Buenos dias familia. De nuevo por aquí, dejo hoy la actualización de las northern light xL , buen crecimiento, tendremos que empezar a darles más comida para la 3 semana, ya que algún ejemplar marco carencia de N. Por lo demás todo bien la temperatura no suben nunca a 30 grados ni baja de los 20 y la humedad no aumenta de los 55%.

Привет садоводы и огородники !!!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Not much to report this week so far. Slightly defoliated above the Scrog to allow more light penetration for the lower branches. Plants starting to stretch abit now but nothing to bad.

Drunken Bitch Slap is growing great under the Hortibloom Solux 350. I switched light today to 12/12. So time to start the stretch, and flowering stages. She did get a lot of training today. From root pruning to lollipopped with a touch of defoliation, and lst. Nothing else to report at the moment. Thank you Hortibloom, and Aeque Genetics. 🌱👍🏻🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

Lots of growth this week had to switch nutrients since I ran out of sensi grow anb

12 weeks from seed, no topping

The Blackberry Moon Rocks are looking promising. One of them is growing into this beautiful little bush, and I think it's almost ready to harvest. The other plant is stacking up buds, but I'm thinking it's still a couple of weeks away. The past few weeks have been so beautiful, watching the plants grow and change. It's amazing how something so small and fragile can turn into something so strong and vibrant. Now that they're getting ready to bloom, it feels a little bittersweet. I'm so excited to see the finished product, but I'll definitely miss having them around while they're growing.

Posting the phenos when I do them

Week 1 After Cuttings Potted, Used Dutch Pro Light Mix Soil (Best In My Opinion) Before Potting The Cuttings I Used Great White Shark Rooting Powder In The Hole Were I Place The Cuttings And Looking Good Just Need To Get Soil PH Levels Correct Over The Next Week. Pictures: Fullgas (Exodus Cheese x Sherbet OG) Right Side 3 Rows x20 Plants (GREENHOUSE SEEDS) LPZ (London Pound Cake X Zkittlez) Left Side Back 3 Rows x10 Plants (MEANBEANZ SEEDS) Sunset Seduction (Sunset Octane x Zaffa) Left Side Front 3 Rows x10 Plants (MEANBEANZ SEEDS)

Day 63 flowering:: Hi grow buddies. All is well and ripening in the fast buds frenzy right now. The Strawberry Pie is close to finishing now I thought but the new flush of pistils on all of the lowers has changed that a little. The main tops could be harvested 1st and possibly the lowers later in the week but I haven't decided which way to go with that yet. The lowers are really substantial in comparison to the tops so i think they need to rule the timing more. Mexican Airline also looks ready to rock now with only a few pistils to start browning off up top but her lowers are also gaining sone serious size ( on video) . They burst into action a couple of weeks ago and I never expected them to get the size they have so low down. A very pleasant surprise. They are in process of maturing like the tops did with spiky white pistils among the darkening orange ones A very unique looking flower. She smells very sweet with a citrus tang too now. Six shooter is a different matter , she looks happy to continue on and is only really putting out fresh pistils still. not many browning has are visible yet and her trichs are now starting to appear more. her density is good if not a little leafy but generally she looks like a good yield to come. her sides are very dense too so should all add to the finished totals well. another Week i think. catch you soon growmies

170g dried buds Mars hydro TS-1000 Increase Yield & Crop Quality in Led Grow Newest SMD Led technology provides the highest Par/Lumen output, makes you get 30% higher yield compare old led lights, can get up to 2.5g/watt yield. Only 150 watts true output so you don't have to check your bill every month. 342 pcs LEDs, more scientifically and energy-efficient! Perfect for 3'x3' (100x100cm) veg stage and 2'x2' (60x60cm) bloom stage https://www.instagram.com/marshydro_aliexpress2/ Peace & love - L.S.T🌟

Duftet. DUFTET hervorragend. Total irre. Caramel Schokolade, vanille süß. KLEBRIG. ALLES! GRINS BUD MACHINE! Day 51 laut breeder fertig. Ok noch 5 tage. Aber fertig, ja. Defenitiv. Lasse sie trotzdem noch im Reaktor, denn sie dürfen gerne noch ein wenig reifen. Heute nochmal mit dünger. Den Rest ihrer Zeit dann nur noch Wasser. 19.09.16 16? Ok 17? Egal. TRICHOME CHECK was successfull.. Har har ok mostly milky. A lot of trychomes not ready.. Buds re not rock hard. Like you touch a dog. Not the fat ones i mean. And they grow up. Everyday. The buds. I mean theyre not the biggest. But i saw gelato buds spend in dispenserys (www). Who re smaller than mine. They grow up in height, tall and weight. Trichomes re the same as always... 😛 Har har.. GANJA THERE EVERYWHERE. STEAM. SOME LEAVES(heavy you can see there where she eats aphids. NO JOKE.(@sugarleaves) First trichomes surrounded it. Than one day later you see them stuck in some trichoms. Than Abracadabra NO JOKE after a few days and nights only some darker trichomes left there. By the time they go brighter again as the others, but bigger). Sticky smell girl. Mjam HALLEJUULIA 13 FINGERS A LEAF! Ganjaloveriamtobringsomedelicious GELATO41FASTfromSEEDSTOCKERStomyworld. Im satisfied :) Day 54 of flower. Anything going well. Did a little pre chop. 3 buds like( with milky trichoms) because of room problems. They hang dark inside the tent. And switched my blue light off. Now only white and red. For faster ripening 20.09.,growing growing growing. 21.09 trichomes re ready. Milky most but ready. 8 weeks of flower, and they're ready. GOOD WORK SEEDSTOCKERS But i will give her1or 2 more weeks. Because this strain is so OUTSTANDING.. She DESERVES a little more time because of some inaccuracies from me...................... And i really want this indica Punch. For this is better to become some amber trichoms... And weight.. 😛 💪 DAY 58 OF FLOWER. She is ok. Ripening. But the aphids. NOW ITS TIME TO GO TO WAR ☣️ ☣️ BIO LOGICAL WEAPON ☣️ ☣️ BASIL WATER B weapon for aphids. Day 59 of flowwring: in progres. And found the first trichoms going amber.!!!!!!! YES.!!!!! Day 61. Nuggets or Buds? BUDS! Day 63. Waiting. Day 65 Chop of Buds the Rest needs more time. Where re my buds? Fallen, washed, now about to dry.

What a difference a few weeks makes with better weather and better temperatures inside the plants have really taking off could be flipping this tent in a few more weeks will need to plan ahead and get the lot of plants going so I have a constant flow of flowering and vegging tents

Auto Moon Rock is closing in on finishing bulking. She has a sweet almost fruity kinda smell. She has a nice layer of frost. I will be switching her to ph water in a few days to prep her for Harvest. I may have to try this perlite grow again in the future. She really struggled when she was small. Regardless, I think the grow was neat and unique. I will get a nice little yield from her when done. She should be pretty potent. Thank you Medic Grow, and Divine Seeds. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

Day 63 - add about 0,5l of soil. weight of pot from 3,0kg to 3,6kg Day 64 - Filling. ppm 460. weight of pot from 3,2kg to 4.3kg (1100 ml) Day 66 -filling. ppm470, weight of pot from 3,15kg to 4.15kg (1000 ml) Day 67 - fiiling. ppm490. weight of pot from 3,15kg to 4.15kg (1000 ml)