Vegged for 19 days in the big tent and 2 weeks f seed in propergation room proir. Week 1 day 1 of flowering cycle. Started on Saturday 22nd June. Bring on the summertime heat . I wonder how these girls will cope.

**** WEEK 10 **** both hulks shaping up to be some real beasts. just can’t beat good ol sunlight

Beautiful flower full of trichomes. Smell and test fantastic. Very fast flowering. She was done on day 49 but I cut her down few days later. I love the strain, the only thing that I will like this strain to have is a better yield. Beast quality buds I ever grew.

The plants are looking really healthy, I've been defoliating here and there to get the light to penetrate to the lower leaves and branches. They have started to bush out from topping them last week. I started using Mammoth P Microbes halfway through last week. They seem to have grown a little quicker since adding them. The plants are still being fed 4 times a day at 1 minute each feeding. No signs yet of which is female and male, I am planning on pulling all the males once they show signs.

Day 14 VEG: A good week of settling in and heading outwards to the pots edges this week. No stress , just a nice, relaxed , adjusting to the world they will inhabit for the next 10 weeks or so. They are nearly all on their 5th nodes now so will possibly begin to play with the 5th growth nodes this week to break the apical dominance ( focus of energy on the main stem and bud) . I do like how neat and tidy autos can grow naturally but they can also get leggy and waste a lot of grow room vertical space that is always at a premium for me in my cramped , awkward space. I plan to now use 3 different methods on the Amnesia haze to compare side-by-side as we grow. Will hopefully answer some questions about the methods and which produces better results. One will be topped , one f.i.mmed and the last one trained over horizontal at the 5th node but uncut. The last method is better suited to a wider pot than the ones I am using but will be worth a try !. They are currently happy and healthy with no signs of any genetic issues but the #2 is in a more compacted soil which has resulted in an odd rectangular shape to her overall footprint. Her middle leaf points are retarded on all of her fan leaves so far and it will be interesting to see how she progresses too. The Girl scout cookies are also nice and healthy looking so far with no concerns at all. I plan to defoliation one of these ladies at intervals and stripped her right back during flowering while the other one is kept intact with a light defol as it grows to avoid light blocking only. Again this could answer a few queries regarding autoflowers and defoliation for a few of us. I hope to make this an interesting and informative run and welcome any comments , advice/questions or general chatter as we go along. ANY SPONSORS WITH TOO MUCH MERCH OR STUFF TO TEST , I AM GAME LOL. Just saying...... Until next time growmies. Be well UPDATE DAY 15 LST. today I started working with the ladies and completed the planned methods for them #1 Amnesia haze had the F.I.M which inhopenworks ( irony at it's best!!). I chose topping of Amnesia haze #2 as she looks like her nodes will be quite far apart compared to the other 2 and her lower growth was nowhere near as bushy as her 2 sisters either. This topping should stop her pushing the height of the lights up for her lankinness. #3 is going to be pulled over on her 5th node once it is long enough to pin down to 90° . Girl scout cookies have been cleaned of their 1st and 2nd nodes so i can focus the attention on the 5 remaining mains as they grow out more.. watch this space.lol .

Week 15 was a blast. I think she‘ll be ready in about 12 days.

Week 2 of flower roughly and all plants have begun the shift to cotton balls. Except for the males of course but, they’re grown som hefty sacks also😉. As it turns out we have 3 males, not 2. That might present an option to harvest pollen off one of em to actually save for future use. We’ll see how it goes. Other than that - all plants are performing generally well. Certainly we’ll enough to make some seed babies so let’s get to it. I figure nuts start bust’n in about 2 weeks or so yall! Giddy up and slap dat ass - we gotta make ourselves some bit ‘o awesome😎. Background Fingers crossed that these Spicy Bitch regs provide at least one male so that we can back build some stock of it. In the event that does take place we’ve got a single clone of each strain from the previous pollen chuck to sit in the tent with them so they can make babies for the next few months. The whole point of the last year was to start making some foundational genetics for a third generational cross we could call our own. If you’ve been following along than you’ll know that it’s been anything but easy. Our previous pollen picks didn’t pan out at all so we’re back to the drawing board with a new option from ExoticSeeds. This’ll be a 10 plant run with 5 regs and 6 strains for pollination including the strain itself. We’re running in a 2x4 MarsHydro grow tent all powered by a Mars Sp6500. That’s a little more than 600w packed into half the recommended footprint😳. Why? you ask - because we like our buds big and overcompensatory😂. Really, I’m just of the mind that we can pack more light into this space than recommended and get much better results. The math doesn’t lie. At least not as long as I wasn’t high when using the calculator again….. Many thanks to @MarsHydroLED for the opportunity to test run the equipment👊. In addition, we’ve also moved to a new nutrient system - Druid Nutrients out of the Netherlands. They don’t really have a presence on GD yet but you’ll be hearing about them very soon I’m sure. The beauty of this system is that it’s literally a 1 (one) component system for the entirety of the plants grow cycle. It really has changed the game in terms of ease of feeding and maintenance. It’s also very versatile and seems to provide everything needed across multiple different strains in the same ratios. Keep your eyes peeled for these folks. Pretty much a guarantee that they absolutely blow up once more people know about them👍👌😎. Strain Background Spicy Bitch: predominantly sativa, heavy yielder with a daytime kinda trip profile. It’s a cross of Queen Mother and a Pre-2000 AK47. We’ll pull what pollen we can and hope to have a female run out a larger supply of seed for the future. Many thanks to @Exoticseeds for the chance to give these beans a go👍👊. Pollination Strains: Holy Surfer S1 - this is one of the focal points for this cycle. A fellow growmie was kind enough to ship over some S1 genetics I took an interest in. The only ask back was that if I did cross it to send a few his way for testing👍. Shoutout and cheers to @blendmedmedman. Hoping to have something back to ya in short order. For full details on this alluring hybrid option check my buddies link at seedfinder - https://en.seedfinder.eu/strain-info/Holy_Surfer/Smiling_Tiger/ Northern Lights - this came from a particularly interesting batch of seeds that have shown a very dependable variegation trait. It’s a compact and squat plant requiring very little maintenance. Typical for the strain really. It’s been chosen as an option to potentially mellow out the high , shorten the stature of the resulting hybrid and inject it with some of that mellow indica effect. Boogie Nights - total shot in the dark. Still haven’t even tried the strain myself yet but it was available at the right time and interesting enough to make a salad with. Big thanks to AMS who’ve been nothing short of an excellent seedbank to collaborate with. Expect similar growth characteristics to that of the Northern Lights. Better resilience however. Blueberry - this particular clone is from extremely strong stock. Spliff seeds broke the mold with this strain. She’s lower maintenance than the NL, more resilient than anything else we’ve got on the menu and the terp. Profile on this girl is out of this world. If we can bring any of these qualities to the cross, then it could be magic👌. White Widow - garrghh, I just can’t get away from this particular plant. Again, still haven’t even tested the buds yet and all I can say is that the growth characteristics are extremely vigorous and desirable. This plant is one of 3 unicorns that I have yet to tame due to a combo of extremely bad luck and circumstance. All told, it’s still the same story: a VERY experimental breeding project designed to shotgun a broad swath of genetics against a reliable and dependable Breeder who’s put out proven fire 🔥🤟😎👍.

