Nuevo cultivo, volví a plantar Jamaican Dream, está vez solo se hará LST y defoliación, nada de apical(Main Lining). Se ha aprendido de errores y atrasos del cultivo anterior, esperando no cometerlos en este cultivo. Para este cultivo de usarán los nutrientes de la línea Grotek(mega pack), además de micorrizas great white. Las semillas germinaron al tercer día de plantadas en el sustrato, al igual que el cultivo anterior. Esperaré a que crezcan hasta unos 3 nodos para hacer transplante a maceteros definitivos de 18 litros. Germ2, han estirado suficiente para remover el plástico, se regaron con agua de osmosis con CalMag a 0.6 EC y pH 6.5, se espolvoreó great white en el sustrato. Se instalo un humidificador en el indoor y se bajó a un 70-80% la potencia del LED. Germ3, se mantienen en 80% de humedad a 23 grados, se humedece el sustrato. Germ6, están creciendo al ritmo esperado, se humedeció el sustrato, los parámetros están correctos. Germ8, primer riego con Vitamax Pro y SoloTek Grow de Grotek, 0.8 EC, y un poco de great white en polvo al sustrato. Creciendo bien.

Hi everyone 🤗. They made an extreme surge in growth last week 😀. This time I decided to leave only one plant per row. There are now three in total. This week the new network will be set up, in which I will introduce it. I think I will give them a maximum of 1 week of growth before they bloom :-). I wish you a good start into the week, stay healthy 🙏🏻 and let it grow 🌱 You can buy This Strain at : www.Zamnesia.com ☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼 Strain Gelato clone from mother (Zamnesia ) ☝️ Genetics: Wedding Cake x Gelato x Gelato 33 👍 Vega lamp: 2 x Todogrow LED CXB3590 COB 55 W 1 x Sanlight S2W 62 W 💡 Flower lamp : 2 x Todogrow LED CXB3590 COB 55 W 1 x Sanlight S2W 62 W 💡 ☝️ Grow Aero System : Growtool 0.8 ☝️ Fertilizer: Canna Aqua Vega A + B , Canna Aqua Flores A + B , Rizotonic, Cannazym, CANNA Boost, Pk 13/14, Canna Cal / Mag, Canna Ph - Grow, Canna Ph-Bloom ☝️🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EG. Add Cal / Mag to 0.4 Ec Ph with ph- to 5.5 - 5.8 💦 💧

Another good week for the ladies with good growth. They are strong and vibrant with many tops starting to take form. With some of the taller branches I used HST by rolling the stem untill it bends basically in half, giving the lower branches plenty of time to grow up. Once they have reached past the scrog net I begin to LST by tucking branches under also making way for new growth. One more week with minimal training and mostly defoliation of bigger fan leafs before I'll flip to flower

Start Week 13 - Day 85 07/27: The ladies are looking good. I believe Aaliyah has a few for weeks before she’s ready. Alexis is about a week behind and Annie is about two weeks behind. I had a few problems last week that I’m hoping don’t mess everything up. Annie took a bit of wind damage. Aaliyah has a herbal/earthy smell on her and it’s increasing, but is still pretty minimal. 07/29: Did some measuring and noticed that the ladies’s main colas all measure at about a foot long. There’s going to be a good amount of bud coming out. The burns on Annie have worsened. Now I’m thinking it might be the light, but there isn’t anything I can do about it at this point. Hopefully she pushed through.

Definitely wasn't taking enough pictures to start.. I'll do better now that I'm invested....... update... Autos are growing alot this week indoors

This week is going well ,Ive seen a video on youtube where they wearing training and spreading out the canapy to get an even spread on the lower leafs so I thought I would give it ago and see how it goes to give the lower flowers more light to grow Take care ✌️stay safe👊and stay stoned🍁

Bud sites everywhere now, I’m hoping these are gonna yield over 100grams to see me through this epidemic that we’re all going through right now. They’ve all been great genetics to run, I’ve learned a lot from these girls and realised just how nitrogen hungry they can be and also how cal mag is essential because coco seems to hold onto it if it’s not added in.

Graduated, and am off from work for a few weeks, so went overboard on photos. Plant is doing well, leaves are starting to turn yellow (strain trait). Can't wait for the harvest and being able legally gift my xmas ornaments to my cousins during our "cousins walk" at our family xmas party.

