Plants came back out of their 36 hours of darkness and were a little droopy, so I made the decision to put them outside for the first day of light. Unfortunately they suffered from wind burn so I brought them back to the tent. Foliar fed the plants daily at 400PPM.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This week the GSCE hasnt really done much strechin but buds are filling in nice and starting to get sticcckkyyy. There isnt much smell coming from the llant but trimmed LARF smelt very fruity. Both the BB and GG4 have outgrown the GSCE by far with the BB actually being the largest. The BB could use a little more lollipopping i believe but dont wanna over do it. GG4 has lots of bud sites as well but has a lot more airflow. Have just basically been doing minor leaf stripping when needed.

Leave are still droopy, oh well she says been like that since day 1 but is clear contender in front of the Cheese started same time. Nice bushy structure just like in the 1960-70s👍😂

D36/V32 - 06/05/23 - SCROG net added. Some LST D37/V33 - 07/05/23 - LST on SCROG D38/V34 - 08/05/23 - LST on SCROG D39/V35 - 09/05/23 - LST on SCROG D40/V36 - 10/05/23 - LST on SCROG D41/V37 - 11/05/23 - 👉 Water Change - Pure water for 2 days she's going to bloom D42/V38 - 12/05/23 - 👉 second day of flush

She looks absolutely stunning,very very stinky, super sticky nugs,the perfect automatic plant,she's not gonna be too big but she's super frosty and has a top quality genetic,you can see it on her flowers, she's being fed 100% organically,let's see how this grow ends up💎✌️❄️💚🌱

Still using 24h light and switching places ^^ but still it's a long way to go. Let's see if she recovers

Been a good week explosive growth first signs off early stages of flower few plants come out with spotting and few yellow leafs tent is starting to get cramped tried to spread um out as even as possible with the space we have , first dose of nutrients solo soil nutes we’ve gone with as recommended by the local grow shop

Bestva Quantum Board LM301B / Mr Hide seeds Semana 8 desde germinación Semana 4 de floración En 6 plantas tengo 3 tiempos diferentes. Dos empezaron a engordar de forma veloz y se les ha aplicado PK durante la semana. Dos están un poco más retrasadas, tal vez el equivalente a una semana. Hoy se empezará con PK para ellas. Dos están aún más atrás. Se ven sanas. Buenos humos

This was a easy grow for my first diary I’ve learned a lot for the next one I’m going to dry it for about a week now and then put it in jars to cure

Lemon cherry cookies + lemon cherry cookies +frozen face all have distinct colours and frosty buds with interesting aromas to each plant Have been in flushing for 3 weeks now gonna leave for a one last week for coco to dry out and ripen so can Harvest

Day 5 since time change to 12/12. Hey everyone ☺️. Finally the time has come :-) The lady moved into the flower tent on January 6th, 2021 😁. The day before, of course, a cutting was taken 👍. In the flowering tent, the distance between the plant and the lamp is 40 cm so that she can get used to the strength of the lamp. After 3-5 days I go down to 30 cm. This week it was watered twice with 1 l per plant. GHSC enhancers were added to one wash :-). Flower fertilizer will only be added in 12-16 days as soon as the first blossoms are there :-). Otherwise the tent was completely cleaned and the humidifier refilled. For the next few days I have filled fresh osmosis water in canisters again :-). Next week I will remove the bottom shoots so that the energy doesn't end up going into small popcorn buds 😉. There is nothing more to report this week and I wish you all a lot of fun with the update 😀. Stay healthy and let it grow 🙏🏻🍀 You can buy this Strain at https://www.barneysfarm.com/blue-cheese-34 Type: Blue Cheese ☝️🏼 Genetics: Blueberry X Original Cheese 👍 Vega lamp: 2 x Todogrow Led Quantum Board 100 W 💡 Bloom Lamp : 2 x Todogrow Led Cxb 3590 COB 3500 K 205W 💡💡☝️🏼 Soil : Canna Coco Professional + ☝️🏼 Fertilizer: Green House Powder Feeding ☝️🏼🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.5 - 5.8

Still going fast. They are quite compact, and look healthy. Everything is alright

Beginning 11th week flower going to give her another 5-7 days Any day now!

Switched to light wavelength bloom mode Total Par 900 Used Power 400 All System Power 487w Day 34

End of week 4 of flower and plants are looking good except for the one plant #2 which still has the copper coloured spots on quite a few leaves and purple stems as well, going to bump up the cal mag on next watering, was worried about fungus nats, only seeing a few now on yellow stickies, but thought maybe the larvae got to plant 2 so I added nematodes to all plants 2 days ago, can’t hurt right ? I WOuld really like to hear your thoughts and recommendations.

DAY49 7 Weeks Buds are hard. Smell is extreme. Very limited amount of spidermites under some leaves. No reason to exterminate them, because next week I'll probably harvest the plants. The smell of the Triple G is fanastic, Big separated buds. The Cookies Gelato are more sativa style of buds than I'm use of them. There leaves are turning purple. The Liberty Haze has a lot of small leaves in the buds, and thet got amasing blinking white flowers. Probably this will be the plants I'll harvest the last, because they need some extra flowering time. The Wedding Gelato is creamy, lots of trichomes and is fast flowering. But some flowers got budrot. I'ts hard to get the humidity low because of the rainy and misty autumn outside.

Seedling popped above ground 05-05-2020. It is a bit difficult tracking temperatures and humidity since shes growing basically outside. Humidity ranges from like 20%-90% throughout the day/night. Temperatures differ every day depending on the weather as this small plastic greenhouse does not really contain any heat. The timelapse is not optimal at this moment as the camera's time was off by 2 hours and starts/stops timelapses based on sun up-down. Timelapse uploaded, more pics on their way.

12 on 12 off, missing my girls... I spent about 35 mins tops with them during the week, and then I love giving them the attention they deserve on the weekends, what else is there to do when the worlds gone mad? 2nd grow on the "smart plug cycle" and the cost is so low..I am extremely happy with the SPIDER FARMER SF2000, but there's times I just want to plug in the 1000w to penetrate deep into the plants but the reasons for the LEDs is to grow some heady herbs for less. LEDs can get expensive but its just start up costs, after that you don't have to change bulbs and you don't notice the pull on the electric bill. WIN WIN the ladies have been busy this week and producing which means i'll need to go in tomorrow and do a clean up. happy growing! ...GOOD VIBES here!!! HAPPY GROWING!!!!! 1/26/21 had to switch up watering today due to demands from the plants. This is where it gets tricky, 2 weeks left of feeding before flush and all I am trying to do is keep as many leaves possible to feed all those buds. I am usually just a big bud person but I recently purchased a hash machine and I know a couple old heads that still love bubble soooo... THE SEED PHARM.... I will be going back very soon for more of this nice plant and something different. THERE IS NEVER ENOUGH ROOM!!!