Hey guys . My cutting heating broke 3-4 weeks ago, which was fixed immediately and everything went wonderfully. Now, 3 days ago, the central heating broke down in the entire room, so that at night I only have temperatures of around 13 degrees :-( . One or the other lady is slowly starting to see a phosphorus blockage, as this can no longer be absorbed at temperatures below 15 degrees, like many other nutrients :-( . A friend looked at the heating yesterday and came to the conclusion that a real company had to do it, which is by no means possible for a stranger to enter my room. I quickly ordered heating mats for all the boxes so that the ladies could at least get warm feet. That's all I have this winter full can do . Let's hope everything will be fine 🙏🏻. As soon as the heating mats are attached in the coming days, I will post them in the pictures. Now for the update. Despite the severe cold, the ladies are still doing well and have made good progres . The ladies only had to be watered once this week, each time with 1 l, because it absorbs the water very slowly because of the cold and I don't want to overwater it. I took every single plant in the pot to take a close look at their roots. These are snow white and look very healthy 🙏🏻. It was also the last time neem oil sprayed so that the last trips are finally gone. Otherwise everything was checked and a lot of planning was done, like I do with the heating mats. Since a friend had the same problem in one winter and the heating mats got 10 degrees plus on the pots, I am very confident that it will at least bring something for the last cold month 😃 🙏🏻. I'll start flowering tomorrow by switching to 12 / 12 h because the ladies mustn't get too high because the small flowering tent is only 160 cm high :-) until then have fun and stay healthy 🙏🏻 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this Nutrients at : https://greenbuzzliquids.com/en/shop/ With the discount code: Made_in_Germany you get a discount of 15% on all products from an order value of 100 euros. 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this strain at : Clearwater Seeds Water 💧 💧💧 Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.8 - 6.4 MadeInGermany

The hulk is swelling up at a rapid clip I think she'll have some big buds on her. Started giving less grow down to 2 ml per gal and more bloom. Added in some TNB co2 as well which I usually only use on the autos. Instead of feeding on the previous feed I gave them the enhancer from green house feeding just humic acids and enzymes and they responded very well as I think there was beginning to be a build up. I'm happy with how they look right now.

The aroma of Gelato #41 is simply exceptional, to the point that it fills the entire room with its intense and captivating fragrance. Each cultivation only strengthens my admiration for this strain, which will definitely remain one of my favorites, both for its quality and the sensory experience it provides. *** Gelato 41 has a sweet and creamy aroma, with notes of vanilla, berries, and a citrus touch. The flavor is smooth and creamy like a dessert, with lemon and mint on the exhale.

She finally puts on some decent weight, i keep feeding strong for another week

Very good smell so far, exact fragrance that the other 2 phenos plants Ak420, hoping the best for a good sativa happy energetic high with that sweetness in flavor and aroma, let's see how she perfoms! 👨‍🌾💚🧡

dia 71 - esta semana los cogollos van aumentando y han aparecido algunos tonos anaranjados en los pelos que le dan una pinta muyt apetecible. como se puede ver en las hojas está generando una cantidad grande de resina. en algunos puntos se puede ver alguna deficiencia de fosforo. lo achaco a problemas en el riego ya que estuve fuera unos días y el deposito se agotó. lo bueno es que no debería ir a más y los daños son muy puntuales

Howdy my fellow grow friends as you can see my poorly plant is still doing poorly and my other plant is still firing on all cylinders the only problem I have now is height in my small grow tent I've had to snap the main cola to make it the same height as the rest of the plant but apart from that all good the only thing is I am still getting to grips with filling out my grow diary I have only just realized I have been putting the height of my planet at one and a half centimeters instead of one and a half meters lol 🤬😂👍

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Growing the famous Alien OG by The Cali Connection, highly recommended, not just the strain but the Breeder themselves. I will be putting alot more effort into my diaries and try to provide you guys as much detail as possible all the way until harvest. Any questions guys just ask Thanks & Happy Growing 💚👍🏾🌱

The other plant you see is a gorilla sherbet f1 from sweet seeds.

Sorry guys havent updated in awile Gg4 harvested Tangiematic harvested Ogesus #1,2 harvested Gluebeerry just main cola harvested White rrussian harvested Sweet creme harvested In.the run.left is rhino rryder, royal haze, amnesia gold , amensia haze , forgotten cookies and gluebeery and the new girls Update on 3rd grow going Start a new diary for them today . My cat knocked down the seedlings 3 times zero stunt life which is shocking crazy crackhead .. Quality is amazing for them all yield wasnt aa, much as I wanted believe emerald harvest is as garbage as foxfarm.

Never topped or trained this lady because I’ve planted her 3 weeks later than the others. So happy about her, even because the delayed flowering time of two weeks gave her the possibility to grow properly. With this structure after 5 weeks, now she’s ready to fly!

Siamo all'ottava settimana di fioritura.i fiori

Honestly— grow diaries screwed up big time here. I have two weeks of this diary completely missing after their update. I delete the pics so I can’t re update the lost weeks they deleted. This is week 8 and I chopped up this tester. Came out beautifully! Love the color. The density is on point, and the terps are pine cleaner. Harvest update next week. Big yield here!!!

Hey growmies its flower time Finnaly Frosted guava looking really good , happy and really enjoying her life cycle. This week it's time to start giving her some good nutrition for the flower cycle. Bud candy : 6 ml Tarantula : 6 ml Bud ignitor: 6 ml Voodoo juice: 6ml Giving them for the first 2 week of flower! Hope you all enjoy mi diarie and if you do hit that like button or leave a comment below thanks very much for the support 😃Check out the new Video in the diarie 😃😀😃😄

Hey everyone! Week 7 is here (2nd of flower) and here's what happened this week! 😃 - Both of my girls look very different from each other. Many things could've lead to this! - The one that's on the "front" is developing faster, her leaves are darker in color and they look long and thinner (more Sativa in her DNA?). Besides that? Not so much besides this was a very, veeeery hot week compared to previous ones and that one of my girl is no longer showing Magnesium deficiency, which is amazing! I'm really impressed how things are going so next week I'll start adding some extra PK and see how things develop. I want some biiiiig buds! 😍 Anyway, that's all for now. See you all next week and enjoy the photos and videos!

- Flushed the big 3 with water only - Still gave nutes to 5th seed - Used microscope to check out trichomes from up close - I will be doing a sequential harvest starting at the top and leaving the bottoms to develop longer. - Harvested a few buds off big papi. May be a bit early but I was excited