Eccoci di nuovo qui!!! Super eccitato per questa nuova collab con Anesia Seeds, team davvero al top, che mi ha dato l’opportunità di testare questa nuova genetica e di condividere i progressi con tutti voi!!! Come sempre partiamo nei bicchieri per poi travasare.. Questa volta verrà svolto tutto sotto la Lumatek Zeus 465 ProC, mi aspetto molto da questo ciclo!! Purtroppo ho perso i file delle scorse settimane e dovrò reiniziare il report da ora scusate per il disagio Grazie a tutti per il supporto ❤️🍀🔥

🌱 Blütetag 38 | Tag 98 gesamt Klima – VPD Achterbahn Wieder eine unruhige Woche draußen. Mildes Regenwetter mit hoher Luftfeuchte → dann wieder kalt → dann wieder milder. Typisches Hin und Her. Die Pflanzen müssen ständig Transpiration und Nährstofffluss nachjustieren. Konstantere Bedingungen würden es ihnen leichter machen – aber sie arbeiten sich so durch. 🌿 Pflanzenstatus White Gushers 33 Diese Woche zeigt sie etwas mehr Sensibilität. An exponierten Trieben sind Klimaspuren sichtbar – kleine Nekrosen und leichte Transportanzeichen. Nichts Kritisches, aber erkennbar, dass sie die Schwankungen spürt. Trotzdem baut sie weiter auf. Blüten stapeln sich, die Harzproduktion nimmt zu und das fruchtige Aroma wird von Tag zu Tag intensiver. Triangle Sherbet Kush Deutlich die ruhigere im Zelt. Sie geht gelassener mit den Schwankungen um und wirkt insgesamt stabiler. Auch hier kleine Spuren, aber weniger ausgeprägt. Die Blütenstruktur wird kompakter, das Stacking läuft sauber, und aromatisch wird sie zunehmend runder. 🌸 Blütenentwicklung & Aroma Beide Strains legen gut zu. Mehr Dichte. Mehr Harz. Mehr Charakter. Beim Öffnen des Zeltes kommt inzwischen direkt ein wahrnehmbarer, fruchtiger Duft entgegen. Wir sind klar in der Mitte der Blüte angekommen. 💧 Nährstoffe Konstant gehalten: CalMag: 1,5 ml/L Bloom: 1 ml/L Einfach, stabil, ohne größere Änderungen. 🐞 IPM / Biologischer Pflanzenschutz Das biologische Team arbeitet weiter: Florfliegenlarven Raubmilben Gelbtafeln zur Kontrolle Ein leichter Rückgang der Trips ist erkennbar, aber sie bleiben hartnäckig. Kein akuter Druck – eher ein laufender Prozess. 🔎 Ausblick Insgesamt bin ich zufrieden mit dem Stand. Das Klima dürfte ruhiger sein, aber Blütenentwicklung und Aroma gehen klar in die richtige Richtung. In der kommenden Woche plane ich eine leichte, gezielte Entlaubung (etwa 2-3 Wochen nach dem ersten Durchgang), um Licht und Luft für die letzten Wochen optimal zu führen. Ich rechne mit etwa vier weiteren Wochen bis zur sauberen Ausreifung. Toll, dass hier viele mitlesen, Input geben und Erfahrungen teilen – genau das macht so einen Run spannend. Achterbahn-Woche. Blüten bauen trotzdem. Danke fürs Mitfahren. — Rocko 🌿🔥💚 🌱 Flower Day 38 | Day 98 Overall Climate – VPD Rollercoaster Another unstable week outside. Mild rain with high humidity → then cold → then mild again. Classic back-and-forth weather. The plants constantly have to readjust transpiration and internal nutrient flow. More stable conditions would definitely make things easier for them — but they’re pushing through. 🌿 Plant Status White Gushers 33 She shows a bit more sensitivity this week. On exposed tops, climate marks are visible — small necrotic spots and light transport signs. Nothing critical, but clearly showing she feels the swings. Still, she keeps building. Bud stacking continues, resin production is increasing, and the fruity aroma grows stronger day by day. Triangle Sherbet Kush Clearly the calmer one in the tent. She handles the fluctuations more gracefully and appears more stable overall. Minor signs here as well, but less pronounced. Bud structure is tightening up nicely, stacking remains solid, and the aroma is becoming rounder and richer. 🌸 Bud Development & Aroma Both strains are progressing well. More density. More resin. More character. Opening the tent now immediately releases a noticeable fruity scent. We’re clearly in mid-flower mode. 💧 Feeding Kept consistent: CalMag: 1.5 ml/L Bloom: 1 ml/L Simple, stable, no major adjustments. 🐞 IPM / Biological Control The biological crew is still at work: Lacewing larvae Predatory mites Sticky traps for monitoring A slight reduction in thrips is noticeable, but they remain persistent. No major pressure — just an ongoing balancing process. 🔎 Outlook Overall, I’m happy with where we stand. The climate could be smoother, but bud development and aroma are clearly moving in the right direction. Next week I’m planning a light, selective defoliation (about 2-3 weeks after the first round) to optimize airflow and light penetration for the final weeks. I’m expecting around four more weeks until proper maturation. Great to see so many people following along, sharing input and experience — that’s what makes a run like this even better. Rollercoaster week. Buds keep building. Thanks for riding along. — Rocko 🌿🔥💚

