Love the smell. Can't wait to smoke it 😜

At this point I’m giving the plant plain water I dropped the temperatures and the lights just waiting for runoff to be acceptable and then it’s time to chop

Nothing special.. just giving it a lil spray at the top of the soil every time it goes dry

02.21 d43 02.27 d49

Buenas a tod@s!!! Curta semana de floración de la famosa critical, la verdad que la variedad va creciendo bien, la veo fuerte más allá alguna caga...da que habré hecho x eso lagunas hojas amarillas y algunos errores más de novato, es mi primer indoor así q pegas, muchas, como x ej el "exceso" de nutrientes q marcan las hojas, como tanbm la "falta de nutrientes" q marcan las hojas( no todas las hojas ni todas las variedades), esty un poco confuso con ese tema, no me excedo en los ml del producto, hay riegos de agua de x medio tanbm 🤷🏻‍♂️ es obvió que esto me pasaría, pero siempre con la buena onda y con la positiva... 🙌🏻👍🏻 Se las ve fuerte y en nada veremos qué tal sale todo... Buen finde para tod@s y buenos humos a seguir aprendiendo... 💨💨🇦🇷🤝🏻🇪🇦🏻‍♂️

🇩🇪 Tag 127 man sieht ihr an das sie über die Zeit hier und da nicht optimal versorgt wurde aber sie macht sich weiterhin und Ende der Woche spätestens Ende der nächsten geht es dann auch für sie endlich in die Blüte. Bis dahin heißt es sie weiter in Form halten die unteren Trieb dürfen langsam nach oben wachsen und die drei die ich nach „hinten“ weg führe werden weiter den Draht entlang geführt. Mit etwas Glück dürften sie dann zum Wechsel in die Blüte auf einer Höhe sein. Happy growing💛✌️ 🇬🇧 Day 127. You can see that she hasn't been optimally cared for here and there over time, but she's still doing well, and by the end of this week, or at the latest by the end of next week, she'll finally start flowering. Until then, it's important to keep her in shape. The lower shoots can slowly grow upwards, and the three that I'm training "backwards" will continue to be guided along the wire. With a bit of luck, they should all be at the same height when she switches to flowering. Happy growing! 💛✌️

I have transplanted into Dutch buckets. Filled with perlite. And all are now in the Greenhouse. Doing great. These are watered 4 times a day for 1 minute. She is doing great after the transplant.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

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Day 20 of flower, had to switch to a closed loop with an ac in the lung room due to high humidity and temps.

Day 70. So frosty and stinky but I can’t smell because my face is rebelling at me. My sinuses 😂🤦‍♀️🏻 She’s will be hopefully swelling more before her flush out. I’m excited to see her in her full glory.

This Week On KeembBoomin The smells are amazing walking into the room no the mention once I actually open the tent, a very sweet tropical aroma at first sniff should I say. In tent 1 on the right there are two Bubble Gums(from seedsupreme) are growing completely different at the bottom right she is very orange but not as frost, but the girl in the back right is not so orange but very frosty. And then there is my favorite Amnesia Haze (Also from Seedsupreme) I always keep one of those girls growing never fails extremely frosty smells like gassy orange citrus and smokes just perfect for me and a nice yield girl for sure last time I got a little over a quarter pound just from one plant Tent 2 Now these plants were me having a little fun as well as testing some strains the see if I will grow again. So I’m the front I have a Peanut ButterPie x Royal Kandy(Won it on 420) this was a grow again I just have to many seed so I grow them 4 at a time, BUT this is the orangest most frostiest MOST dense flower I have ever seen. To the back right I have a GMO Cookies I found the seed in a shake bag from the dispensary I’m not really a fan of the buds are frosty the the nugs are so tiny looks like I’m going to have nothing but popcorn but anyway, And last we have in the back left corner some random bag seed I took off my friend hands cause I could not stand to see it look the way it did I SHOULD HAVE LEFT IT she is so shitty the only thing I like about her is that all her buds look like a amazing shape and size BUT no frost just plant like what????

