Day 78: This week I only gave them water with regulator, humic-blast and ezymen because they where ready to harvest. Those others from last week where kept inside a dark room for some days before cutting them down. By doing this, your plants will increase making thc. In the middle of this week i also putted some plants inside the dark/drying room to make them ready to harvest. These will also be in the dark for a few days before I harvest them. At the end of this week all other plants are in the dark as well for a couple of days, i will keep them in the grow room because there is no point to move them to the other room lol. Because i put them into the dark for days instead of cutting them down, I can cut them fresh and put them in drying nets instead of putting the full plant upside down on ropes. I will use a cutting machine for this.

Week 16 Happy Easter week. 4/9-15/23 Flushing, nights in the dark with cold feet. This is week 2 of flushing before the harvest. Sunday I flushed each plant with 1 1/2 gal of filtered water after layering ice the top of the pots. After flushing they were just put in the room not in the tent. I had an ocsellating fan moving on a medium speed. Moved to the garage for the night. Tuesday flushed each plant with 1 1/2 gal of filtered water after layering ice the top of the pots. After flushing they were just put in the room not in the tent. I had an ocsellating fan moving on a medium speed. Moved to the garage for the night. FOUND BUGS ON PURPLE CHILL. Harvest is moved to this weekend rather than next Tuesday as planned. Wednesday all three plants were put in the dark room put ice on top of the pot. No further flushing will be done. Thursday, Friday, Saturday. Lights remained off Temp 73. Rh 71% when I opened the dark room. The dark room has black out curtains, however there is l8ght exposure around the edge of the curtain. Saturday afternoon photos taken pre cut, tricomes photographed as best I could. Additional hands are Required as I must take 50 pictures only to get 5 acceptable ones. Cut from the base of her stem , weighed and hung in the tent in the dark with a small fan . The drying has begun. Wet harvest weight 253 grams 8.9oz. April 15-19 Hanging in dark room with temperatures ranging from 73-77f Rh 49-74. April 20 - 22 Hanging in dark room with temperatures ranging from 71-77f Rh 50-80. The higher humidity is a result of turning the home a/c off during the night. Since its drying time and not much to say. I decided to locate photos of the same plant at day 20 of flower when I did the last heavy defoliation and side by side comparison to the day of harvest. I don't know if this is a normal harvest or small yield for OG Kush. See last pic in week 16. She will be drying for 2 weeks or so. I have been checking the stem stiffness or bendiness since the humidity fluctuates. It does not snap yet.

Oct.7 day 68 buds are still stacking and getting harder every day & trichomes on all plants are now milky except for Trainwreck #2 which has turned into a long flowering sativa. Powdery mildew has gotten a little out of control on most of the potted girls so I started the long & tedious task of harvesting 1 plant per day starting with Blue Fire #1. Being a one-man operation I’m not looking forward to all the work that lies ahead however judging by the look and smell of these babies, should be well worth it in the end. Oct.8 day 69 cut down all the main colas on Blue Fire #2 & Strawberry Banana #2. Giving the lower branches a few more days to finish then chop chop and into the freezer. 😜😁👌 Oct.10 day 71 cut down all the main colas on Godfather OG #2 and keeping the rest for fresh frozen water hash. Also started trimming Godfather OG #1 eight days after she was harvested. First time drying in the garage which is detached from the house and is not insulated. Average temps in there this week were low 50's-60's F and 55-70% humidity. My concern was temps being too low and the fluctuating humidity. So far after eight days of hang drying in the garage with 2 small fans lighty blowing directly on the colas, God father OG #1 was dry and ready for final trim. That worked out better than I hoped. 🙌 Oct.11 day 72 Trainwreck #2 got chopped whole and is hanging. I would normally trim it up quite a bit before hang drying but I need a break today. Oct.12 day 73 Strawberry Banana #1 finally got chopped today. I shot a video of it in time lapse which compresses my five hour chop time to about one minute. That concludes the harvest of all my outdoor girls this season. Stay tuned for more photos, final weights and reviews. ...till next time Thanks for stopping by See ya and stay safe

(END OF QUARANTINE) Now I have put them to finish underground a 600w hps under 12/12 schedule with the Divine Black opium. Luckily no more mould has spread, and all plants look happy healthy and still developing. Day 72 12/09/24 Thursday De-chlorinated tap water pH 6 today with Plagron products. Finally a video and pictures update ✌️💚 Day 74 14/09/24 Saturday De-chlorinated tap water pH 6 only today Day 76 16/09/24 Monday Feed today using de-chlorinated tap water pH 6. Will update all videos and pics tonight 😁 Day 77 17/09/24 Tuesday Feed today using de-chlorinated tap water pH 6. Seeing good developments, buds forming nicely, divines are smaller denser structures but the buds are not lacking! Damn I'm surprised by 2L pots.

