is foxtailing a bit. Summer grow, definitely, and it was over 30 °C outside most of the daytimes, so I couldn’t avoid peak temperatures of more than 31 °C fully. Like every indoor grower – no restriction to this kind of plant only – I like to see self-grown green become big and bushy, but I guess with a 1,60 m tent it‘s better to stick with shorter specimen. Even some fan leaves are getting into their autumn dress now, and wow, I like their style! Pistils are still white to more than 50%, so ne reason to check for harvest proximity or to feed them pure water only. Day 62: With their cola foxtailing, tallest bud is now at 91 cm. Color is gaining saturation. A bit more intense leaf curl on very few of the uppermost leaves; nothing to worry about at this stage. Think I can do a microscope tour soon, even if I know it’s too early. ;)

My little skunk apple runtz lady man I am disappointed so far with this plant not much can be expected from a pollen chuck seed I made myself but I think it will have nice smoke in the end just not alot most likely The day has come and it's time to flip these ladies to flower. I was planning on letting them go untill Friday and let the smaller ones grow just a bit more but they will be fine. I have the eternity cup contest in mind and I'm thinking timing so I need to get these lady done and out my tent lol. This past week I turned the light up alot getting them ready to flower they have grown a bunch inhavendone lst maybe 5 it 6 times on the branchs and they arw nit bendy anymore that will help durring flower.

Flip the switch to 12/12. All ladies looking pretty good. @sereneoo22 Thank you for dropping by!! Water with Yucca/coco water/root wise Phos/ rootwise enzymes. ph to 6.2. Day 4 #flowering #livingsoil #barneyfarms #lsdbarneysfarm #peyotecritical #pineapplechunkstrain Top#2 #mainlining #rosettastonexx #brothersgrimmseeds #opticsled #urbnatural #timbergrowlights #trainingday #weedyoga #composttea #boogiebrew #dragonflyearthmedicine #fatflowers #lushroots #Brilliantblack #NaturalMystik #Radiantgreen #redwrigglers #buildasoil #mulching #coconutwater #aloewater #rootwisemycrobe #covercrop