Z ist etwas hinter unseren Anderen, daher haben wir sie auch noch nicht entlaubt. Sie wächst schön und auch Buschiger. Die ersten kleinen Trichome sind zu sehen aber man sieht das sie ca eine Woche hinter den anderen ist. Nächste Woche wird Z auch entlaubt.

As this will be the last time I defoliate I took away quite a few of the leaves. Maybe a little too many as most guides reccomend not taking more then 30% of the leaves in a single defoliation

Ottima qualità

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

First week in water.

Saludos desde México estare actualizando semana a semana genética y banco 100%recomendados germinaron 2 de 2 aguantando las lluvias intensas creciendo desde el inicio en exterior

Thanks for stopping by! Harvest completed and buds drying in the rack. I'm very impressed with this plant and am very excited to smoke this girl! Will update in about 2 weeks with dry weight and smoke report. 08/30 dry weight of 105 grams. Round 2 was an improvement in weight, but the smell and taste are not present like they were in round 1.

De nuevo, actualizamos la séptima semana de floración y es que estas skunk están preciosas, es una Indica muy conocida y típica entre nosotros los cultivadores, muy sencilla de cultivar. El ph, la humedad y la temperatura son correctos, zambezaseeds está haciendo muy buen trabajo con sus variedades gente, os lo aseguro que ya son varios los cultivos con ellos. Hasta la semana que viene.

keep it up

Week 2 of Veg, I try to LST my cannabis.

+ Day 57 : Pantime Day 55 : 4L mixed Water (EC 0.577) -5.8PH-20ml-Flores +

Preparing for the seeds to arrive. Room is ready and the germination trays are all set. Just waiting on the beans.

We’re in the midst of the bulking phase now, with a few buds stacking up nicely. Unfortunately, the plant on the left has sparser bud distribution. Compared to other auto genetics, these three plants also show a broad variety in growth structure and phenological traits. Also, overall plant health isn’t entirely satisfying, with high temperatures being the Main cause. The leaves are showing several stress-related issues like mild tip burn, nitrogen deficiency, and some cal-mag problems. But hey—we’re here to grow buds, not leaves! 😄 That said, the fade is to be expected as the plants start to cannibalize themselves for nutrients. The stretch is also in its final phase, so we’re likely 3 to 4 weeks away from harvest. --- Quick rundown on everything else: Watering: 1500ml every third day Fertilizer: According to the BioBizz schedule Light intensity: ~1000 PPFD VPD: ~1.62 kPa Temperature: ~28°C Relative humidity: ~55%

Here we are again! Flower Switch happened on Day 37, so in the middle of week 6, but for simplicity, i will condense the last Days of Veg into this here week 6. So a few days are missing from the final week count as i want to keep flowering weeks seperated from weg. Just keep in mind that she's about 3 days older then the week here would suggest. Its the end of the first flowering week and we can already spot lots of pistils, and the tops are getting ready to bud up! I defoliated her once before the flip and once on Day 43 because im scissor happy. Also, she was getting REALLY bushy, as you can see on the timelapse. Feeding is still the same 6L, around 6.0 PH, 5ml/L Grow and 1ml/L powerrots, will keep that going as long as shes stretching, then ill switch to flower nutes. Happens now every 3 days, though i suspect that it might be every 2 days soon, she is getting hungry. Pot is already somewhat light again and i watered her yesterday at the time of writing 😱😮

Day 88 ..... lookin good.... she stable in flower now... neuts good, and stable... got her into a beautiful rutinue for the rest of the flower..... really happy with how it's going, .... she's going to be alot of work but will be well worth it, i have tasted her a little, just the trim that had to come off, was enough to taste..... 👍😎 (i posted this on ssh diary, i accidentally posted all the ssh diary stuff to this one first by accident, i'm human, i make mistakes, so i read it thru afew times and its accurate describe the mazar as well, so left it.... i have taken some leafs and tasted the mazar... it's interesting compared to the kush and ssh ... haha (dried the trim, curin in jar, try to add pic if i remember, both mazar ssh) was a new experience goin thru the difficulties of transition to flower in dwc iws system ....... listed general nuets that i am using, however the 1-2 lt mix i put in every day or 2 is mixed up at the time, and is specific every time to ensure the tank remains at 5.8-6.4 ph-1-2k ppm.... i've stopped using the ppm meter for accuracy and use it only to get a general reading... in fact the ph meter and ec/ppm meters are not really workin any more, lol thinkinin will put everything in main tent, it'll double light for both dwc's (280w new leds) and it'll be great to see a mazar F3 growin next to the SSH...... both from new420guy ..... i don't know the guy, and the seeds were handy to come by... lol ... however i looked him up, seems like a cool guy, growin abit of old school.... idk.... thx for passin on the seeds.... :) 👍😎👊

=) all smiles week 8 of flowering for just four of them. Gg4 coming down Tom Along with tangiematic! Glueberry as well Sweet creme may go a few more days well see Ogesus number 1 and two will start getting flushed soon =) along with royal haze and amensia haze number 2 a week after. Forgotten cookies by mephisto look amazing =) my god look at that frost level. Took down 3 sample branches crying in the same closet as my first grow temps and humidity are perfect =). Also started off my 3rd grow have 7 new plants introduced flavors are 4assed monkeys Lsd-25 Grapey walter Gold glue Blue toof Avt alien vs trangle Double grape =)

Inicia floración en su primera semana 23 - 29 agosto

It was a fairly busy week for this fine lady. No one likes their lady too bushy, right, 😉 so I have been cleaning up lower growth every 2-3 days as of late. I also put her in a 20 gallon pot this week and that was a bigger challenge then I anticipated 😅😅. First I had to get her untied. Then I didn’t quite get her tied down as well as I had her in the 10 gallon pot but she is still nicely laid out IMO. I may have to adjust how she is tied down in the weeks to come as these genetics can really stretch out!! Stay tuned 😎🍿🍻🌱

Wow she's took to the skies this week! Grown another 27cm vertically! 💪 Absolutely marching through flowering! Very fast! Buds are developing well.