Day 63: Well what can I tell you for this week... Things gone alright, I didn't gave them much water since they already had lots of it before I came back from vacation lol. - One plant has been slightly overfed, no burnt tips but the leafs are dark green and some leafs only have like 3 tips. I'm not sure how to explain in into english but oke plants have 5, good ones have 7 and the best have 9 per leaf. - One plant(p2) is light green but the way the buds develop are normal so I'm happy about it, it still has potentional. - One plant(p1) already has mature buds but those buds are really small. - Two plants are flowering fine and still have potentional. Overal it goes alright, not perfect not bad. It has been a bad summer since the start. I'm fine with it because I had many years of good summers and harvests. Instead of acting spoiled I stay humble. I do believe it will be a good tasty smoke because the amounts of thc is insane, yet the total yield will be small. In my opinion one plant will be ready at the end of the next week, the other plants need like 2-3 weeks from this point. Until next week!

Banana purple punch finally showed the tricomb maturity we were waiting on! She’s a heavy tricomb producer and gives amazing terps. I can’t wait to see what flavonoids she holds. This grow was absolutely amazing,can’t wait to start the next!

🤔🤔🤔🤔🤔 HAPPY GROWING 🤔🤔🤔🤔🤔 Looks like I've can upload short videos 👉 so I will do what I can my friends We are now 35 Days in and everything is going great 👍 👈 We now Flip To Flower 👌 👍 decided to showcase the Mini BigBand , was a extra seed that germed so I kept it as a Mini Me 😊 Day 39 and all is well 👈 Except for some watering it's been pretty smooth I've done a little maintenance and manipulation of the canopy 👈 Might do a slight defolation later in the week 🤔 👉Soil Medium Provided by ProMix.ca 👉Nutrients Provided by Agrogardens 👉Lighting Provided by MarsHydro.ca I would like to thank the many growmies for support throughout the years 🙏 So Let's Do This 👊👊👊 Happy Growing

Buds are starting to form now . Both alien phenos are budding faster than the other 2 strains . Gave them a good defoliation this week and they seems to have perked up . Lollipoped some more nodes also. They are still stretching .

Day 42 first day of the week I turned the Growers Choice ROI-720 up to 30% its using 216w at 240v. Day 44 pictures were after some simple hand bending lst. This week we've seen alot of growth in all the plants. They need water about ever 4 days and between all 4 they take a gallon and a half untill the get a little run off out of the bottom. Roots are starting to come out of the bottom of the pots. Day 44 I noticed some spots on plant bs leaf I think it was from a nat or something I saw in the tent. And same day plant d has very slight yellowing on the tips of the newest growth. Think it's a deficiency of some sort, I'll look into it. Day 45 Transplanted into 5 gallon fabric pots with fox farms ocean forest soil. Didn't water today because the root balls where still pretty moist. Raised light to maintain 24" about the canopy. Day 46 Watered all 4 plants took about 4.25g of water. PH 6.3 @ 73° F. Day 47 Think I shouldn't have watered yesterday plants A, B, and D are drooping. Plant B has some light brown/yellow spots on the middle growth and very slight yellowing on the tips of the newer growth. Plant D has different spots dark red/brown almost burnt orange on middle growth and yellowing on the tips of the leaves. Weird how plant C just doesn't care what I do to it it just keeps getting bushier and wider leaves, never yellowing or drooping. Day 48 None of the plants were dropping the evening, and the spots and yellowing havnt gotten any worse. They grew alot since I measured yesterday.

It should be noted that with the current share of blue in the spectrum, the sprout does not stretch at all, I will probably adjust in favor of red in the coming days

420Fastbuds-Week 6 Cinderella Auto What up grow fam. Weekly update on these 2 beautiful 😍 ladies. They got moved over to the flower tent this week. Temperatures have gone up tremendously since it seems summer weather has finally got here. Over all they seem to be handling it, OK. I'll most likely do a defoliation this week thinning it out to allow more air flow. All in all Happy Growing

Videos were taken on day 37 of flower. The mac x peanut butter breath plants are looking great ones in the back left and ones in the back middle towards the right side. They have more orange pistils at this point than all the other plants and are packing on the frost. I gave all the plants just plain water with herculean harvest, enzymes and humic acids last feed and flushed it a little but and it seemed to respond well. The rocstar breaths are frosty too and smell gassy. Also, I just checked some of my DMs on here and theres alot that I've never responded to, I dont check them unless it's from a business. I put in a few diaries a while ago if anyone has any questions for me to ask them in the comment section or a journal that way people with the same or similar questions can see it and I dont have to answer the same thing 8 times. I'm happy to answer any questions about my grows and shit just try to ask them in the comments✌️

she performed like a champion and delivered the same way, the fruit quality is out of this world, now needs rest for full potential but i can already tell she is a winner to me!!! As always thank you all for stoping by, for checking my journey , for the love support and for it all, i am blessed and humble with you all. Just a reminder , all i grow is medicine for myself, for me and for my best friend with is me nothing to sell, so don’t even ask. 

All info and full product details can be find in can find @ https://ganjafarmer.com 

https://aptus-holland.com/ #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trueplantscience #Ganjafarmer #growerslove
 With true love comes happiness 💚🙏 Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so 💚💚💚 More info and updates @ https://growdiaries.com/grower/dogdoctor 
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 💚💚💚Growers love to you all 💚💚

"The 3rd day in flowering. I give 2.2 liters of water every 2 days. I'm still experimenting with how long the timer needs to run to give enough water. 😎✌️ BT6 The stretch is strong and i have no space left 👀 5weeks Vegi was to long

Nach unserem „Unfall“ mit der Grow-Lampe und 10 Tage kein Licht, … 🌿 … standen wir vor der Entscheidung „Totalausfall“… 🌿✂️ … oder „Weiter machen und auf das Beste hoffen“… 🌿 Zum Glück konnte ich mich durchsetzen! 🌿 Die ersten Härchen zeigen sich?

Week 11of flower...I got a new 70 pint dehumidifier and that fixed all my humidity issues instantly! I dont see any mold or mildew, so I think I dodged a bullet. I let the girls stay in the dwindling nutrient solution for an extra two days, until Tuesday night. I swapped out with flawless finish and uc roots for the flush. They probably could have had another 5 days or so and got a few more amber heads. I'm Chopping Saturday morning. They smell amazing, a lemony strawberry diesel.

Eine sehr einfache woche, sie machen sich wirklich

Sie haben noch einen kleinen Schnitt bekommen. Unteren Triebe wurden entfernt und die Haupttriebe sortiert. Jetzt haben sie noch Tage und dann geht's auch schon in die Blüte.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.