Simple love and looking fun

Welcome to week 8 🌱✨ The Girl Scout Cookies ladies are doing good so far. I did some more defoliation and lollipopping. I guess the stretch will be done soon. Unfortunately Salem and Morgana are still standing tall in the back. I still have no idea how to get those main stems out of the hotspot. Edit: I installed an automatic watering system today. Indicidual treatment for every lady. Let’s see how they’ll like it. 🧙‍♂️

Photoperiod buds 🤩 The smell is absolutely divine very fruity,sweet & tropical🍋🍊🍉🍌 Solid like a diamond 💎 Bay harbor butcher’s trim to show the density

so far so good they look nice and healthy

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Sprinkle with Kraft to add nutrients and spray the leaves with Epsom salt. The second bed of leaves is starting to recover from the magnesium deficiency.

Commencing week 3/Day 15 on November 7th* My 🍋 🍰 (Lemon Cake) & 🌻💣 (Flower Bomb) cross stock/stash has been transferred into foam cups with Pro-Mix. Light water with spring water and misting and they look like happy babies under the same lights in my parlor/living room they have been under since being sown. After transplanting the personal stock; I moved the germination tray and dome along with the remaining GZs, BHs, 818s, and RD into the basement aka 'grow area' to acclimate: as this will be their new home. This basement is my hydroponic grow area and has a much lower ambient temperature - which is great for flowering - but can be tricky with vegging depending on how this winter 2018 treats us New Englanders. We shall see. Also the humidity is harder to control but I believe this year I am better prepared to manage optimally. So now in order to follow along I must explain this. I have separated the seeds doc from my own and the feminized ones I have paid for. The stats reflected in the diary that you will now see Will Follow the hydro setup but I will continue to explain in the comment section the soil grow up stairs stats. Day 15 my personal stock will remain upstairs underneath the 600 watt umbrella Hood that is dialed down to 250 Watts. (Which is shared with house plants). The lighting shedule here is 12/12. the intention here is to basically treat them as houseplants and be happy with whatever I get while I take note of phenotype variation and maybe hopefully I'll find a keeper or two 😄 They are now in one quart size foam cups of Pro-mix. the ambient temperature is 75 degrees and the humidity stays around 55. Day 15 my paid for/professionally bred seedlings were acclimated to their new environment in the basement for a little while and then transplanted into their new outfits: 3.5 gallon deep water culture (DWC) buckets with 6 inch net pots, lava rock medium and regular 2 inch airstones. These plants are under a predominantly T5 lighting with the exception of two being under T5 and a diamond series LED with flowering Spectrum turned completely off and vegging Spectrum dial down to only 50 Watts. The lighting plan here is to keep them under 24 hours for just a few days. Day18 the Gorillaz are beastly little things. They are growing the fastest and largest. The Boss and the Raspberry are close behind the GZ and tied for second place. The 818's still seem to be runt-like. Otherwise all in the hydro looks healthy. Also last night I put timers on so the plants are getting 16/8 (in the form of 8hrs on followed by 4hrs off. This happens 2x per 24hr day. Reason being that I've read the rate of photosynthesis peaks at 6hrs and then descends) lastly I've been PHing daily down stairs only making minor adjustments and keeping the PPM between 550-600 ppms Day18 the Parlor stock is still doing well also. I've noticed this so far as differences:. The leafs are smaller and darker then the basement strains. And there seems to be more stem growth, or maybe stretch. Otherwise these plants are rivals the others in size. Except for the 2 🍋 🍰 seedling that popped open almost a week after the others. Day 21Nov21 - the PH is staying nice around 5.8 for 3 days now with no minor adjustments. Removed all mini plant stakes (ie paperclips etc lol), little baby seedlings no longer need help staying propped up. Root hairs are poking out in every direction of Root Riot cubes, (see video) excited because once those roots hit the waterrrrrrrr 💣boom explosive growth! As far as growth goes all three GZ still in lead. I might even have one early starting purple💜 🦍 baby (see pic of GZ2 DAY 21) *This is day 15 from seeds being sown on Oct 22nd, not popped open and or tap root showing etc.

Just water and some LAB , FAA this week. The FAA is Fish Amino Acid or fuel as I prefer.

June 5: Cooler temperatures and no rain this week. Wind has been strong and a couple of nights near or at freezing temperatures. The greenhouses worked really well, but now to expose these seedlings to the full elements. Windy day today so expect them to get a bit beat up. Watered in with well water and covered the stem quite high with soil for more support against the wind.

Lets goooo

I’m really happy with the development she’s shown. I suspect she will probably top a half pound (226g) pretty easily! I like big plants…