Vanilla Latte is driving me crazy... others are going Ok!...

Great start for week 10 did some defoliation,they look so happy and healthy, I had issues with the plants they responded well to LST and defoliation. I make sure to remove some leaves here and there. The most important thing to me me in this stage is to make sure they have perfect airflow.

As the plant enters the fifth week of flowering, the first trichomes have begun to form. The buds have started to thicken considerably during this week. They are becoming denser and more robust, which indicates that the plant is channeling its energy into producing larger, more resinous flowers. Throughout the growth process, the cannabis plant has shown no signs of health issues. It has remained vigorous and resilient, with no observable deficiencies or diseases. To ensure optimal light penetration and airflow, the plant was lightly defoliated this week. The cannabis plant is progressing well in its fifth week of flowering. The formation of trichomes, the thickening of buds, and the plant's overall health are all promising indicators of a successful flowering phase.

Ultime settimane di flush

Into the drink for 48 hrs. also when i dropped 4 seeds, 1 sank immediately... so i dropped 5! if they all crack that will be MOAR space issues but i'll deal wit that then Will be my first run with my new Viparspectra light! I'm excited to see the results!!! https://www.viparspectra.com/collections/xs-series/products/xs-series-xs4000?aff=MrHightimes&utm_source=affiliate ______________________________ After 48 hrs in the water 3 of 5 have cracked and show big taproots!!! I'm gonna wait 24 more hours and hope at least one of the other 2 crack 🤞🤞🤞 Got home from work and the 4th had cracked! we got all 4 pots going! i can see what happens to the 5th but i'm super happy with 4! _______________________________ 3 are up outta the soil, the fourth should get out of soil today. Gonna be another good grow! That 5th seed is still in water but i think its a lost cause. But I only wanted 4 anyway!

🇩🇪 Alles sieht gut aus 👌🏻 🇺🇸 Everything looks good 👌🏻 🇪🇸 Todo se ve bien 👌🏻

This week we are ready to bring the Pineapple Express and blue dream inside for a dark period for chopping. The sour diesel and northern lights should be ready next week. Expert haze is pre flowering and the clone is showing small roots.

First BlackMuffin came doown. day 51. The nostrills filled with flavor. Na sure if i am catching a hint of mint aswell. drying. And can't wait to smash these nugs. By far the biggest nugs i've grown. Still a newbie though😂. Thanks fr stopping by cheers

Really digging the resin production on this haze baby. She is sticky, pungent, and greasy! Easy to grow and producing for mommy. 💚🌿💚🌿. Love this plant!

Lunes 11 de marzo 7 am de 2024: Se dejaran hidratando las semillas por 24 hrs. Martes 12 de marzo 7 am de 2024: pasamos a papel dejamos por 24 hrs. Miércoles 13 de marzo 10 am de 2024: revisamos las semillas y vamos preparando macetas pequeñas para transplante. Miercoles 13 de Marzo 3:30 pm se traspasa a tierra. Viernes 15 de marzo 11:47 pm 2024, ya que abrieron bien se pone bajo lámpara 100w a 30 cm de distancia, tienen domo protector! El lunes en la nueva semana subimos el avance, hasta el Lunes... Sábado 16 de marzo 2024, de las 3 semillas la 1 ya abrió completamente, 2 y 3 están por abrir completamente.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

despite the maximum temperature with lights on she grows very well, drinks a lot and I hope she will produce dense and juicy buds soon. 😂

They’re on day day 35. The Ak rushed in front of the others, she’s getting frosty. The one in the back (super lemon) is taking her time, just beginning to flower. I’m bottom feeding them, in a bucket of water. They seem to like it, I water every other day. Thinking about some defoliation

At the beginning of this week I switched over to blooming fertilizer and gave both plants about 1/4 gallon, beginning with 12ml/gal mix each type. Made a huge rookie error, and left the lights on for 24 hours beginning on day 58. I was out sick and didn't discover it for a few days. Poor girls, their soil dried a bit and they drooped for a couple days. I switched them back to 12 hours after discovering what had happened on day 62. I also bumped up their nutrient ratio to Heavy feeding (4 teaspoons per gallon) of Tiger Bloom and a little less than General Feeding (4 tablespoons per gallon) of Big Bloom, giving them 1 Qt of water/nutrient mix at lights out time. The next day they bounced right back to life! :-)

Week 7 of flower Day 47 Flower Day 72 from seed. ~Week Average~ Temp: 72-82f RH: 35-42% PH: 5.9-6.2 Notes: I gave them one feed of over drive during this week and then just water. I started to look at trichromes and noticed mostly cloudy some amber. So I’ve decided I will do one more feed with flawless finish in two days. Then I will flush until the ladies are to my liking. I am super happy with the trichrome production of the Walter white she sure does put on! The smell is lemony, citrusy, and creamy. Will update ASAP! Happy cultivating!🤙🏽

Plants are growing great. There is a little yellowing occurring. Right now, not sure if it is the plant(s) wanting nutrients already or if it is because of me getting water on the plant(s) when watering. Not gonna worry about it. I'll probably be turning on the AutoPot system in the next few days (with nutrients), anyway. Topped on day 15 (today).

Pretty upset this week I’ve been dealing with power outages for the last 2 days and looking like it’ll be out for Atleast a few more days!! Got a generator last night so my girls were out of light for 48hrs in complete darkness UGH but I’ve got em goin now...was on 12/12 but gonna do a 6/18 schedule for a few days just to give them something hopefully this doesn’t stress them too much!!

Wow these girls are just powering. The smell is just intoxicating 🤤 Dinamed is starting to darken up, loads of frost and starting to stack nicely. Purple orange totally smell of orange peels, not going as well as the Dinamed but the huge mutant buds look amazing Won’t be a massive yield from these two but will be able to get some great oil from them Also added some shooting powder from house and garden which is meant to add to the flowering cycle so keen to see if it makes much difference Anyone used and recommend?? Thanks for looking

BioGrow miktarı azaltıyorum azot bu dönemden sonra azaltılması gerekli ata cal-mag azaltıyorum azot seviyesi çok yüksek

Week 14 water change Wednesday 3/6/20 Last (3 weeks) ph5.3 ppm1050 New 100L ph7.1 ec0.2/ppm100 22c 20ml sil ph9.2 ec0.3/ppm150 22c Roots 150ml ph8.8 ec0.3/ppm150 Ph dwn 6ml ph5.9 ec0.3/150ppm 22c B1 600ml (6ml/l) ph5.6 ec/650ppm 22c A1 600ml ph5.6 ec/1000ppm 23c Thursday 4/6/20 ph5.9 1050ppm 23