08/09/2021 - Beginning of week 3 flowering, noticing buds forming at almost every node I left from defoliating branches. 08/11/2021 - Watered with molasses

http://seedazon.com/product/demintia Demintia is a smooth-smoking, heavy-hitting Indica dominate cross between Kush Mints and Oreoz 1.0 x Pure Michigan. These F1 Regs contain a variety of trichome covered pheno types with notes of Minty Earth and Sweet Citrus. Plants vary from medium to tall in height, and yield medium to heavy amounts of solid, frosty buds. Mother: Oreoz 1.0 x Pure Michigan Father: Kush Mints Sex: Regular Generation: F1 Height: Med-Tall Flowering Time: 63-70 Days Yield: Medium-Heavy Type: Indica-leaning Hybrid Nose: Earthy, Minty, Sweet Citrus get seeds: seedazon.com/store/wildeweed https://linktr.ee/wildeweed

Día 59 (29/07) Este cultivo no es muy entretenido con solo agua, asi que... Le hago supercropping a todas! 😁 A ver como reaccionan! Día 60 (30/07) Las plantas se están recuperando muy bien del supercropping! 😁 Todos las puntas hacia arriba! 💥 Come onnnnnnn! A por esa floración en 2-3 semanas! Riego 500 ml H2O pH 6,75 Día 61 (31/07) Las plantas se han recuperado genial del supercropping y están lanzando TODAS las ramas hacia arriba 😍 Un espectaculo la fuerza de estas plantas! 💥 Redistribuyo las plantas, para ver si OnionOG está más protegida del sol, ya que consume muchisima agua y voy a estar en unos días fuera... También reubico ligeramente la malla de sombreado, debido a que en mi latitud el sol empieza a incidir lateralmente por las tardes... Riego 500 ml H2O pH 6,55 Día 62 (01/08) Vuelvo a redistribuir las plantas en el invernadero dejando a OnionOG todavía más protegida del sol directo, para tratar de disminuir su consumo de agua estos días que no voy a estar... Pongo una protección "visual" en el invernadero en el lado que da a los vecinos (cara norte), porque he "cazado" miradas indiscretas... Riego 500 ml H2O pH 6,55 Día 63 (02/08) Debido a que me voy de vacaciones unos días, adelanto el riego semanal con Té y la aplicación foliar de Kelp Riego con 1 Litro de Té Vegetativo de Lurpe Solutions. Preparación: 24 horas con bomba de aire (oxigenación) con ingredientes: Green Sunrise 8 ml/L + Insect Frass 16 ml/L + Hummus Lombriz 8 ml/L + Melaza 1 ml/L + Kelp Hidrolizado 0,25 g/L Aplicación foliar Kelp hidrolizado de Lurpe Solutions a 0,25 ml/l Día 64 (03/08) Cerrado por vacaciones Día 65 (04/08) Mi amigo viene a casa a hacer un riego con 1 Litro de H2O pH 6,5 💦Nutrients by Lurpe Solutions - www.lurpenaturalsolutions.com 🌱Substrate PRO-MIX HP BACILLUS + MYCORRHIZAE - www.pthorticulture.com/en/products/pro-mix-hp-biostimulant-plus-mycorrhizae

After germinating the seeds are transplanted into small pots with soil (see tutorial in VIDEO above). The soil is prepared with water mixed with a little bit of BIO NOVA Roots (0,5 ml/l), which aids the development of the seedling. Transplanting is very easy now, because they have grown a STRAIGHT tap-root while hanging during the SERIOUS' WAY of germination. This straight root allows for easy potting of the seeds. Simply make a little hole in the center of the soil with your pinky finger and carefully place the germinated seed with the white root pointing DOWNWARDS into the hole. Best is to lay it onto one side-wall of the hole with the seed shell right at the surface. Then I push the other side inwards and enclose the whole root with soil. At the end only the top of the seed-shell peeks out of the soil. IT IS VERY IMPORTANT to plant the seeds NOT TO DEEP into the soil. The seedling only needs extra strength to work itself upwards thru the soil and you run the risk of the soil drying out and the seed dying off. When you PLANT THE SEED VERY SHALLOW into the soil (=with the top of the seed-shell still peeking out) your seedling can grow out right away and you have a small plant already 24 hours after putting the seed into the soil. The small seedling sometimes still has the seed-shell on its 'head', it normally falls off by itself, but sometimes you have to carefully help and take it off with your finger nails. Be careful to NOT clip of the seedling accidentally when you do this! The seed-shall has an inner lining, which feeds the small seedling when it germinates. This inner lining sometimes gets tangled around the stem of the small seedling after the shell has fallen off. This little skin MUST be taken off the stem right away! Once it dries up, it gets hard and can strangulate the seedling around the stem. In order to avoid this, the skin must be taken off as soon as possible! I show it in the pics above and also made a video about taking off the inner lining of the seed.

