On the 5th week of flowering day 1 the girls are chugging along, growing bigger by the day and smelling excellent :). On day 5 the girls are putting on a lot of weight. I'm very excited about harvest:). On day 7 The girls are doing well. I had a small clog in my bluat system on one of my carrots. I have fixed the clog by massaging the small pipe that was clogged. it has been tough using powdered nutrients with this system as there has been a few clogs. I will be switching to water soluble nutrients with drip clean to keep lines clear on my next grow. I just need to make it through the next few weeks to harvest :)

La White Runtz ha raggiunto quasi 80 cm di altezza dando precedenza al gambo principale e meno ai rami laterali, nessuna dei semi di Anesia è stato sottoposto ad allenamento 🏋️‍♂️ e finiranno il ciclo così, entrano nella terza settimana di fioritura, ho aumentato a 3ml al litro di Canna Terra Flores salendo a 1650 circa e cercherò di diminuire azoto dalla prossima volta…ci vediamo nei prossimi aggiornamenti 😎🤞✨💚🌱

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Looks alright.😎

❤️🍀my first sativa👀

Well it's been a shitty week regarding no sun just plenty of clouds and wind..seriously windy last 2 days posted a we video to show, the sun's out today and still got plenty of wind, for having such a bad week the buds have got very big compared to last week, well pleased and still a month to go :) :) After listening to some good experienced people in decided to lollypop her and try and concentrate the energy to the top part of the plant..pray lol :)

Week3 day4 -Have had the coke bottles how they are as a humidity dome and starting to give a small dose of thrive nutrients

The Z up is now back to the tent, seems happy because the leaves are shining a lot and showing vivid colors. This should be last week of veg, so gonna boost her up to flower with good nutes.

Welcome to My Synthetic + Organic Auto Cinderella Jack Diary. Thanks to Dutch-Passion for supplying my with great seeds to enter this contest. Much appreciated. Into the last week of this grow. Both plants have eaten up and completely finished and nice and ripe. And another few days. I'll harvest these pretty ladies. Again, it seems my Synthetic nutrients, isn't working just yet. But I know I'll get there. Really happy with the organic. Huge cola and side cola, not the biggest of plants, but grown very quickly and the amount of frost is nothing to scoff at. I'm very happy with the results. These are some of my 1st autos I've not topped. They do make for a much nicer shape. But, I just can't say for sure, if topping, (done right) is a better thing to do for some autos.. I'm hoping the quality and thc will be there. As there was no stress, other than the Synthetic pigment mutation that wouldn't of caused much harm to her. The buds/colas are just a 1/5 of the size. But, they are far from larfy and airy. Some pretty nice dense sticky nugs to look forward to from the Synthetic and big ass colas from the organic, best of both worlds. I done some light defoliation to make sure everything ripens up in this last push. But, looking throughout everything is past the 30% amber trichs and everything is 95%+ cloudy. Am going to leave them for the next week. I'll add pics and add another week for my harvest, and after I've tested and tried I'll give a G/W, much appreciated. Thanks for tuning in.

Little late on the update my bad family. These two are finishing up perfectly and will get the chop this week. One of the three is finished and was just chopped so I'll update as soon as I get all 3's wet weight. Over all I couldn't be happier with how they grew.

420Fastbuds-FBA2510 I'm excited as it's tester time. Germination week is complete. I planted 3 seeds and had all 3 sprout within 48hrs of being in the soil. I do soak them for 48hrs in a glass of water before planting. I can't wait to see what the weeks to come will have in store. Happy Growing

