03/12 - Day 68 Girls are putting out some really nice aromas! I’m assuming this is the last push for this strain, buds are really tight and super hard when squeezed on (B) & (C) All around the trichomes are still pretty clear and no amber yet.

The time has come, here we are into the first couple of days of flowering, slightly upset because I can’t look at them during the day and their light cycle runs at night but I have to get used to, I used to spend hours staring at them. My Gf told me to get for a second into the feeling of the plants and imagine this human look at me for hours 🤣🤣 I have to admit that would be slightly creepy and they don’t know yet that I’ll chop them down and smoke ☠️ Enjoy fellow growers ☮️✌️🏼😎

Biosys insteat micobe tea once a week

Gracias al equipo de Divine Seeds, Marshydro y XpertNutrients sin ellos esto no seria posible. 💐🍁Fractal: La semilla de marihuana Fractal es una cepa especialmente psicodélica que Semillas Divinas desarrolló para experiencias esotéricas y místicas, meditación y creatividad. La potente y vívida Skunk#1 fue cruzada con una pegajosa Afghani Indica, y el resultado es ahora conocido como Fractal. Este exótico híbrido es resinoso, picante y productivo. La mejor opción para el cultivo comercial: un compromiso entre mayores rendimientos y maduración rápida. En interiores se espera una altura de 1,70 m, en exteriores las plantas crecen hasta 2 m. Fractal se adapta a todo tipo de entorno de cultivo: cajas de cultivo, instalaciones hidropónicas o aeropónicas, plantaciones exteriores, balcones, terrazas e invernaderos. Para un mejor rendimiento se recomienda entrenar a las plantas de Fractal para ampliar su estructura y limitar su crecimiento vertical. Usar ScroG o SoG, LST, FIM o topping. Fractal tiene una inmunidad inherente al moho y a las plagas de insectos, pero como sus colas son gruesas, proteja sus plantas del aire viciado. También durante las semanas de lluvia su plantación puede necesitar ser cubierta. Listo para la cosecha al aire libre en octubre. Grandes y densos cogollos. Los cogollos de marihuana de la variedad Fractral huelen a hachís y algo a tierra, desprenden cedro y notas afrutadas al romperse. Mida su porción con cuidado: su potencia está por encima de la media. Con Fractal experimentas un apedreamiento general que te hace sentarte o frena tu movimiento. Perfecto para pasar una noche junto a una hoguera. Es mejor consumirlo por la noche. 🚀🌻 Consigue aquí tus semillas: https://divineseeds.net/es/fractal-fem/ 💡FC6500: Eficiencia líder en el mercado: la lámpara de cultivo LED FC-E6500, que ostenta un estatus líder en el mercado, es una solución rentable con un PPE de 2,8 µmol/J y un rendimiento máximo de 2,5 g/vatio. Ofrece un PPF alto de 2026 umol/S y es adecuada para una cobertura de vegetación de 1,50 m x 1,50 m y una cobertura de flores de 1,20 m x 1,20 m. Iluminación versátil y uniforme. https://marshydro.eu/products/mars-hydro-fc-e-6500-730w-commercial-led-grow-light/?gad_source=1&gclid=Cj0KCQjw1qO0BhDwARIsANfnkv9IIrYSbmJqz8PqpJOIyWwJfp5bc3SGJgUV68USLQ4tjmXDYwoBuAsaAue3EALw_wcB 🚥 MarsHydro ADLITE UV/IR/RED: Para lograr un crecimiento óptimo de las plantas y maximizar los rendimientos es un arte simple que depende en gran medida de las condiciones ambientales adecuadas. Reconociendo las limitaciones de la iluminación natural y las soluciones de iluminación tradicionales para satisfacer estas necesidades únicas, lanzamos ADLITE. Estas luces especiales UV, IR y roja están diseñadas para llenar áreas del espectro, proporcionando las altas longitudes de onda que las plantas necesitan para un crecimiento y desarrollo óptimos. Consigue aqui tu Adlite: https://marshydro.eu/collections/adlite-supplemental-lights/ 🏠 : Marshydro 1.50 x 1.50 x 1.80, carpa 100% estanca con ventanas laterales para llegar a todos los lugares durante el grow https://marshydro.eu/products/diy-150x150x200cm-grow-tent-kit 🌬️💨 Marshydro 6inch + filtro carbon para evitar olores indeseables. https://marshydro.eu/products/ifresh-smart-6inch-filter-kits/ 🍣🍦🌴 Xpert Nutrients es una empresa especializada en la producción y comercialización de fertilizantes líquidos y tierras, que garantizan excelentes cosechas y un crecimiento activo para sus plantas durante todas las fases de cultivo. Consigue aqui tus Nutrientes: https://xpertnutrients.com/es/shop 📆 Semana 9: Hemos llegado al final, lo hemos conseguido, los cogollos estan bien gordos, listos para el lavabo de raíces y darle unos dias de madurez antes del corte final. Ha quedado una planta con muchas ramas compactas, distancia internodal corta y toda la rama esta llena de cogollo y resina. Tremendo el trabajo por parte de mis patrocinadores, como siempre XpertNutrients, Anesia Seeds y Marshydro no fallan. Con la nueva iluminación + los adlite se ha incrementado el tamaño de las flores, la cantidad de resina y el olor es mucho mas fuerte que otros grows.