Muy buena planta, me ha gustado muchísimo este cultivo, va a salir mucha producción, además que hiper resinosa! Huele fuertisimo a frutas! Cualquiera que le enseño la planta coincide en eso. Creció muy grande, muy fuerte y muy resistente. Para un proximo cultivo de autos, que no sé aún ciando será, probaré una fertilización diferente, alargando el nitrogeno un poco mas, y todos los jaleos que explicaba por ahí en otra semana xD.

🌿Week 4: Defoliation & SCROG Setup Week 4 was all about structure and airflow. The canopy was getting bushy fast, with a ton of inner growth, so we went in for a solid defoliation session across the board. Lower fans, overlapping leaves, and shaded internodes were cleaned up to let light penetrate deeper into the canopy and reduce potential humidity traps. Right after that, we finally dropped the SCROG net, stretched out gently across the canopy to guide the branches horizontally and prep for flower stacking. Some of these phenos are already reaching for the sky, so the timing felt just right. Captured a full-time-lapse clip of the defoliation + netting process. It’s super satisfying watching the chaos turn into clean lines. Nature meets intention. Feed Bloom since 20/6 22/6 Defoliation 🌱 Plant Response: After defol, they bounced back fast. Tops are perky, leaves are praying, and stretch is continuing in a controlled way. The structure’s more open now — better airflow, better light distribution, better everything.

@MephistoGenetics, Hi all the happy people here in GrowDiaries. This is my second cultivation ever and it will be fun to try a bigger space than my closet grow. First, I'm just going to say I'm done with the construction of my new growroom. The room is 2.14 meters by 1.7 meters and has a ceiling height of 2 meters. It provides a floor area of ​​3.6 square meters. I use a 54 Watt Lightwawe T5 for germination and 2 Pcs 400 Watt HPS lamps. I have a channel fan that replaces the room air about 40 times an hour to get a comfortable environment in the room, the air enters a fresh air intake from the outside. The air is purified through a carbon filter to then leave the room to the rest of the basement. Then I use that heat to heat the rest of the basement. I will use 10 pcs 15 liter Autopots to grow with and a 100 liter water tank that supplies the pots of water and nutrition. I will grow completely organically in soil and will watercure my buds to get the best possible medicine for me. But there are no cultivation rooms to be displayed here, so I continue with what is most important. I am very excited to see how the new growroom will work and how this Stilton Special will turn out. Strain Name: Stilton Special F1 Genetic heritage - Sour Livers F3 x Northern Cheese Haze F3 Strain behaviour - Stilton grows well from the off, and develops into a stout but branchy specimine that leads to a fine yield of awesome flowers. She's not too stretchy but also is sizeable enough with good growth, to train and shape to your liking. Flowers develop pretty fast and grow to a good size, it may to advised to clear out some undergrowth and if needs be a very gentle defoliation mid-way through the grow, although leaf tucking may suffice well enough.The end product is of top shelf quality and she doesn't lack in yield either.Give your garden, nose, and body a treat and be sure to indulge in a slice of Stilton this year, You won't regret it. Size - 50 - 70 cm Structure - Medium height but bushy Flower Density - 9/10 Indica/Sativa - 65/35 Cycle Time - 65 to 70 days from sprout Yield - 90 to 140 grams as a single plant Best Method for overall high yield - 9-12 per 1,2m x 1,2m sq in 10-15 Liter pots (Soil) Aroma - Very strong, Cheesey/fruity/sour/spicey/ with a dash of coffee. Taste - Dank berries Effect - Good hybrid powerful but balanced effect Medicinal Benefits - TBA Best Grown - Indoor/Greenhouse Cannabinoids - TBA Extract information - Ideal extract candidate - High in resin, oil and terps. -------------------------------------------------------------------------------------------------- 2017-09-18. Start of week 4. I have defoliated her and she got water and nutes. She is 17 cm high and have not start to stretch yet. --------------------------------------------------------------------------------------------------------------------------------------------------------- 2017-09-19. 2 new fan is installed in the grow room. Added pic and video. ----------------------------------------------------------------------------------------- 2017-09-20. Kl 23.00. Did some massive defoliation, added video and pics ------------------------------------------------------------------------------------------------ 2017-09-22. The girl has recovered well after my massive defoliation. She is now 22 cm high. I accidentally lowered the lamp a bit too far down and burned some leaves on one girl. They have got water and nutrition today.

