@ 1.1 kPa Harvest time now... refreshed soil with an amendment mix.

Zkittlez auto

Hanno iniziato la quinta settimana di vegetativa...penso che ancora poco e la passerò in fioritura 😂💪💪💪

15 Noviembre: -Hoy se instaló el sistema de riego "Drip to Waste" que me permitirá hacer riego de precisión, con protocolo "Crop Steering". -Se instalaron sensores de humedad de suelo, para saber cuándo y cuánto regar, el sistema manda datos de humedad de suelo, temperatura y humedad ambiente, etc vía internet a mi celular. -Mañana se comienza con el primer riego de precisión. 17 Noviembre: Segundo día de riego automático, 3.0EC y 5.9pH, las plantas crecen a buen ritmo, las raíces ya están saliendo por los orificios de drenaje a 2 días de transplantadas. 20 Noviembre: Se realizó una pequeña defoliacion de las hojas tipo abanico muy grandes.

day 30 video day 30 note crossed bridal party x pink paradise day 31 crossed blackberry oreo bigstuff x pink paradise day34 videos of each, a lot of photos. Rh% high I keep my terps non-volatile. Bridal rubbing sugar leafs smells like some sort of candy watermelon, blackberry neat skunky AF sugar leaf rub, pink is nice mellow I will have to check tomorrow. Dr. Thunder very oily with sugar leaf rub I swear you could deepfry with it. It also smells mellow skunky but will check again tomorrow it may have been terps overload on my fingers regarding thunder and pink paradise aromas. Pink caylaxes have shriveled and accepted pollen locations. I just don't think the seeds will be ready when harvesting in a few weeks. Start week 5 tomorrow and I don't think crosses will be ready so I will figure it out. Pink crosses would be fun next round but I have so many more selections to choose from to grow my next 4.Thunder smells like a citrus cleaner, almost pineapple front notes then a full citrus. day35 defoliated like madd. no lie so sticky: 2 fingers lifted a ceramic cup like I was spiderman. 1 finger was a struggle.. science

debido a quemaduras que encontre en las plantas el dia 14/06, dia 29 desde germinacion, debi regar con cal max, ya que creo que hay falta de calcio - magnesio. aplique 1.2 ml por litro de agua. no creo que sea exceso de ferti ya que todos riegos se han preparado con la dosis minima que indica. se sigue regando con 0.4 L cada 48hrs una tecnica que he hecho es ir acomodando o doblando las hojas hacia abajo dando prioridad a los bracitos de cada planta. Dia 30: riego de agua 600 ml de agua Dia 32: todas las plantas en floracion Aplicamos solo tek groow ya que las manchas en las plantas se debian a falta de azúfre lo concluimos con un grupo de amigos todos growers y un agrónomo. Por que queremos continuar con la tabla de grotek nutrients y el domingo dia 34 aplicar blossom blaster

Va a pasar a la tercera semana de vegetación el sábado 23 de mayo, la subsiguiente se hará el primer topping (apical). Las dos que tuvieron problemas en sus dos primer hojas reales, se han recuperado muy bien. 22/05 se rego con todo, un super cocktail. 27/05 las dos plantas mas grandes les hago Topping. La tercera le dare una semana mas. 28/05 las tres GDP son transplantadas a maceteros de 7L.

This plant is growing well, I transplanted them this week into 3 gallon pots from 1 gallon pots. Structure on this plant is pretty nice and visually pleasing to the eye lol.

Esta planta estuvo dos semanas en etapa de enraizamiento, tres en crecimiento y ocho semanas en floración. No tuvo ningún problema con nada, me resultó de fácil cultivo. En esta cosecha obtuve ciento cuarenta y siete g en total. Utilice una maceta Root House de 10L. El sustracto que utilice fue de Nube Verde, en su composición se incluye turba de categoría, perlita, humus, compost, tierra, dolomita y vermiculita. Sin duda volvería a probar esta genética otra vez, supero mis expectativas.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