Week 9 for 9lb Hammer F2 Plants in veg have been loving the stormy rain weather for sure 😂 They are getting much wider in size. Still not loving these 2 but the bigger they get the more they are growing on me. The pots are the heaviest they could be😅 Extremely saturated from the heavy rain fall. Wont need to be watering any of them for a while...

Helloooo everyone👋 This is the last week all the girls are ready for harvest🤩✂️ Im very happy with the result for my first outdoor photoperiod session! It was challenging but i had a lot of chance with the weather,this year was exceptionnal😎☀️ Absolutely different to grow outdoor If you want to skip the rain & the cold weather you can force the plants to flower,it works but you have to remove the plants every day at the same hours⏰ If you have the time to make your Homemade nutrient 100% bio its really easy you can find everything in nature feel free to ask me👌 In love with the beautiful purple color of the Biscotti from zamnesia😈

These were in dark tent with ac and 3- 6 inch fans and exhaust going. I thing the ac is making the humidity rise as its at 60% rh and im shooting for 65 degrees F TEMP. FOR A 10-12 DAY DRY. sTILL HAVE TO ACTUALLY CHECK THE BUDS FOR DRYNESS NOT JUST RELY ON SOMEONE ELSES PROGRAM. i BITCHED ABOUT THIS GROW THE WHOLE WAY AND I GOT 11 OZ WET SO I am axctually thrilled. If i can get this stuff to dry and cure and not end up smelling like hay, i will be thrilled beyond imagination.. so 12 more days or whatever it ends up being but thats goal. I am watching this dry and cure like a hawk!!! WILL UPDATE WITH DRY WEIGHT BEFORE I disapear in a cloud of smoke to be a good sport and a respectible growdiaries member with complete grows. Peace!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

I I’m filling a 100l water butt with 250ml each of dutchpro A and B and 150ml of explode in the same brand also used 30ml of rootexcelarator by house an garden and 15ml of x-force by bio green also 5ml of canna version of calmag!

