Abandoned outside for 10 weeks Survived 2 heatwaves Only water Impressive

Pretty heavy yield for only 2 plants they smell and look astounding. Harvested in 2 parts. To allow the lower buds to densen and mature.

Last week or maybe less then a week 🤔 Day 127 Mon PH 6.0 EC 0.2 PPM 70 DLI PPFD Water 18c Day 128 Tue PH 5.8 EC 0.2 PPM 70 DLI PPFD Water 17c Day 129 Wed Add Ph Up PH 5.6 - 5.9 EC 0.2 PPM 80 - 90 DLI PPFD Water 18c Day 130 Thu Add water PH 5.6 - 5.7 EC 0.2 - 0.2 PPM 100 - 90 DLI PPFD Water 20

week 3 amazing nothing to complain growing well noticed the first white hairs to appear 😜

So I had absolutely no ill effect on the plants at at all moving from the green buzz veg feed too the house & garden soil a&b feeds, I did not even given them a water only inbetween the two, I also went straight in with 50% the recommended dose stated on the house & Gardens bottles this switched happened the day before week 5 none showed any signed of defects or deficiency intact they exploded into life over night and then every day after that, I have been using the green buzz fast buds as a folar spry appied too the leaves of the early flower formation after lights out, They seemed too love that too and I also kept the note roots going in, I also started too apply C-RESULT at the fullbl dose stated on the bottle, The plants live this stuff if you have not tried it do it, I am not sponcered by c-result I was given this by my local grow store, It brings all the nutrients straight too the roots it states, All I know is this stuff triggers the plants too suck the pots dry in 24 hours, So make sure you have your feed bucket fully in order before adding this stuff as a mistake here could cost you, But get it right and in 24 hours these little autos doubled in size, It states too used week one of flower only and smells like a sewer lol I have today day one of week 6 Started too add house & garden Bud XL at half strength too increase next week and also I added there top shooter at 1ml per liter of water as 7 as I plan too removed all chemicals exactly as of day 1 of week 7 leaving me week 9 clean, I am training all the shooting tips too my scrog netting the best I can due too very limited space in the grow space, And am praying for some of the promised purple leaves on the fast buds Web site, I has on lemon pie this round that is 2 weeks behind the rest due too non germination but I am wondering if a staggered planting each plant exactly one week behind each other would give me a little more canapé space and the treat of harvesting a plant every week, Using the skyline 1000 only I did not too any of these autos 2 x strawberry cheese cake 2 x lemon pie 4 x fyah Sounds like a plan too me, Thanks for reading

**Encontrarás la traducción a español al final de la descripción** If you like this week, please hit a like, it costs you nothing! 👊. Thanks in advance 😉! From/Desde: 29/07/19 || To/Hasta: 04/08/19 From day/Desde día: 7 || To day/Hasta día: 13 -----IMAGES & VIDEOS----- V1: The growing of week 2, it's incredible how she twist herself 😱. P3: The setup of static cameras (tent slaves), I'm using a GoPro capturing a top timelapse video, and an iPhone capturing a frontal timelapse. The GoPro is placed under the lights and it gets too warm, i will remove this camera position later for the safety of the camera and it's battery. With the iPhone i'm using the SkyFlow App to capture timelapses. -----WEEK SUMMARY----- This is the week of transplant, i will do it on day 10, August 1rst. I will use ±1 cm of perlite in the bottom of the 19,5 l AirPot, ±3 cm of BioBizz Hard-Mix over the perlite and for the rest i will use BioBizz Light-Mix. About the growing, as you can see she's growing at a very good rate since transplant, she was not growing much the last days on the small pot so I decided to perform the transplant. -----WATERING CALENDAR----- 01/08/19 - 5,000 ml with all week nutrients @ 0.9 E.C. PH5.8 *****ESPAÑOL***** Por favor, si te gusta esta semana dale un like, no te cuesta nada 👊. ¡Gracias por adelantado 😉! -----IMÁGENES Y VÍDEOS----- V1: El crecimiento de la semana 2, es increíble cómo gira sobre si misma 😱. P3: La configuración de las cámaras estáticas (esclavas del armario), estoy usando una GoPro capturando un timelapse desde la parte superior de la planta, y un iPhone para capturar un timelapse frontal. La GoPro está colocada justo debajo de las luces y se calienta demasiado, quitaré esta cámara de esta posición en unas semanas por la seguridad de la cámara y su batería. Con el iPhone estoy usando la app SkyFlow para hacer los timelapses. -----SUMARIO SEMANAL----- Esta es la semana del transplante, lo haré el día 10 ó 1 de Agosto. Usaré ±1 cm de perlita en el fondo del AirPot de 19,5 l, unos ±3 cm de BioBizz Hard-Mix encima de la perlita y el resto BioBizz Light-Mix. Con respecto al crecimiento, como podéis observar la planta ha empezado a crecer a muy buen ritmo desde el transplante, no estaba creciendo mucho los últimos dias del tiesto pequeño por lo que me decidí a transplantarla. -----CALENDARIO DE RIEGO----- 01/08/19 - 5.000 ml con todos los nutrientes semanales @ 0.9 E.C. PH5.8