I veg them for 10 weeks. The two on each end are Blue Dream, the back left is Purple Urkle, the back right is Grandaddy Purple, and the one up from in the middle is Wifi OG.

2022-02-15 Sweet Puddin is maturating, Buds are swelling, Pisitls are changing slowly. she has a good Number of weeks ahead, iam guessing for 4 more, we will see She has grown wonderful, still happy and Green Feedings once in the week , waterings every 3rd day or second day...depends in how thirsty she is Visit her on Instagram, to create Likes for the Charity grow we do. @Weedseedsexpress donates every Month 100 Euro for Woman in Need If we reach enough Likes, they add 500 Euro in the end of the Growoff so pls help us

Day 43: stretch phase is over, she grew fast in last week from 28 cm to 45 cm in just a 7 days. Now she's focused on fattening up her buds! I decided to feed her every other watering instead of every watering, but Cal-mag is must for every waterings! HST - Supercroping at day 47: these nodes went too high, so i did the thing! Please don't repeat this at home xD Day 48 plant seems okay, 2 of supercroped nodes are coming back! 3rd will be back soon as well! This plant can take any stress! This is the last day of the week, next few weeks we will see some flower bulking action😁

Hello 👋🏻 Readers, This week was the last feeding of the Triplets. fed them 4 litres of water with 3 grams of Monster K on 04/15, omitted from adding grow/micro/bloom for the last feeding, figured they would have enough nutrients stored in. So water feeding until harvesting. The end is near, trichomes are cloudy with some rare ambers, buds have been swelling up this week and i feel like i should give them an extra week...😜trichomes permit.🤞🏻 Might make it epic and harvest on 420😳🤪😂 This pretty much wraps up the weekly update 🤔 Thanks for stopping by and feel free to like/comments and wish you all a great week!! 👊🏻😀 😙💨💨💨💨

What a beauty! I love this plant! Getting super frosty, easy to grow, and fast! Really fast compared to my regular photos! Have to say I’m impressed! Just did some defoliation and top dressed with some kelp. ✌️🏻💚

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

These ladies are just starting to show their little white bud hairs in their new top growth. I am happy with their stretching speed so far and at 7 days they are still a good size to work with. I think they should fill the spaces they have perfectly once I am finished their training after defol. The growth in them leaves a lot of options for decent mains. The C Banana is spreading out steadily and her stems are nice and fruit supporting thick. No signs of any deficiency or issue so far and her roots are top notch below decks. Monster Zkittelz is certainly trying to be true to her namesake now and has put on some nice size this week. She is only just showing her pistils so a good stretch is still ongoing with her before she is finished. She is filling out the rear corner very well. be well Growmies

End of Week 15 (8th week of flower) I have stopped the CO2 supplementation for this week and onwards as the plants naturally slow down photosynthesis and it is not needed during the last 2 weeks of flower. Also raised the lights by 5cm to make sure the trichomes don't get damaged and also dropped the RH and temperatures even more than last week, and surely the colours are becoming more and more vibrant as the ladies are fading into their autumn shades. Feeding just water since middle last week, all I'm doing is giving the ladies PH correct water until harvest to naturally deplete the soil from nutrients and flush out the soil slowly this will help bring out even more colours as the ladies use up the remaining nutrients stored in their leaves as they reach the end of their life cycle. Pest Report: None Smell Report: Staaaaanky!

She continues to show good growth. I had to do some more defoliation this week to remove the bigger fan leaves...again. She's showing good bud formation and I am enjoying watching her grow. She is nice therapy after my heart attack. Growing relaxes me and gives me almost as much relief as the medicine I am growing.

bueno se hizo una por primera vez una cosecha por partes, como indicamos en el post anterior, se cosecho los cogollos donde la luz pegaba mas al parecer y estaban mas desarrollados, la cosecha fue con tricomas blancos tendiendo a transparentes con pocos ambar, en opinion ya luego de una semanas y una segunda cosecha, es que cosechamos pronto por temor al pasarnos al ser primera vez, entonces posiblemente nos apresuramos un poco ligeramente o confundimos los tricomas tendiendo a ser transparente por los blancos que es lo que indica la teoria el punto de corte, pero no nso quejamos quedo genial! subiremos el segundo punto de corte luego de 2 semanas . LAS ULTIMAS FOTOS LAS DE LAS 2 SEMANAS MAS 2DO CORTE.