So that's Betty finally done , pretty happy with fast berry overall just over 900g wet from both plants😀😀😀 will be doing this strain again very soon 😀

Welcome, plant enthusiasts and accidental garden comedians, to the whimsical tale of Week 9 in my botanical circus! This week was a leafy spectacular, with more drama than a soap opera and more twists than a contortionist at a leafy circus. First in the spotlight is the topping extravaganza – imagine my plants auditioning for a leafy talent show, and voila! One of the ladies went above and beyond, not with one or two, but three tops! It's like my garden is hosting its own version of "America's Got Leafs," and the contestants are aiming for a standing ovation from the tiny plant audience. Now, onto the nutrient boost – it's like my plants discovered a secret stash of leafy steroids. They're devouring those nutrients like they stumbled upon an all-you-can-eat salad bar. If my garden had a Yelp page, it would probably say, "Five stars for the gourmet buffet – would photosynthesize again!" But with great growth comes great thirst, or so my diva plants declare. I can practically hear them demanding water with the urgency of a plant water-seeking missile. "Hydrate us, human! We're not just thirsty; we're in a botanical drought crisis!" And now, the grand revelation – last week's leafy fashion faux pas was all thanks to a faulty pH pen. The plants probably threw a mini leaf party when I introduced the new pH pen, complete with tiny leaf confetti. They're like, "Finally, accurate pH readings – no more plant tie-dye nightmares!" In a twist of fate, I had to embark on a plant-less journey for a few days. So, like a responsible plant parent on a comedy tour, I decided to water a bit earlier and a bit more before my departure. And lo and behold, the plants loved it! It's like they threw me a farewell bash, chanting "Water, water, party, party!" in their own leafy language. The early topping and Leafy Synchronized Training (LST) maneuvers have clearly paid off. My plants are now strutting their stuff like runway models in a botanical fashion show. I picture them doing the leafy version of the cha-cha. So, Week 9 has been a laugh-out-loud masterpiece – from topping triumphs to nutrient raves, from hydration demands to pH pen dramas. As I return to my green kingdom, I can't help but feel like a plant ringmaster who has navigated the garden circus with flair. Stay tuned for the next episode of "The Green Carnival" – where every leaf has its own act, and every week is a new leafy adventure under the big, green tent! 🌿🎪🌟

Day 128 it’s good smells sweet and every time I walk into my room it smells like gas Even though quantity is lower then I expected, the trichomes are crazy

Germination: Started regular 10 seeds. 5- Sour 76 (sour diesel x 76 Afghani) 5- Platunum Yeti F3 (Platinum cookies x Yeti Og) These are "tester" seeds given to me free courtesy of Humboldt Seed Organization. They are testing to see what phenos and germ rates testers have before deciding to launch a line or not. Here we go! Of 10 started, 6 survived. 4 out of 5 sour 76 successfully germinated. 2 out of 5 Platinum yeti successfully germinated. 1 yeti never cracked and I probably could've taken scissors to rough the shell and get it to germ, but it didnt pop in root riot after days so I tossed it! one plat yeti germed and as it rise up got a white furry fungus of some kind. I tried to save it but it ended up dying off. despite it actually germinating initially. 6 lived in their rooter plugs and got transfered to 3.5 x 3.5 inch square pots with coco coir / perlite (70 /30 mix) at 4 days old. I start week 1 with germination which isn't truly veg for time sake, but with a short veg indoors (34 days before flip this run) I'm uploading these all one after another as I've just harvest. I started off

Well, I suppose it was my ambition that influenced all the soil amendments that I added. Just a little too much it turns out. So I figured the only solution to prevent the plant from sitting in all that strong stuff was to transplant into a bigger pot. Her roots have developed fast and she had created a new root ball with the 2.3 L pot. So I ended up going with the big 4 gallon. I hope this will correct the problem. I also added charcoal to the new media to help balance out the concentrations. So for now I will just be watering with plain water or maybe a CalMag water here or there

She’s doing great. She’s turning towards the sun so her growth is more diagonal. But I’m not intervening for now.Topped this week after getting feedback from my insta community. Looks good. Weather was warm and a little cloudy.

New week

Gracias al equipo de AnesiaSeeds, Marshydro, XpertNutrients y Trolmaster sin ellos esto no sería posible. 💐🍁 Sticky Boof: Prepárate para dejarte llevar por Sticky Boof, nuestra última obra maestra que está poniendo el listón muy alto para los amantes de las índicas. Nacida del legendario cruce de Super Boof y Cadillac Rainbow, Sticky Boof es una potente planta con un asombroso 80% de dominancia Indica que promete una relajación sin igual. Prepárate para un viaje épico con el asombroso 37,5% de THC de Sticky Boof. Sumérgete en una cosecha abundante con Sticky Boof, que produce hasta la friolera de 500 g/m² en interior y 800 - 900 g por planta en exterior. Esta variedad es generosa y está lista para llenar tu alijo de cogollos de la mejor calidad. Sticky Boof es todo rapidez y eficacia, acelerando el tiempo de floración en sólo 7 u 8 semanas. 💡TS-3000 + TS-1000: se usaran dos de las lámparas de la serie TS de Marshydro, para cubrir todas las necesidades de las plantas durante el ciclo de cultivo, uso las dos lámparas en floracion para llegar a toda la carpa de 1.50 x 1.50 x 1.80. https://marshydro.eu/products/mars-hydro-ts-3000-led-grow-light/ 🏠 : Marshydro 1.50 x 1.50 x 1.80, carpa 100% estanca con ventanas laterales para llegar a todos los lugares durante el grow https://marshydro.eu/products/diy-150x150x200cm-grow-tent-kit 🌬️💨 Marshydro 6inch + filtro carbon para evitar olores indeseables. https://marshydro.eu/products/ifresh-smart-6inch-filter-kits/ 🍣🍦🌴 Xpert Nutrients es una empresa especializada en la producción y comercialización de fertilizantes líquidos y tierras, que garantizan excelentes cosechas y un crecimiento activo para sus plantas durante todas las fases de cultivo. Consigue aqui tus Nutrientes: https://xpertnutrients.com/es/shop/ 💻 Trolmaster Tent-X TCS-1 como controlador de luz, optimiza tu cultivo con la última tecnología del mercado, desde donde puedes controlar todos los parametros. https://www.trolmaster.com/Products/Details/TCS-1 🍣🍦🌴 Xpert Nutrients es una empresa especializada en la producción y comercialización de fertilizantes líquidos y tierras, que garantizan excelentes cosechas y un crecimiento activo para sus plantas durante todas las fases de cultivo. Consigue aqui tus Nutrientes: https://xpertnutrients.com/es/shop/ 📆 Semana 7: Se aprecian unas lindas preflores hembra, comienza a estirar de forma acelerada. Todo sigue su ritmo y ellas comen bien todos los nutrientes, comienzo a aplicar sugarshot, silica force y enzimas.