Gracias al equipo de Royal Queen Seeds, en especial a @james, Marshydro y XpertNutrients y sin ellos esto no seria posible. 💐🍁 Gelato #44: Los criadores de Tyson 2.0 criaron Gelato 44 a partir de cepas finas. Al cruzar la Sunset Sherbet y la Thin Mint Girl Scout Cookies, crearon un híbrido de dominancia índica que asesta fuertes golpes en el cuerpo y la cabeza. Su contenido de THC del 22% crea sinergia con terpenos colocantes para ablandar los músculos Mantenla hidratada y con una dieta constante y pasará por la fase de floración en unas ocho semanas. Las plantas de interior alcanzan una altura máxima de 120 cm y producen 400-450 g/m², mientras que sus homólogas de exterior alcanzan los 180 cm y producen hasta 600 g por planta. 🚀 Consigue aqui tus semillas: https://www.royalqueenseeds.es/rqs-semillas-cannabis-tyson/663-gelato-44.html 💡FC6500: Eficiencia líder en el mercado: la lámpara de cultivo LED FC-E6500, que ostenta un estatus líder en el mercado, es una solución rentable con un PPE de 2,8 µmol/J y un rendimiento máximo de 2,5 g/vatio. Ofrece un PPF alto de 2026 umol/S y es adecuada para una cobertura de vegetación de 1,50 m x 1,50 m y una cobertura de flores de 1,20 m x 1,20 m. Iluminación versátil y uniforme. https://marshydro.eu/products/mars-hydro-fc-e-6500-730w-commercial-led-grow-light/?gad_source=1&gclid=Cj0KCQjw1qO0BhDwARIsANfnkv9IIrYSbmJqz8PqpJOIyWwJfp5bc3SGJgUV68USLQ4tjmXDYwoBuAsaAue3EALw_wcB 🚥 MarsHydro ADLITE UV/IR/RED: Para lograr un crecimiento óptimo de las plantas y maximizar los rendimientos es un arte simple que depende en gran medida de las condiciones ambientales adecuadas. Reconociendo las limitaciones de la iluminación natural y las soluciones de iluminación tradicionales para satisfacer estas necesidades únicas, lanzamos ADLITE. Estas luces especiales UV, IR y roja están diseñadas para llenar áreas del espectro, proporcionando las altas longitudes de onda que las plantas necesitan para un crecimiento y desarrollo óptimos. 🚀 Consigue aqui tu Adlite: https://marshydro.eu/collections/adlite-supplemental-lights/ 🏠 : Marshydro 1.50 x 1.50 x 1.80, carpa 100% estanca con ventanas laterales para llegar a todos los lugares durante el grow https://marshydro.eu/products/diy-150x150x200cm-grow-tent-kit 🌬️💨 Marshydro 6inch + filtro carbon para evitar olores indeseables. https://marshydro.eu/products/ifresh-smart-6inch-filter-kits/ 🍣🍦🌴 Xpert Nutrients es una empresa especializada en la producción y comercialización de fertilizantes líquidos y tierras, que garantizan excelentes cosechas y un crecimiento activo para sus plantas durante todas las fases de cultivo. Consigue aqui tus Nutrientes: https://xpertnutrients.com/es/shop/ 📆 Semana 14: Después del error que tuve con el horario ha llegado el momento del lavado de raices, los cogollos son tan densos que las ramas no pueden soportar su peso 😱.

Another week for the sweet seeds ladies to settle in and continue their recovery RED HOT COOKIE is looking a little worse for wear this week. I have explored the tank to see if that is an issue but all is as should be. I will retreat the root rot with some more silver bullet roots to bring the res back to sterile. Shebhas curled down claws which suggests too much N maybe?. I am assuming the root damage is a part of the issue too. I am frustrated to have lowed such a stupid error with the res heat and rotbbut thankfully the sweet seeds genetics are strong in the 2 in the tank and they are fighting now. SWEET AFGHANI DELICIOUS has had a better week with some vertical growth and plenty of recovering chlorophyll. She is still quite hardy stemmed and I would not attempt to do any bending at all. She will be allowed to grow out as she wants along with thebother ones in that tank. AMNESIA HAZE is a whole different game . Shebhas beena dream to work with and I could not advise growing this strain enough. Ideal for a new grower who needs a resilient and constant growing plant to learn with. I am in love.lol I have spent the last few weeks flattening her out and using the width I have now to keep her more lateral. She is around 3ft across now with so much planned growth to work with when I flip her. Inam hoping to make her a beastly girl to smash my personal best for a single plant. Her stems are nice and thick with a really nice Quad formed. She will be a lady to behold in full flower. Well done Sweet seeds.

Hey guys :-) First of all I have to say that all 5 strains I have in the tent from Amsterdam Genetic are beautiful genetics 👍 . This week they were repotted into 8L fabric pots. When repotting, 1.5 g of Green House Powder Feeding Bio line were added per liter of substrate :-) . That's enough until the first flowers start 👍. Watering was done twice this week with 0.4 l each. Otherwise everything was cleaned and checked and fresh osmosis water was mixed. Stay healthy 🙏🏻💚 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this Nutrients at : https://shop.greenhousefeeding.com/us/ 👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼👇🏼 You can buy this strain at : https://www.amsterdamgenetics.com/product/lemongrass/ Water 💧 💧💧 Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.8 - 6.4 MadeInGermany

Day 42 The plants are showing steady growth and good health. The structure is filling out nicely, with strong branches and vibrant green leaves. Stretching has started, indicating the transition into the early flowering stage. The canopy is even and well-balanced, and new shoots are developing quickly. I’ll continue monitoring light height and nutrient levels to support smooth growth as flowering progresses. So far, everything looks on track for a healthy bloom phase ahead.

got some Ph problems because i fckd up mixing water with BioBizz

Harvest in a couple of days