Hi people 🤗 A lot has happened this week 😄 The 3 Blue Cheese and 2 Kosher Tangie Kush which have been in the flowering tent for 1 week have become very bushy 👍 Unfortunately I just noticed that I completely forgot to take pictures of the Blue Cheese Phenotype # 3 🤦‍♂️🏻 The picture will be given later. The rest of the Vegi tent is also progressing very well. They are repotted in 11 liter pots this week, and then come to the flowering chamber die the following week The next week there will be new pictures, until then I wish everyone a nice start into the new week 🙏🏻💪🏻 Let it grow 🍀🌱

First week for the sticky beast and purple queen i had the runtz seeds a week earlier and i did not Wanted to wait i want these bitches to come out and soon 😂

Still having this weird potassium lockout. Some new growth is burned/spotted. Very confusing situation I don’t know wether to back off the feeding a little. Wouldn’t the plant just leach the potassium rich coco and burn it more? This isn’t a huge issue for me right now but I’d like to find out what is causing this. non buffered, coarse coco

El día 19 de floración se hace poda de brotes bajos y una pequeña defoliación de hojas de abanico 👍

d14 Se las ve más pobladas, parece que no les ha causado mucho estrés por lo que han continuado creciendo y lo que yo quería, ahora las ramas laterales, reciben mejor la luz y están creciendo bien. Tienen buena estructura la mayoría, son bastante simétricas. Semillas a granel y ya veis la calidad que tienen, no son super estables porque no se parecen tanto entre ellas, pero no son malos ejemplares, en cuanto a estructura. Tenemos las plantas del fondo, la zona donde está dando el ventilador, y me he dado cuenta que esas plantas tienen algunas hojas medio amarillas y blanditas, parece ser que se han creado alguna bolsa de humedad, necesitaré un ventilador más para que no pasen estas cosas. También he mirado un poco algunas plantas y tienen lo que viene a ser la primera rama satélite, pues es muy fina y no ha crecido en altura para poder recibir luz, por lo tanto se cortarán estas ramas.ç PD: Si se ve una semilla germinada en una maceta, es una 1024 que se quedo en la tierra y parece que le cuesta mucho, pero que nunca se rinde. d15 Algunas tienen un callo bastante gordo en la unión de las ramas satélite. Se han cortado las ramas de abajo del todo, primeras satélite de algunas plantas ya que no les da la luz y no nos van a hacer falta.

Looks like buds are forming nicely, getting volume slowly. I have problem with some deficiency, i started adding calmag last week, and lowered the nutes, no changes for now yet, all old leaves look horrible, new ones have the tip burned and twisted up. Starting to smell more, its noticable in the house, buds are really sticky if you touch it. I am guessing around 4 weeks till finish, the 4th plant probably later, is about 2 weeks behind, but is the biggest. Buds are just stacked, interested to see if those are going to be all one big bud, it is easier to see it in the video i attached. Cheers!