Plants are growing well. set up veg tent with new ac infinity tent and fan.

All pictures were taken on day 57 Buds are stacking up and her smell intensified a lot this week💪😸 I gave her about 4L with 0.7ml/l Top-Max & Bio-Bloom this week and 0.4ml/l Bio-Grow More lower leaves are getting yellowish but it should be fine with current feeding

so she was suppose to auto flower but she got too big so I took her out of the tent and switched the light time to 12/12 at the end of week 10

Day 64 the queens got some fertilizer 💪😃👍 Day 65 that massive smell and these juicy buds 😃👌 Day 66 that massive smell 😍👌 Day 67 i think the results are near 😍👍 Day 68 final countdown 😎👌 Day 69 only a few days more 😍👌

Hello everyone 👨‍🌾🏻 she grew fast and with a beautiful green colour on the leaves! Preflower has started and its a girl Wish you all a good day and happy growing

What's up growmies🤟🏽 Week 2 in the books 👏🏾🙌🏾🙌🏾 I transplanted my babies on Monday 12/12/22 and fed them their first round of nutrients on Wednesday 12/14/22. Being that they all are autos except Caramelicious I wanted to get them transplanted as soon asap. It took about 2 days for them to get adjusted. The transition to the new homes went well, only one (Caramelicious) shows any impact. The tips of the first real leaves are yellowing. I believe it was due to her needing nutes moreso the transplant. I'm excited about this one because I am growing some new (to me) strains. Not much to report really. Business as usual at this point😁 Until next week my friends!!!! Happy growing and like always May the grow goddesses bless you with a bountiful harvest!

Day 92. Girl went down. Very easy trim job. Day 101. She brought wonderful result ! 161 g of sticky, smelly and sweet on through weed !!! Happy Growing !!!

Week 14 (16-9 to 22-9) 16-9 Temps: 19.2 to 23.2 degrees Humidity: 55% to 66% Watering #2: 900 ml. Light set to 12/12. Finally! It looks like the plants are recovered so i decided to flip to flower. Dry Weight #1: 4.1 kg. #2: 3.3 kg. 17-9 Temps: 20.4 to 23.6 degrees Humidity: 59% to 67% Watering: Both 500 ml. Dry Weight #1: 4.0 kg. #2: 3.9 kg. 18-9 Temps: 17.9 to 24.1 degrees Humidity: 61% to 74% 19-9 Temps: 21.2 to 24 degrees Humidity: 64% to 73% Watering: Both 500 ml. Dry Weight #1: 3.8 kg. #2: 3.6 kg. 20-9 Temps: 19.1 to 23.5 degrees Humidity: 60% to 70% Watering: Both 500 ml. Dry Weight #1: 3.9 kg. #2: 3.7 kg. 21-9 Temps: 18.7 to 24.5 degrees Humidity: 59% to 70% Watering: Both 500 ml. Removed some ugly leaves. Dry Weight #1: 4.0 kg. #2: 3.7 kg. 22-9 Temps: 19.5 to 24.5 degrees Humidity: 59% to 71% Watering: Both 500 ml.

She has stretched a bit this week and started to show flowers. I removed a few leaves, and I did another refill of the reservoir. That's all that happened this week.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 12 – Frost Incoming & Finding the Peak ❄️🔥 Hey Muchachos, welcome to Week 12 – and things are getting serious now. The girls are deep into bloom, stacking fast, frosting up, and showing their full potential. This week I made an important adjustment: I reduced the LED power from 100% down to 80%. The tops were getting very bright and I could see the limits of the setup approaching. At 80%, the canopy looks perfectly balanced — honestly, I think this is the true peak of this tent. Up to now nobody reached this level in this setup… except the Princess. She’s pushing harder than anything I’ve seen before in here. The buds are building beautifully — long spears, dense internodes, and fresh white pistils everywhere. The first layer of frost is coming in strong, and the smell is starting to speak up: sweet, tangy, a bit funky, very promising. I’m also observing some nitrogen movement in the lower leaves. Could be natural N-mobility in mid-flower, could be a slightly reduced N level in the soil — but right now I’m not worried. The plants look healthy and focused on bud production, so I’m letting them do their thing. Airflow is perfect, the canopy is stable, and every top is getting clean light. This is the phase where they start packing on weight day by day, and you can literally watch the buds change every morning. Stay tuned, Muchachos – the frost season just kicked in. OnlyBuds! ❄️🌿🔥