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? 8×8 Adventure – Week 10 Blueberry Muffin – Pheno B The Small Delight Continues to Surprise Us 💚🌸 Hello everyone, and welcome back to another week of the 8×8 Adventure! 🌱💚 And last but certainly not least... Here comes our second Blueberry Muffin. If you've been following both phenotypes, you already know that these two girls may share the same genetics, but they certainly didn't receive the same instruction manual. 😂 And this week, Pheno B continues to play the same card she's been playing since the beginning: "I'm small. I'm slow. But look how beautiful I am." And honestly... She has a point. Because compared with the rest of the room, this girl is slow as fuck. 😂 But she's also becoming an incredibly beautiful, compact and increasingly dense flowering plant. So let's give this little delight the spotlight she deserves. ──────────────────────── 🌸 Week 10 – The Small Delight Pheno B continues to be one of the most compact plants in the entire room. At approximately 75 cm, she isn't trying to compete with the taller girls. She's not racing toward the ceiling. She's not stretching dramatically. She's simply building. Slowly. Quietly. And beautifully. That's actually one of the most fascinating things about having so many different genetics growing together. Some plants seem determined to conquer the room. Others seem perfectly happy occupying their little corner and making the most of it. Blueberry Muffin Pheno B definitely belongs to the second group. She's small. She's compact. She's increasingly dense. And she's absolutely covered in developing flowers. So maybe... small isn't such a bad thing after all. ?🌸 ──────────────────────── 🌿 Compact Doesn't Mean Unproductive This is something that's becoming increasingly obvious with her. Her size doesn't tell the whole story. She's not particularly tall, but she's building a very compact flowering structure. The branches are carrying numerous flowering sites, the flowers are becoming more defined, and the plant is gradually developing that dense appearance we've been watching for. She's basically concentrating everything into a smaller package. And I really like that. Because the purpose of this project was never to see which plant could become the tallest. It was to see what the different genetics would do when given the same opportunity. And Pheno B is showing us exactly what she wants to do. She's telling us: "I'm going to take my time." "I'm going to stay compact." "And I'm going to make it beautiful." Fair enough, girl. You do you. 😂💚 ──────────────────────── 🌸 The Flowers Keep Developing The most important change isn't her height anyway. It's what's happening at the flowering sites. And those are looking fantastic. The flowers continue to gain structure and definition, with fresh pistils covering the developing buds and the individual sites becoming increasingly substantial. There's a very noticeable difference between looking at her now and looking back at the early flowering photographs. She's no longer simply starting flower. She's building it. And because she's so compact, the flowers appear packed throughout her structure. This is where that small size becomes particularly interesting. Instead of putting a huge amount of energy into vertical expansion, she's gradually turning that compact architecture into a flowering structure. She's still moving slowly compared with some of her sisters... But she's definitely moving. And that's what matters. ──────────────────────── 💡 The LED Canopy – Feeding Her With Photons This week I also want to give the lighting another proper spotlight, because across these individual diaries we're seeing something fascinating. The Future of Grow LEDs continue providing the main artificial sun over the room. And every day, millions upon millions of photons arrive at the canopy. Those photons are the starting point for the energy that drives photosynthesis. But what I particularly enjoy about this setup is that we're not thinking about the canopy as a completely flat surface. The plants have depth. They have upper leaves. Inner growth. Lower flowers. Different angles. Different orientations. Different distances from the light. And that's where the additional contribution from Lumiflora becomes particularly interesting. By bringing light into areas that naturally receive less direct illumination, we're trying to make better use of the three-dimensional structure of the plants. Not simply: "More light." But: "More useful light reaching more of the plant." And with a compact plant like Pheno B, that's particularly interesting. Her flowers are packed into a relatively small structure. So managing how photons interact with that structure becomes another part of the equation. ──────────────────────── ☀️ The Plant Doesn't Know What Brand the Light Is One thing I always find fascinating about lighting is that the plant doesn't care about the logo on the fixture. She cares about photons. Where they arrive. How many arrive. How consistently they arrive. And whether the rest of the environment allows her to actually use them. That's why lighting can't really be separated from everything else. Light interacts with: 🌡️ Temperature 💧 Water availability 🥥 Root-zone conditions 💨 CO₂ 🌿 Leaf health ⚗️ Nutrition 🌸 Developmental stage Everything is connected. And right now, we're giving Pheno B a strong and consistent artificial sun while maintaining the rest of the environment as steadily as possible. She's responding in her own way. Which, apparently, means: very slowly. 😂 But beautifully. ──────────────────────── ? Her Own Little Architecture If I had to describe this phenotype in one sentence, I'd probably say: She's becoming a little compact powerhouse. Not a huge plant. Not a dramatic plant. Not the plant that's going to win a height competition. But she's developing a very interesting architecture. The flowers are sitting close together. The branches are supporting a dense structure. The foliage remains lush. And the overall plant is becoming increasingly compact as flowering progresses. That's her personality. And I'm not trying to change it. This is one of the things I enjoy most about phenotype work. You can guide a plant. You can manage it. You can shape its environment. But eventually... the genetics introduce themselves. And Pheno B has introduced herself quite clearly. "I'm the small one." 😂?