Week 10

And she’s moving— just gave an ipm treatment and tip dress of kelp. I take it slow the first 2 weeks of flower then slam them with nutes in the next few weeks. Look out!✌️🏻💚

Its week 11, Harvest time!! .... or is it? Well, i can tell you - absolutely not. 💩 #3 is well into flower right now, but i dont think she's gonna come down for another 3 weeks. She's def. the furthest along though. I'll be using the thrichoscope end of this week i reckon. #2 and #1 are both just barely getting started in their flower, so they will probably run for another 5 or 6 weeks at least. i've got good hopes for plants 2 and 3, and also feel like the light-intensity experiment is really giving me some solid results. (the one with the least light is #3, whhich even started to flower much sooner than the other two, i feel like there is a link with the scarcity of light energy it receives. anyone here that would confirm or deny such an idea?)

Welcome to my Ðivine ØĠ Ķush diary. In this diary: Seeds: sponsored by Ðivine Șeeds Media: Promix HP Nutrients: Advanced Nutrients, Diablo Nutrients. Light and Weather: Şun☀️and Mother Earth.🌎 ___________________________ Feeding: Tue 23Jul: 4L nutrients pH'd 6.5 and 4L water not pH'd Wed 24Jul: 11L water not pH'd Thu 25Jul: 4L water not pH'd Fri 26Jul: 9L water not pH'd Sat 27Jul: 4L nutrients pH'd 6.5 and 2L water not pH'd Sun 28Jul: 10L water not pH'd Mon 29Jul: 8L water not pH'd *please note that most water only feedings are 2L at the time throughout the day in bottom saucer* ___________________________ What a beautiful summer that we're having. Just one day last week it was cloudy and colder and got some rain, rest of the week sublime weather. My Ðivine Ladies are pre flowering and hopefully will be blooming soon, next week update should be FLO fingers crossed😄 ______________________________ Kush Kush is doing well from her 88" inches tall, can't believe imma have to get my ladder to do some defoliation in a couple weeks😂 _____________________________ Øpi was found with a spider mites nest..squished the squatter with my thumb and index... all 3 Ðivine Gals got the spa treatment, soap insecticide spray 2 litres each soaked them real good, before flowering it was a smart move😉 ______________________________ Thanks for stopping by, likes and comments are appreciated!👊🏻😎 Keep on growin! Keep on tokin!!! 😙💨💨💨💨💨

