31 Aug. I start the third week of my autoflower. The plant is growing well, but I noticed small yellow spots on the leaf tips, which seem like a mild calcium deficiency. This is probably due to the fact that so far I have been giving water with a slightly low pH, around 6, while the ideal range would be 6.5–7. At the beginning, to lower the ppm of the tap water (which was around 211 ppm), I mixed it with demineralized water. This brought the ppm down to about 109–140, making it harder for the plant to absorb the available calcium. Additionally, the soil I am using, Biobizz Light Mix, is lightly fertilized but does not contain enough calcium to correct this small initial deficiency. For this week, I will not add any fertilizers. I simply want to raise the pH to 6.5 and use water with higher ppm, so the plant can better absorb the nutrients already present in the soil. The lamp is positioned about 35–36 cm from the plant and so far there are no burn issues. Temperatures range between 25 and 30 °C depending on the day, while humidity in the room stays between 40–60%. The humidifier is always on because I keep the window open, but the dehumidifier is not being used, as it is not necessary at the moment. I also have a new oscillating fan arriving to replace the current fixed one, and I’m waiting for a regulable extractor (90–145 m³/h), which will allow me to control the air perfectly during winter if needed. This week my main goals are: Increase the water ppm without overdoing it Adjust the pH to 6.5 Keep observing the plant without adding any fertilizers Everything else seems fine and growth is regular. With these corrections, I expect the new leaves to grow healthy and free of spots. ==UPDATE 31/08== To control the calcium deficiency, I will administer an eggshell solution until I reach 300 ppm (I will boil some eggshells and administer the solution in tap water).

Light fluffy bud, but so much of it that weight got up there in the end. Really soft smoke with some earthy textures and tastes. Less sweet smelling than the previous haze but has a lot more earthy, baking smell to it this one.

Hey guys. For this week i upload some videos 1 video per plant. I am not giving any more the bio nova autoflower supermix, i m thinking on let them going only with water until the end, but lets see. Plant 5 is close to harvest i think on the end of this week. Plant 1 and 4 are doing good on flowering. Plant 2 is slowly flowering Plant 3 is still in middle of the transition to flowering, is going very slow. I think she probably is blocked because of the size of the pot and light . When i harvest plant 5 the others will have more space, and i can bend some branches to increase the bud quality. The big question is, when harvest? its the first time im doing this and i am afraid of doing that wrong. Hope the videos can help someone to help me :D I have also made a video of plant 5 on a more close look, not to much quality but for now its what i can get , sorry 28/05 day 69 small trichome update of plant 3,4 and 5. Plant 1 and 2 still on pre flowering analysing the trichomes, i would say, Plant 3 and 4 need almost 2 more weeks Plant 5 - probably only 1 week more, so up to almost week 12 plant 1 and 2 - will take much time as fotoperiodic LOL

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Que pasa familia, vamos con la tercera semana de floración de estas Gorilla Cookies Fast Flowering, de FastBuds. Agradezco a Agrobeta todos los kits obtenidos de ellos 🙏. Hasta aquí veis que llevan buen progreso y el color que se marcan es espectacular. Vamos al lío, el ph se controla en 6.2 , la temperatura la tenemos entre 22/24 grados y la humedad ronda el 50%. El fotoperiodo a 12-12. Estás próximas semanas veremos cómo avanzan. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Hasta aquí todo, Buenos humos 💨💨💨

Hallo und herzlich Willkommen, Viel gibt es hier momentan nicht zu sagen. Die eine Dame Stagniert im Wachstum und benötigt dahingehend immer weniger zu trinken. Die andere hingegen benötigt jetzt einiges um sie wieder auf den richtigen Pfad zu bekommen. Mal schauenwie sie nächste Woche wirkt. Ansonsten allen Growmies eine angenehme und erfolgreiche Woche gewünscht! Vielen Dank im Voraus für das verfolgen oder den Besuch dieses Update, Kommentare wie auch likes! VG✌️

26.09.2025 Sie bekommt sehr viel Besuch und es ist immer etwas los! Der gebrochene Ast hält bisher sehr gut und die Blütenpracht ist umwerfend. Eventuell mache ich später nochmal Fotos, da es die letzten Tage durchgehend regnet. Die Vögelchen sind sooo süß 🐦

Cette semaine c'est bien passé gros développement des plantes.

Fractal week 17 7/ 22-28 This week has been rainy so the outside girls only got watered and fed once. with all the rain we've had, all the girls grew a bit. I top dressed all girls with Bloomin Soil from Elm Dirt. Photo Fractal is now 49 inches and stacking nicely. Happy girl means happy mom.

I am extremely satisfied with all of the results this week and although it might be a bit premature to recommend the Bloom City Organic Craft Grow Kit ... So far I am very satisfied with my results !

Took longer than expected with most of the seeds poping after 4 days.

Arrancamos este nuevo cultivo con una variedad buenísima. Vamos en la primera semana después de que germinaron, solo regando un poco y manteniendo el ambiente bien húmedo. Por ahora las tengo dentro de un propagador, y más adelante voy a preparar un buen sustrato para poder trasplantarlas bien.

15.03.

Plant is showing fast growing and responded well to my diy setup and diy lights 💪

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All 3 seeds popped on day 3

Domenica 30 giugno Aggiungo 50 lt acqua e nutrienti perché impianto a secco e piante mosce, ottengo 1640 ec ph 6.5 Lunedì 1/07/2024 aggiungo la rete scrog per supporto apicali Mercoledì 3 luglio Aggiungo altri 50 lt con o nutrienti Sabato 6 luglio Aggiungo 50 lt acqua per livello basso Stanno bevendo un sacco!!!

Great start for week 10 did some defoliation,they look so happy and healthy, I had issues with the plants they responded well to LST and defoliation. I make sure to remove some leaves here and there. The most important thing to me me in this stage is to make sure they have perfect airflow.

12/15: Some plants are taking too long to transition and stretching beyond my space constraints, so I dialed the photoperiod back to 12/12. 12/16: Fed today and rotated edge plants. Added another 150w of 3000k below the canopy. 12/17: Worked on ventilation...no A/C necessary now, as I'm using another AC Infinity 6" fan to intake outdoor air into the closet whenever temps reach 75f..and it's been cold as hell outside.👍 The final trick will be to replace the 6" exhaust fan with an 8" so as to be able to fully exchange the closet air faster ...but that's gonna have to wait til next season.

Not much to say, I’m trying to get my tent to the right temp and humidity, checking for the best settings and making sure everything is ready.