💚 ──────────────────────── 💧 Keeping the Roots and Irrigation Consistent While the plant above the substrate is taking her sweet time, the root environment continues receiving the same consistent attention. Current watering remains around: 💧 1.3 L per plant / 24 hours The solution is approximately: 🌡️ 25°C and the substrate is around: 🌡️ 26°C The idea remains exactly the same as throughout this project: Keep the root environment as consistent as possible and allow the plant to determine what she does with it. We're not increasing inputs simply because we think a plant should be growing faster. We're watching. We're measuring. We're responding. And with Pheno B, that patience is particularly important. Because if we tried to force her to behave like one of the faster phenotypes... we'd be fighting the very characteristic that makes her interesting. ──────────────────────── 🥥 Nutrition – Staying Steady The feeding strategy also remains stable. We're continuing with: • Terra Bloom — 2.2 ml/L • Pure Zym — 1 ml/L • Power Buds — 1 ml/L • Sugar Royal — 1 ml/L • pH Plus / Lemon Kick — as required Current readings are approximately: ⚗️ pH — 6.0 ⚡ EC — 2.0 mS/cm And once again... She looks happy. Beautiful green foliage. Healthy flowering development. No obvious reason to start changing everything simply because another week has passed. The best feeding strategy isn't necessarily the one that changes the most. Sometimes it's the one that gives the plant exactly what she's already responding well to. So for now... We stay the course. ──────────────────────── 🌡️ Summer Is Still Summer The environmental conditions remain very close to our previous week. We're currently around: • 🌡️ Day temperature: 29.9°C • 🌙 Night temperature: 25°C • 💧 RH: 60% • 🥥 Substrate temperature: 26°C • 💦 Solution temperature: 25°C • ⚗️ pH: 6.0 • ⚡ EC: ~2.0 mS/cm • 💨 CO₂: ~693 ppm • 💡 Light schedule: 12/12 • 💧 Watering: ~1.3 L/plant/24h • ? Pot size: 15 L • 📏 Height: ~75 cm Summer continues to make absolute temperature consistency a little challenging. Some days are warmer. Some days are cooler. Sometimes we're fighting for that perfect number and the weather simply says: "No." 😂☀️ So we're doing what we can. The variables we can control are kept as stable as possible. And rather than obsessing over a single degree here or there, we're looking at the whole environment and, most importantly... the plant. And the plant looks good. ──────────────────────── 🌬️ Dense Is Beautiful – But We Still Watch the Canopy As Pheno B becomes more compact and increasingly dense, canopy management remains something we're keeping an eye on. The plant doesn't need dramatic intervention right now. The major structural work has already been done. At this stage, we're mostly observing how the flowers and foliage develop within that compact architecture. The more dense the flowers become, the more important it becomes to maintain good airflow through the room and around the plants. We're not trying to turn her into an empty skeleton. Quite the opposite. We're preserving that beautiful lush structure while making sure the environment around it remains manageable. It's a balance. And that's what we're watching. ──────────────────────── 💡 Every Flower Has a Different Relationship With the Light Another thing I love about photographing her at this stage is seeing how differently the flowers sit within the canopy. Some are facing directly toward the LEDs. Others are tucked between leaves. Some receive additional light from the inner-canopy setup. Others are naturally more shaded. That's normal. A plant isn't a perfectly engineered solar panel. It's a three-dimensional living structure. And our lighting strategy is simply trying to give that structure the best possible access to photons without unnecessarily disturbing the plant's natural architecture. Future of Grow provides the main light. Lumiflora helps bring additional illumination into the less-exposed areas. And then... the plant decides what to do with it. That's the part we can't program. And honestly? That's the fun part. ──────────────────────── 📸 The Camera Is Starting to Tell the Story The photographs this week are another reminder that size really doesn't tell the whole story. Look at those flowers. Look at the structure. Look at the density. Look at the colour. This girl may be slow... but she certainly isn't boring. 😂? And that's why these individual diaries are so valuable. If we only photographed the entire room, Pheno B might disappear into the bigger picture. But when we isolate her... we can appreciate what she's actually doing. A compact flowering plant slowly becoming denser. Week after week. She's writing her own story. And I'm very happy to let her take her time. ──────────────────────── 🧠 Slow Doesn't Mean Behind This is probably my favourite observation this week. Pheno B is slow compared with the rest of the room. There's no question about it. Some of her sisters are moving much faster. But that doesn't mean she's behind. She's simply developing according to her own rhythm. There's a difference. A plant doesn't know that another phenotype next door is growing faster. She doesn't care. She has her own genetic programme. Her own structure. Her own timing. And our job is not to make every plant identical. It's to understand them. And this little Blueberry Muffin is teaching us patience. Lots of patience. 😂 ──────────────────────── 🔮 Looking Ahead From here, I'm keeping things simple. No unnecessary changes. No chasing height. No trying to force her to become something she's not. We're going to continue providing: 💡 Quality photons 💧 Consistent irrigation 🥥 Stable nutrition 🌡️ A controlled environment 🌬️ Good airflow ⏳ And plenty of time Then we'll see where she takes us. The flowers are continuing to develop. The plant remains beautifully green. Her structure is becoming increasingly compact and dense. And if she wants to take her time... well... we have time. ──────────────────────── 💚 Final Thoughts – Small, Slow & Beautiful Every room has those plants that immediately demand attention. The big ones. The fast ones. The dramatic ones. And then there are plants like Blueberry Muffin Pheno B. She quietly sits there. She doesn't stretch like crazy. She doesn't try to dominate the canopy. She doesn't rush. She simply keeps doing her thing. Slowly. Very slowly. 😂 But beautifully. She's becoming an increasingly compact flowering plant, and I really like the direction she's heading. The lighting is giving her plenty of photons. The irrigation remains consistent. The nutrition remains steady. The environment is being kept as stable as summer allows. And now... we let her continue. Because maybe the small delight doesn't need to become a giant. Maybe she just needs to become the best version of herself. And that's exactly what we're going to let her do. ?🌸💚 ──────────────────────── 🙏 Thank You A huge thank you to Zamnesia for giving us the opportunity to explore these Blueberry Muffin genetics and discover just how different two phenotypes from the same cultivar can become. Thank you to Plagron for supporting the garden throughout this flowering journey. A massive thank you to Future of Grow for providing the main LED lighting and giving these girls the photons they need to keep building. And thank you to Lumiflora for helping illuminate the deeper and less-exposed areas of the canopy and making this lighting experiment even more interesting. Thank you to everyone following the 8×8 Adventure on GrowDiaries. This project continues to remind me why I love documenting plants individually. Same genetics. Same room. Same general conditions. And yet... completely different personalities. Blueberry Muffin Pheno B may be the smallest and slowest girl in this particular race. But she's beautiful. She's becoming dense. She's developing flowers. And she's doing it her way. So let's give our little delight the spotlight. She deserves it. Until next week... Growers Love, happy growing, and take care everyone! 🌱💚?🌸