Happy little seedlings are growing well in a plastic box with lots of humidity. 8 out of 10 seeds germinated. On day 6 planted 6 of them to 60l growbags ( 3 to each) and 2 to 20l ish pots.

JAW BREAKER / ROYAL QUEEN SEEDS WEEK #23 OVERALL WEEK #3 FLOWER This week she's done stretching and she's stressing to focus her energy on producing flower. I've trimmed the bottom of the plant to focus energy where it's needed more. Stay Growing my Friends!! Thank you 😊 for stopping by and taking a look it's much appreciated!! BUDTRAINER.COM code "Deeproots" gets you 10% off you purchase! JAW BREAKER / ROYAL QUEEN SEEDS

And within less than 40 days she was full on flowering.... How fast will I be able to finish her?

Bueno familia ya finalizamos con el proyecto de las Blue Spider, son una cepa bestial, me sorprendieron para bien La verdad que el secado muy bien 7 días en Malla y a los botes, 50% humedad y 23 grados es la temperatura ambiental que han tenido en el secado. En resumen la cepa es muy fácil de cultivar, Por lo demás de miedo os la recomiendo. Gracias a Agrobeta y Mars hydro , sin ellos este proyecto no sería igual 🙏. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Mars hydro: Code discount: EL420 https://www.mars-hydro.com/ Buenos humos 💨

and here we go. another week has passed and she is still doing very well. the stem is nice and thick and the buds are also getting thicker. there is not really much to report. we are at about 12 hours of daylight.

Se inicia el mainlining y todo marcha bien

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

All good in here 😎😎😎

💚 ORGANIC ORION F1 💚 3.6.25: The plant was watered with 2ltrs of dechlorinated water PH'd to 6.3 containing the following nutrients; ♡ 2ml Ecothrive Trace ♡ 1/4 TSP Ecothrive Biosys PH: 6.3 PPM: 418 With an additional 2l of dechlorinated water PH'd to 6.5 containing the following nutrients; ♡ 3ml Ecothrive Trace ♡ 1/4 TSP Ecothrive Biosys PH: 6.5 PPM:424 This week has been productive and we are now in flower! I've top dressed the plant again to prepare for the flowering stage, and have started LST by tying down the 2 main tops. 6.6.25: The plant was top dressed today. Top dress: 💚 2 Cups Worm Castings 💚 1 TBSP Ecothrive Life Cycle 💚 1 TBSP Ecothrive Charge 💚 1 TBSP Ground Cinnamon This was watered in with 2ltrs of dechlorinated water PH'd to 6.3 containing; ♡ 3ml Ecothrive Trace ♡ 1/4 TSP Ecothrive Biosys PH: 6.3 PPM: 422. Thanks for checking in this week and hanging out 💚 ✌️ 🍃 😊 🌱

The plant recover from excess of oxygen

Trimmed up both plants, they didnt yield too much but every single nug they did produce was coated in trichomes. Top notch bud for sure. I have several more going that Vegged alot longer and have ALOT more budsites that will be going into flower this week. They will yield much more for sure.