The mind grows from observing failed attempts, The body grows from observing failed attempts, Topped mid-week both plants Often through our various senses, we receive impressions that bring the pleasure of nature's harmony into our thoughts. At other times we are aware that man has intervened in nature's processes to produce something by art, which to our highly evolved senses seems to rival even the best nature can display of beauty and harmony. We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something, by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. If our equipment was a wave form plotter, we may have a drawing like illustration 2. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that coresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then tne next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it werned when it was set to be a suitable compromise between the many different pitches in use at the time. There is also a scientific standard of pitch of C= 512 Hz which, although not in common use in nusic, has a lot of theoretical followers, as it is generated from the lower octave of C = 1 cycle per second and has certain advantages of numerical simplicity in mathematical research. A scale built upon either of these standards will yield an upper octave scale in the color spectrum. However, with the A = 440 Hz scale, we end up with a color series which, although interesting, is hard to relate to any color system or set of values in current use. The C = 512 Hz system, on the other hand, seems a more obvious choice at first sight, having 12 definite color tones and containing the strongest and most pure colors in the spectrum. Further research showed that there were still things not quite right with this system, and has led to a modified version in which correspondences with other systems seemed to fit into place. Of course the proof of the pudding is in the eating and before being accepted this system will need further research to substantiate the correspondences and prove its value to mankind. What follows is a summary of the process used in drawing up this modified scale. The upper octave color of a fundamental of one cycle per second is found to be exactly emerald green, which is recognized as having a wavelength of 511 nanometers (this is at 20o in air). 511 nm is also the color of malachite, or hydrous carbonate of copper occurring as a mineral. It would seem reasonable, given the teachings in the QBL, to associate this with the planet Venus. If we take 1 Hz or its upper octave 512 Hz as our fundamental, then build a scale upon it using our tempered scale 'formula', we will have the following 12 color tones: 723 nm = infrared 682 nm = deep red 644 nm = orange red 608 nm = orange 574 nm = yellow 541 nm = yellow green 511 nm = emerald green 482 rim = green blue 455 nm = royal blue 430 nm = indigo 406 nm = violet 383 nm = ultraviolet There are certain immediate correspondences that become apparent between some of these colors and our teachings in Parachemistry. The yellow here is the color of chromate lead and zinc yellow, the most 'yellow yellow', for want of a better description, to be found in the spectrum. It seems rather logical, if we follow the Queen scale of color, to call this the Sun, or Vulcan, depending on which system we choose to look at. The orange here is exactly the frequency of sulphide of mercury or cinnabar. It would seem appropriate to relate this to the planet Mercury on the tree of life. If we then call the deepest red in our scale Mars and the Royal Blue Jupiter we find a pattern beginning to form. The ultraviolet here is outside our range of color vision and would appear black to us. If we call this Saturn, as Saturn is described as either black or violet, then we have six tones out of the twelve named. Through want of skill and reason's light Men stumble at noon day; Whilst busily our Stone they seek, That lieth in the way. Who thus do seek they know not what Is it likely they should find? Or hit the mark whereat they aim Better than can the blind? No, Hermes' sons for Wisdom ask, Your footsteps she'll direct: She'll Nature's way and secret cave And Tree of Life detect. Son and Moon in Hermes' vessel Learn how the colors show; The nature of the elements, And how the daisies grow. Great Python how Apollo slew, Cadmus his hollow oak: His new raised army, and Jason how The fiery steers did yoke. The eagle which aloft doth fly See that thou bring to ground, And give unto the snake some wings, Which in the earth is found. Then in one room sure bind them both, To fight till they be dead, And that a Prince of Kingdoms three Of both them shall be bred. Which from the cradle to his crown Is fed with his own blood; And though to some it seems strange, He hath no other food. Into his virgin mother's womb Again he enter must; So shall the King by his new birth, Be ten times stronger just. And able is his foes to foil, The dead he will revive: Oh, happy man that understands This medicine to achieve!

chopped #1 on 1/21/25 started curing today 1/27/25 chopped #5 on 1/23/25 still hanging and drying. will update with weights and smoke reports and more pictures when dried and cured #1 33 grams. nice big nugs. i really like how the mainline turned out with the final product #5 32 grams smaller buds overall but the yeild is very similar. these are weights after trimming. i did a fairly heavy trim on thesr 2 plants. this diary started with 5 plants but because of my perpetual flowering set up, i have had 3 other diaries for the flowering stages of the other 3. The flowering stage of this diary are only plant #1 and plant #5

Destiny has given me a wonderful climate so far but from the 18th the weather will change completely, precisely in the last 10 days of flowering which fortunately is very accelerated by the anomalous heat, especially at night. Typical late summer weather here, kinda for weed. First storm is expected on Saturday, I'm ready to protect them. I've made the last rearrangement of the tent, trying to give more room to the vigorous and overflowing Pineapple Kush so I've rised the roof to 110". The plants are all carefully sprayed with thyme extract to control mites infection, it seems to work, infection is stable from 1 week. I kill manually 20/30 bedbugs a day. During nighttime, maybe a monster grasshopper, is munching some leaves, at this point I don't care, I have to defoliate anyway and these bastards don't chew buds, for now. She's flowering fast now, I hope she will finish before October rains. Every side branches is thicker as the sister's main branch. Expected harvest time october 1st/2nd week. This will be a hard challenge to complete flowering without mold issues. If she doesn't gave to me at least 2lbs of weed, I'll kill her. Last 2 week with nutes Full dose Water Half dose Water Full dose Water Half dose Happy growing my friends 🙏

Week 4 begins for LSD and Green Crack. Moved both ladies to their new home, 4x8 vivosun tent. They look happy and healthy. Did a heavy defoliation this week. Thanks for stopping by growfessors 👽🌳💚