End of week 3, last week we removed bottom node and this week removed last node from bottom tpp, heavy lollipoping for pre veg for 2/3 weeks then flip to 12/12

Pretty loud terps. Smells great. Candy grape with a little gassy. Tricks forming nicely. Still no herms since defol. She handles stress nicely. This phone for the pack of seeds is a keeper I think, though I didn’t take clones.

Hello growers 🤗 We have more autos from Ganja farmer seeds started today. I sowed them directly into my supercharged coco mix🌱. The hydroponic ebb and flow system I am using this round is new and is called AirCube from growace. If your interested in looking for more info on it here's a link to there website 👇 https://growace.com/?rfsn=7577242.b784c7&utm_ source=refersion&utm_ medium=affiliate&utm_ campaign=7577242.b784c7 💦This will cut out my manual watering and help bring more oxygen to the roots while still maintaining a fully organic grow.

w00p w00

Welcome growfessors to my outdoor 2021 grow! It's been 4 years since my last outdoor grow. We've got LSD and Green Crack outside, each one in half a 55 gallon container, in pro-mix HP, with Gaia Green 4-4-4 all purpose powder nutrients. Thanks for stopping by growfessors 👽🌳💚

_____ Week 11 | Day 78 - 84 | 4th week of Flower | Day 21-28 ______ Day 78 & 79 🌞 - What should I write... Not much has happened, I leave the plants alone. - I put my dehumidifier in the tent this week, it starts as soon as the LF rises above 60%. At the moment it is winter with me and the humidity is very low anyway, saves energy 👌 Day 80 🌞💧 - each plant 3 liter Day 83 🌞💧 - at the end of week 4 I provided them with nutrients again. They have become thirstier and now drink 3 liters every 3 days ____________________________________________________________________________________________ Light - 12/12 h - 560 Watt - 2x 200 Watt Toplight - 4 x 40 Watt Lightbars PPFD - 900 - 1000 µmol Temp. avg. - 24,4° Hum. avg. - 58 % RLH

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 7 for the banana purple punch from fastbuds 420!!! We gave the last week of xpert nutrients feeding and will continue now with only water, harvest time is soon and at the moment the buds are looking great, nice smell in the tent and the buds are nice and covered in trichomes! The plants are not that big but of course i have quite some plants together in the tent and 7 liter pots so they stayed a little smaller, next time i will do maybe less plants but with the bigger 420 fastbuds airpots!

The Bubble OG plants are looking awesome! My tallest one is stacking up with super dense buds. It's crazy to think that the other one is almost ready to chop – the colors are so vibrant. And then there's that short and squat one with the purple leaves. It's definitely the oddball of the bunch, but I kind of like it. The past few weeks have been so beautiful, watching the plants grow and change. It's amazing how something so small and fragile can turn into something so strong and vibrant. Now that they're getting ready to bloom, it feels a little bittersweet. I'm so excited to see the finished product, but I'll definitely miss having them around while they're growing.

it is not yet ready for harvest...

Day 48 (Day 6 12/12) Plants grow real strong and all show that they are female. Lamps are on 100 % now. These lady's stretching fast. Day 52 (Day 10 12/12) Pushed down the stems in the scrognet First clone rooted and is now in a p9 on lightmix Day 54 (Day 12 12/12) Good stretch. Durban is not stretching to much. Buds are slowly forming.

+- Girkls are doing very well Did a 21 day defoliation for good air flow also finished lolly popping all excess branches tht didnt make it to the screenthey will soon be in full bloom and geting down to m4 weeks till harvest they are drinking a gallon a day now of nutrient solution have to add just water after only three days with fresh 5 gallons of nutrient water went through 4 gallons in 3 days been checking the ph twice daily due to the ladies drinking so much it goes both ways it climbes to almost 7 in 12 hrs then will drop to 4.9 the next 12 so i really nhave to stay on top of it more than usual with this strain im shooting for 10 ounces of grade A Smoke. wich will be my biggest harvest ive done to date ive gotten up to 9 ounces before but thats about it havent been able to find the 16 ounce harvest yet but im trying ++

Plantas sanas creciendo a full. Satisfecho hasta el momento con el resultado.