Hello Diary. Two new diaries. Hulkberry and Green Gelato, both Automatic. Many thanks to RQS for these strains, and I am very happy to be starting with the new storys. WHY HULKBERRY AUTOMATIC? HulkBerry Automatic is Royal Queen Seeds’ revved-up version of Bruce Banner #3 Auto. She’s one of the most potent autos you can get your hands on, easily outperforming many photoperiod strains in this area. Her compact and frosty flowers provide a THC content of up to 21%, enough to satisfy the most experienced of smokers. Expect a wave of euphoria to crash over you after a vape hit or bong bowl of HulkBerry Automatic. The strain is motivating, increases alertness, and gets the creative juices flowing. She makes a superb smoke when listening to music and watching films, or when indulging in your own creative endeavours. Overall, she’s an excellent strain for daytime use. LET'S START FIRST WITH THE FARM SET-UP: Box - Secret Jardin DS120W 120x60x178 Lights - MIGRO 200+ Ventilation - Blauberg Turbo - E 100 Fan - Oscillating Koala Fan Humidifier - Beurer LB 45 Soil - BIOBIZZ Light - Mix Pot - 11L Fabric Pot from RQS Seed - Royal Queen Seed Nutrition - BioBizz and RQS Organic nutrition I apologize in advance for the detailed documentation, or the large number of photos, but I enjoy it, and I think it will help others around tracking their plants. LET THE DIARY START OFFICIALLY: 10/06/2020. planting. I have prepared everything I need for planting. The 11lit fabric pot I got from RQS, also Organic Boost Nutrition and Mycorrhizza from RQS, Soil is Light-Mix from BioBizz and of course the seeds of the new strain Hulkberry Automatic. After adding 50g of pellets from Organic Nutrition and 5g of Mycorrhizze, I mixed everything well in the pot. After that I watered well and soaked the soil, I dug a hole with a wooden stick about 2-3 cm, I first put 1g of mycorrhize and then put the seeds inside. I lightly covered the hole with earth and put the pots in their new home. I planted two Hulkberries and one Green Gelato Automatic. The temperature was about 25 degrees and the humidity about 65%. 14/06/2020. She sprouted. After 4 days, Hulkberries came out. In the meantime, I sprayed the surface of the earth a little twice. The temperature is still around 26 degrees, thanks to the summer and the high temperature that enters the apartment anyway. I regulate the humidity with a humidifier, I maintain it around 60% -65%. 15/06/2020. Their first photo shoot, I also watered their with about 2 liters of water, which I only regulated p.H. at 6.3 with Plagron, Lemon Kick. 19/06/2020. Day 1. Hulkberries is officially one day old. On that occasion I took another photo shoot to celebrate this big day :). 24/06/2020. First Feeding First feeding. Their got a whole meal from BioBizz, Root-Juice, Bio-Heaven and Acti-Vera, p.H of water I regulated with Lemon Kick from Plagron. 25/06/2020. Day 7. End of the first week. For now, everything is great. It is developing nicely, its conditions are almost perfect. Hulkberry #1 - Day 7. - 9 cm Hulkberry #2 - Day 7. - 10 cm I think that’s all for this week, I’m happy that it’s starting all over again, following its development and looking forward to what’s to come. See you next week.

Day 22 - Plant is 6 inches tall. Tons of roots sticking down into the water. Checked PPM 215. PAR/PPFD ranges from 200 to 270 at the height of the plant. Day 25 - Plant is 9 inches tall and 12 inches wide. Water dropped a lot. PPM was 100. Added 2 gallons of RO. Added 10 mL of CalMag. Added 10 mL of the 3 base nutes Micro Grow and Bloom. Added 5 mL of each of the additives. PPM was 515. Day 26 - Plant is 11 inches tall. Fast growth! Short and bushy. Roots are thick as spaghetti noodles and formed a thick rootball. Nearly a dozen budsites. Stem is thicker then a pencil. Day 27 - PPM is 415 in am. Afternoon PPM is 370. Plant is 12 inches tall. PAR/PPFD is 400 to 450 near the top of the plant. DLI is 27 based on 20 hours on and 4 hours off. Late night checked PPM 375. Added 10 mL of Micro Grow and Bloom nutes. PPM is 810. Day 28 - PPM is 775. The plant is getting huge. The stock is about as thick as a Bic lighter. Plant is 13 inches tall.

So this girl ripened super fast and was harvested on week 8 and that for me is in heard of , I will update more once dried Update well this girl cured amazing and is by far the strongest fast buds to date by far

Great growth over the week.

Still see nitrogen toxicity so im going cut biogrow down to half dose and see how it goes! Besides that all looks well Smells are stepping it up in a couple pheno! On the Chocolate Marshmallow side we have a intense sour fruity pebbles on a pheno that is just unreal And on the double d side we have some rotten tooth chem smells coming through!

Day 59 Week 3 of flower 👍🏾

It was not what I expected from her ... shes in flowering and I am left of that stature .... in a 20 liter pot ... it will be a very poor production in buds ... compared to the others .. but we will follow its evolution over the course of the weeks... and try to eradicate the bug.

Sa a bien stretch partout, tout est sain , rien a signaler, sa commence a fleurir On y va molo sur l'engrais, belle plante , on voit que les boutures se plaisent en hydro , et les mamans se portent bien en terre 100% organic , sa annonce du beau tout sa , un phénotype sur 4 sort du lot par son stretch 2 fois plus prononcé que les autres,mais dans l'ensemble tout ce porte a merveille j'ai hâte de voir les buds #madamegrow #trolmaster