👉Alrighty Then👈 👉 Punch F1👈 We had some real nice growth this , had to do a little leaf management👈 Low Stress Training to pull the lower branches out .... Everything is looking good 👍Having issues due to using my well water , it's hard so I'm having slight issues but I am on it ..... So ive up'd the nutrients to accommodate pre flower ..... Soil by Promix Nutrients by Cronks Lights by MarsHydro.ca FC4800 X UR45 X Adlite Deep Red And Blue Tent 4x4x6.5 & Equipment by MarsHydro.ca High reflectivity inner mylar Thick Oxford fabric Smooth heavy duty zipper Sturdy metal frame Zipper blackout cloth Good anti light leakage performance The 6in Inline kicks ass moves alot of air Well this should be fun 🙃 Thanks to all my growmies out there for stopping by its much appreciated 👈 👉Happy Growing👈

Drying

Week 8 Flower | GMO × Triangle Mints BX Week 15 overall, and we are in the final stretch. One week out from harvest and the room is telling that story loud and clear. The fade is deep and progressing perfectly — the plants are drawing down everything they have left, channelling it all into the buds in one last push. The purple expression that showed itself last week has deepened across multiple plants, the calyxes are swelling, and the trichome coverage is dense across every site from top to bottom. Watering climbed again to 8L per plant per 24h — the root zone is pulling everything it can get in these final days. pH holding at 6.2, EC stepped further down to 1.2 mS/cm as the fade protocol does its work and the plant takes over. Height unchanged at 110cm, lamp still at 20cm — nothing moves from here. Humidity holding at 50%, day temp 25°C, nights 23°C. Feed stack stripped back to the essentials for the final week: Athena Fade carrying the programme, Canna CalMag Agent 1.1 ml/l, Aptus Regulator 0.1 ml/l. Nothing else. Clean finish, no interference — let the plant do the rest. The candy gas is relentless at this point. Harvest is next week. The GMO × Triangle Mints BX delivered exactly what was asked of it. Next update Sunday. Stay tuned

LST main stem to one side to promote side branches. No pistils yet. The slight yellowing seems to grow out after leaves have fully opened. Good growth overall.

This is the first week and I am already so so so excited to grow this strain from such reputable breeder! At first I wasn't going to write a journal but since this is going to be a Mainline + Scrog style of grow I believe its worth to keep an online journal for others to use as reference hopefully. Week 1: Germination was nice and quick, 15h on water cup, less than 24h on paper towel and the tap root was already shooting out far, after 2 days I planted on soil (Promix HP) and use tap water on a spray bottle to maintain soil damp and humidity high. The morning after going on soil seedling sprouted and started to grow nicely. Seedling was under a Sunblaster 45w CFL lamp. Stay Lit folks! Follow my Instagram for daily stories @GirlGoneWeed

Very happy with this girl here. She is stretching at good pace and putting pre-flower all over. I can't wait for this one to be ready.

Everything is good, they were a little hungry this week and lost some lower leaves due to mobile deficiency but I did feed twice and problem resolved itself. I plan to defoliate the canopy to some extent this week. Light is at 100% now. Mimozz is smelling sooo good - it's crazy. I love it and can't wait to try some rosin from this strain. On the other hand - Strawberry Cough is not smelling at all. The rest of them are smelling good but nothing special to report :) Till the next week, cheers!

Not much has happened since last update 2 weeks ago (expect growth obviously). She is growing well and with ease. Only problem was that one branch snapped a little bit. Had to support it to another branch with binding thread. No visible damage other than the slightly snapped branch. Happy growing everyone

The buds are rockhard and very frosty i never had a haze flower like that

I did not top this girl, yet. Her top lowers started catching up to the top so I didn’t want to stop her yet lol. But all in all she’s looking healthy.

So we are at about day 70 of flower 🌺. Still not ready for 3 of these ladies😤. Took down the back right plant last night she was ripe and ready. Hung her up after a lite trim, and she will dry in my jimmy rigged drying tub for about 10 days will weigh her then

RSV11 grew really well. She has some big musky smelling colas on her. Lots of sagging in the branches from the weight. She has a musky earthy smell. Nice layer of frost as well. I will try to get more information on her by the final weight video. Thank you Spider Farmer, and Terpyz mutant Genetics. 🤜🏻🤛🏻🌱❄️ Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. Thank you Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g