Into 2nd day of week 3. Jealousy/Green Poison inside the Epic Attic Tent 1.2x1.2x1.6. Growing Under 'Karma EVO 3' SkyWalker OG Inside unbranded 60x60x120 Tent. Growing under 'Karma Stealth 1000'

I'm super thrilled for this one. I've been wanting to get my hands on it for about a year now. It's a great night time, migraine removing, sleep inducing strain for me. I hope the phenotype I have works just as well. I topped and defoliated every plant. I'm trying to form them into canna-bushes. Hopefully I'm doing the correct training procedures to make them all grow that way both indoors and out.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Smell starting to kick in 😁Looks like we have Pineapple pheno on our hands here! 😎 Increase feed on Boost and base nutrients, tho EC was one decimal less than last week due to lower tap water of EC 0.4 (previous week 0.5). Conducted major and final defoliation at the end of this week, arms and hands were so sticky had to wash them with meth. Vertical height starting to take space with even nug formation straight up (Stretch Rate: 1 - 2 Inches per day).

Hello everyone, gardening brothers! my gorgeous nuggets are starting to get a little chilly! ❄️ these girls have risen a lot and we had to adopt more techniques to keep them at bay we had some small led burns .... but nothing serious....

Was really fun to grow this plant!

63 days in, and she is starting to get really frosty. She is maxed on nutes. Still producing lots of white pistols. When I start seeing Amber Trichromes on the flower I am gonna start flushing. Happy farming out there Grow Diaries.

Per me è stata la prima esperienza nella vita nel mondo della coltivazione di cannabis. E si sono soddisfatto e molto contento. Mi sono divertito, acculturato, e ho cresciuto in me una passione. E spero un giorno un lavoro. La mia vita. È una soddisfazione enorme avere il tuo prodotto fatto da te e basta. Non dover fare soldi alle mafie. La zkittlez x og lo scelta perché fumandola a Barcellona mi ci ero innamorato e quindi ho detto faccio questa. La pianta e cresciuta con molta calma però appena è entrata in fioritura è esplosa ahaha è diventata quello che avete visto. Ho imparato molto bene e sto imparando sempre di più per le prossime coltivazioni. Ho adottato l’LST per motivi di visuale dei vicini così restava bassa e compatta ma devo dire che avendolo fatto la prima volta sia venuto molto bene. Devo dire che sono estremamente felice e con ansia aspetterò il mio box da 4 piante Saluti e buoni coltivazioni a tutti 💚

Strawberry banana from permium clone, DHN. Day 5, Roots starting to develop, giving it 450ppm of nutes.

Day 29 Wed 12/14/22-Watered today and FIMed plant 3, so now plant 1 has been topped and is getting LST and plant 3 has been FIMed. Plan2 has only been pruned, so now I'll be able to see the difference of these 3 methods. Day 30 Thurs 12/15/22-Just watered today. Day 31 Fri 12/16/22-Feeding day. Added .5 tsp recharge & 4 ml cal-mag to 1 gal water, reduced pH to 6.2, then divided equally, with one quart for each plant, watering-in 1.5 tsp Dr Earth fertilizer mixed with 1/3 c worm castings and 1 c coco coir. Day 32 Sat 12/17/22-Auto watered today with globes because we were out of town for Christmas with my family. Day 33 Sun 12/18/22-Just watered today and did some pruning close to the main stem on lower branches. Day 34 Mon 12/19/22-Just watered today Day 35 Tues 12/20/22-Just watered today

Mised week 2 And 3 after transplanting to final pot with 2 other 24k golds wich later i removed And let just pineaple Pucker info 120x60 secret jardin box