Strawberry cream soda terps Check out Detroit Seed Co .......................................................................................................................... 2x4 grown with Mars Hydro Sp3000 in Organic soil 7 gallon pots

The start of week 3 veg I’ve been LSTing the plant I notice development drastically every 12hrs and now just starting to spot the development of side branches and a sturdier stem and fatter leaves and new node growth I am following shogun coco nutrient schedule week by week

Day 65 Flower 🌿🔥 We’re definitely in the final stretch now. The last watering was plain water only with adjusted pH, and the plants responded really well. Buds are dense, nicely frosted, and the aroma keeps getting stronger every day. Under the microscope there are plenty of cloudy trichomes now, with amber heads steadily increasing — especially on the fastest finishing plant. The slower ones are still doing their thing, so for now I’m just keeping an eye on their progress and letting them finish at their own pace. At this stage it’s all about patience, keeping the environment stable, and dialing in the right harvest timing. The finish line is getting very close now ✂️ Let it grow 🌱 _ 65. den květu 🌿🔥 Už jsme opravdu ve finální rovince. Poslední zálivka proběhla jen čistou vodou s upraveným pH a rostliny na ni reagují velmi dobře. Palice jsou tvrdé, krásně pocukrované a vůně sílí každým dnem. Pod mikroskopem už je hodně mléčných trichomů a jantarových postupně přibývá, hlavně na nejrychlejší rostlině. Ty pomalejší si ještě jedou svoje tempo, takže zatím sleduji vývoj a nechávám je v klidu dojet. Teď už je to hlavně o trpělivosti, stabilním prostředí a správném načasování sklizně. Finiš už je opravdu blízko. Ať to roste 🌱

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Hi everyone, the plants really took off with their growth this week and strengthened up. I accidentally added 0.5 ml more nutrients than I should have, and it’s showing at least on the leaves 😐. Fortunately, it wasn't a bigger dose, so the plants will recover in no time. Today, they only got plain water with enzymes.Yesterday, I already had to do some defoliation on the inner leaves of all plants except for Frozen Black Cherry (she is a week behind, so her turn is yet to come 😄).Except for that slight overfeeding, everything is OK 🍀.

girl, from the beginning she was watered with water from the tap, the value of which is almost 350ppm. and a lot of lime, which prevents me from growing it bigger, but I'm happy with the result :) it's a small pot and only 50 w :) the flowers look very beautiful and sticky :) super ​

Harvest day 70 since time switch to 12 / 12 h Hey guys :-) Finally it's time 💚 The lady is done the large leaves have been removed and hung upside down to dry in the dark drying room. You can now stay there for 13-15 days at a temperature of 18-20 degrees and 55-62% humidity. After 13-15 days it is neatly trimmed by hand and placed in jars with boveda packs 62. After 4 weeks Boveda 58% come in and are ready for testing ;-). After everything has been cut cleanly, the last update comes with the smoke report and the finished pictures. Let's get to the plant 💚. First of all I would like to compliment Green House for this genetics. Unfortunately, the rating system at Growdiaries is a bit strange because I have to give the stars before the Smoke Report and in the end it might have led to more stars in terms of taste. The growth was great from start to finish. She had no problems at all and also had no problems with animals 👍. I'm amazed at the great smell the beautiful buds give off😀. Of course I cut cuttings and if the taste is as good as the smell it will be grown again ☺️. A final report comes with the Smoke Report. Until then, I would like to say thank you to the whole Green House team and wish you all the best fun with the diary 💚🙏🏻 Have fun and stay healthy 💚🙏🏻 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 ‘Powered by GreenHouse Feeding’ Copy the link for 10% off all Nutrients 👇🏼 http://shop.greenhousefeeding.com/ affiliate/madelngermany_passiongrower/ 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 Water 💧 💧💧 Osmosis water mixed with Cal/Mag (24 hours stale that the chlorine evaporates) to 290 ppm and Ph with Ph- to 5.8 - 6.4 MadeInGermany

End of Run – Karels Herer Haze: The Final phase & Hash Project! 🌿✨ And last but not least, we turn our attention to the regular Karels Herer Haze (by SSSC)! We are cruising straight into the final week of this nice-to-have grow. Originally, this run was planned purely as a pollen-collection project. However, since the two plants ended up performing amazingly well in the system, we’re putting them to prime use: the main portion will be processed into top-tier Dry Ice Hash, and a few selected buds will of course be put aside for a direct test smoke! Current Parameters: Lighting (PPFD): Dialed down to a cozy 600 PPFD for a smooth finish. EC Level: Now sitting at a stable 1.2 and being gently tapered off. Status: We’ve entered the home stretch, trichomes are cloudy-to-amber, and this project is wrapping up nicely. A great bonus outcome for this run—let’s see what the dry ice hash yields at the end! On to the final round! 🚀?

