Well, these girls are well on their way into bloom. They are really stacking it on since the addition of the worm castings. I strongly suggest everyone use worm castings in your soil mixes, even if you are using salt-based nutrients.

Is it ok to chop small bud near bottom for smoke ? I’m just can’t wait for this

This week I tried some gentle LST by just bending the main branch over every day once or twice a day I didn’t use tie downs, I figured for my first grow I’ll keep it as simple as possible and see if I can even get it to harvest. It has definitely grown this week from last, and seems to be liking the 50-50 mix of FFOF and FFHF. I have noticed some yellow on the tips of a few leaves I’m assuming it’s cal mad deficiency comparing with others pictures but it’s minor. I have to say fast buds has a very hearty strain here it withstands well despite not having quite enough light, but I hope that’s something I can change in the future grows. I just worry that when she flips to flower she will struggle more under my lighting configuration and fox tail or larf out. That being said I’m intrigued to see what happens and see what she produces. I see her getting into a stretch getting taller daily and wanting more frequent watering I’m assuming I’ll start to see flower in week 5 or maybe 6. All in all I’m very happy for my first grow and the fast buds northern lights, I agree with others that say this strain is resilient. Happy growing!

Así finalizamos nuestra segunda semana de floración, están preciosas 😍🍀💫 🏆

What an incredible grow this has been! It's definitely up there with my best and favorite indoor grows I've done on Grow Diaries so far. It had a strong, resilient and beautiful growth from the first week when it fell all the way to harvest. Definitely an easy plant to grow that had an amazing pay off in the end. I think it's safe to say that anyone could grow this strain with mid level supplies and minimal experience and get good results. If I ran more powerful lights and kept a more comfortable environment (humidity etc) I don't see why my yields couldn't get even better with each grow. Even at the 4 ounces of good smokeable buds and 1 and 1/2 of trim and larf I was very satisfied . After drying and curing the plant had a strong smell with hints of flowers and sweet fruit. The taste was subtle fruity and sweet too. Where the Blue Monkey really shines is with making concentrates. I was able to do a few different projects with it. First I did some rosin pressing where the return rate was just barely under a 20%, which is very good. A 4 gram squish giving .8 gram back, that's the best return I've gotten off just bud, no kief or hash pressing. Then I decided to make some rick simpson oil. Ground buds and trim, decarb it, put it into the jars with high proof alcohol 150+, let it sit and shake overnight and then strain into a dark tincture, then use double boiler with no open flames to evaporate all of the alcohol out, and suck up into some syringes. I got 12 ml total...which is equal to 12 grams of RSO. It was awesome, you can smoke it, use it for edibles, a good diverse concentrate. * Don't forget to make your mom a care package, she'll be happy.💚 All in all this was the most productive, and educational grow I've had all year. Not to mention the plant and buds were just gorgeous! Thank you @exoticseed this was an amazing seed you created.

LOLLIPOP!!!! TOP DRESS and get outside for the bloom phase!!!!

2 ème FIM , defoliation, je vais commencer un petit LST pour pouvoir installer un fillet et remplir au mieux l'espace disponible, marée 5 min toute les 20 min pour le moment pour stimuler une croissance vegetative , engrais terra aquatica tripart en dose légère,plus plagron grow, roots, enzyme et fish , la grande room a été nettoyé désinfecter et vien d'accueillir les table a marée Trol master pour le vpd et les light Let's grow Une seule solution, l'autoproduction ! Made un France NFSOT

we have the second week of flowering behind us. the plant grows a good 10 cm a week. i have removed the large leaves. unfortunately the german summer is a long time coming. we sometimes only have 8 degrees at night. lots of rain. i hope it's not too much stress for the plant. because of all the rain, it only gets fertiliser every two days at the moment.

Servus Moin! Die Devils Cookies machen sich bis jetzt super. Keine großen Probleme oder sowas.

Tried some lst to get the plants more in the middle. Since this is my first grow I wasn't really sure what I'm doing. Growth seemed to be good in that week. Also added the second Bio Tab Tablet

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Last lap ! This is the biggest plant a grew, def

💚💚💚💚💚💚

Tannin Trail Swag

The temperature had some fluctuations, and the plant got a bit more humidity a little bit of mold on a few fan leaves.. a bit too much water consumption

Week 5 They are really doing great at the moment, by day 35 the DP GB OG is no longer behind and she is growing in a fast paste. I think this are goiong to be big plants. they still have to go in flower so.

This is my 2nd grow of Runtz Auto by Zamnesia. It's a fairly compact strain, smells fruity and this go around smells very similar to poison strains (red poison, Durban poison, ect). I believe the terpene is terpinolene. I wish I could test it😅. Anyways, She was chopped on day 80 Spent 7 days drying Yield: 2.02 ounces dry weight Huge thanks to plagron and Zamnesia. Thanks to the eternity Grow Cup. It was an honor. 🙏

Woche 8: Sie drückt jetzt all ihre Kraft in die Ausbildung ihrer Blüten.

Trying to stop these things from growing but I can't. Waiting on bud tent to finish to move these over. *UPDATE The two big plants both female , so it looks like I'm getting a cloner cause I'm not loosing this pheno it's the ONE , the one I have been searching for. This has been a long process which wasn't fully documented here but it's been 5 long years of growing great strains, just not what I wanted. I hope in flower it has all the traits I'm praying to the marijuana gods that the looking is over for me. I can't even explain how happy I am, I hope for no disappointment in flower.

She's doing great, I defoliated a bit at the end of this week. Just the big fan leaves not connected to a bud sight. Any big fan leaf attached to a bud sight I bound. I just want to keep a clear line of sight to where I defoliated. These buds are so dense I can't see through to the stem. Trichs are still glassy. No amber anywhere. Even the trichs on the fan leaves are still glassy. This wild goddess might be sticking around for a bit longer.