First week of flowering. Girls are super happy. And drink a lot. I very much prefer the lower plant count with 8 plants. And I’m probably not going to go back to more than 9 plants. Perhaps will even try 6 or 7. 12 or 16 was a bit of overkill. Maybe with super short veg it has its place. 26.01 first day of flower.

Buds are looking nice, getting plum and frosty fast. Shes still still stretching and bushing out. It was very stormy and wet this week but got some burst of nice sunlight that dried her off right away. I didn't need to eater but still fed compost tea and the stuff leftover from brewing as a top dress. Compost tea has liquid kelp and cal mag and around 700 ppm.

What a damn Beatiful plant they always fade so nicely like fall color she’s super fat tricomes everywhere perfect little plant I’d say a little over an oz dry and it was super fast it didn’t waist any time stay tuned for the harvest results

I have to say, overall out of all 5 purple Lemonade seeds I’m not very happy with the results so far considering they was a little more pricey & the fact that I know how good these plants can turn out! Not sure if I just got some bad genetics or what’s up but pretty bummed about this run so far😅😅 hopefully things will start to look up! Thanks for following & happy growing friends!✌️🏼🌱 Day 24 - Decided to pull the smallest purple lemonade that wasn’t doing anything so I can go ahead and get something else going in it’s place! Watered the other ladies today. Day 25 - Ladies are still stretching like crazy!

Hello my friends 👩‍🌾👨‍🌾, This 5th flowering week was good, Buds continue to grow well 🌲, Buds bump and continue to along. I just spray an insecticide in the box, not really on the plants, because lot of flyers.... Since look a bit better. 💦 1 Watering this week 1.8l/plant . Water + Terra Flores + Canna Boost + pk 13-14 PH@6 Lamp @100% Bisous 💋😘, and see you next week. Thanks community for follow, likes, comments, always a pleasure 👩‍🌾👨‍🌾❤️🌲 Mars Hydro - TS 1000 https://www.mars-hydro.com/ts-1000-led-grow-light Mars Hydro - FC3000 https://www.mars-hydro.com/fc-3000-samsung-lm301b-led-grow-light Mars Hydro - SP3000 https://www.mars-hydro.com/sp-3000-samsung-lm301b-greenhouse-led-grow-light The High Chameleon - Bisous Au THC 💋💋🌲🌲😘😘 https://www.thehighchameleon.com/shop/bisous-au-thc-83

Plant starting to flower. Removed a few fan leaves that were blocking the centre if the plant. Started to increase the power of the light slowly while keeping 12" (30cm) away from the top of the plant. Increased the feed by adding: 2ml of Seaweed and 2ml of Miracle-Gro to 2 litres of water with a 6.1ph - 6.5ph range.

420Fastbuds TrainWreck Auto Week 1 of Veg What up grow fam. These 2 have sprouted ok. Having a little trouble with both, one sprouted with no cotyledons the other only had one. Both had popped after 48hrs of being in the soil. Still misting the top soil with my sprayer to keep the soil moist but will start regular manual watering of 500ml every other day this week. All in all Happy Growing