No problems 28.11.24 Tank ran out of water 28.11.24 Watered small ones 1L each Tangie showing very first preflower after 33 days 30.11.24 Flip lights to 12/12 Ppfd 850 Some parts of purple lemonade 1000 Height Purple lemonade 60cm Small jelly breath 30cm Large one 45cm Slurricane 33cm Lemon haze 37cm Tangie 29 cm

Ich hab die Woche früher lollipopping angewendet als gewöhnlich, da ich erneut Probleme mit Luftfeuchtigkeit habe, aber alles kein Problem.

First week of flower👏 They got 2 hours extra darkness before flip. Not because of scientific evidence, but simply practical. Still looking back to the first weeks of veg. WHAT A MESS and WHAT A MIRACLE 🙏 Coming into flower, they had two defoliation and the latest one was 7/10. Last feed 8/10 Introducing Biobizz CalMag(0.5ml/l) + BioBloom(0.25ml/l)+Topmax(0.25ml/l)+Rootjuice(0.25ml/l) Still 2ml/L Fishmix+BioHeaven(Fishmix will be switched out with BioGrow) 👽👉10/10 VPD is 1.2,-1.3. good airflow above and below canopy. 👽👉11/10 Mild signs of light stress. They will get used to the VPD. Can't wait to feed in a couple of days and see the reaction. Im sure they are really hungry! 👽👉12/10 Waterday** Introducing higher doses of bloom nutes. The Run off PH and EC are all within the limits 👽👉13/10 They lit up after some nutes. They look happy! Let the stretch begin 👽👉14/10 Already see fast growth. Just monitering factors, to make sure the climate is optimal and their are no symptoms. 👽👉15/10 Waterday* Thirsty ladies 👽👉16/10 Last day of week 1 of flower. Everything is going fine, Good airflow, None of the small symptoms has gotten worse, so overall happy ladies! How ever one has a little stunned growth or maybe just a bit behind of going into stretch

Day 84 ​What a transformation! At Day 84, our main plant is looking incredibly healthy and vigorous, showing all the signs of a successful transition from the vegetative stage. We're now deep into the mid-flowering phase, likely around Week 4 to 5 of bloom. ​Plant Health and Structure ​The plant has developed a fantastic, bushy canopy with excellent lateral branching, a clear benefit of prior training (like topping or LST). The overall color is a rich, uniform dark green, indicating optimal nutrient management, with no visible signs of deficiencies or burn. The fan leaves are large and spread out, demonstrating effective light absorption

They look Healthy. I lollipopped a Little more this Week and will defoliate again. Theyre producing propper buds now!

For dozdos expert seed. the feeling I got from the smoke is really smooth, I can't smell much terpenes due to disease during the last flowering stage but the effect is giving me a sleepy mood during the day time also with the night time. you might get couch-lock if underestimate her.

Respect for all of you, brother farmers! masters and beginners! thank you again for gathering on the pages of my diaries! we carry out our work with dedication and live on ambition! This week we will dedicate it to just rinsing the soil to discard all excess nutrients😎 You can already perceive some excellent smells👻 I like It!

Hola a todos, día 88 de floración, continuo manteniendo la rutina, voy a mantener el riego en 0.9 ec hasta el día del corte que cada día está más cerca, ya se han formado múltiples tricomas de color ámbar, me pregunto si será mejor cosechar la planta por partes para aprovechar mejor la mitad de abajo de la planta. hasta la próxima semana!

12/21 - Swapping lights tonight - running the QB3000 Sunraise (300w) FULL SPEC - adding 11 more plants into my 3x3 bringing the total to 17 clones - micro dosing will proceed as normal 😎😎😎😎😎😎

Day 76. Another week to go