I’m getting so jazzed about this Bruce Banner Auto, upside down grow. Week 8 and she’s getting thicker everyday. I wasn’t sure if she would really amount to a nice grow but it has surpassed my expectations and is turning into a beautiful plant, no real issues to speak of, I do put her under cover every night and pay extra attention to this one but over all what a great experiment #peace ✌️🌱✌️

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Cherry Cola diesel smell ⛽️

So this is how things are looking for the ladies at the end of Week 1 of Flower, I have uploaded a video for you guys with all the information, any questions just ask away 👍🏾👊🏾😎

Excellent smoke..

Week 2 of flower is complete, and the tent has turned into a JUNGLE! The Northern Lites 5000 (T-1000 [Triangle Kush x Purple Urkle] x Northern Lites #5) from Humboldt CSI are the tallest in the tent and have been crowding out their neighbors, especially some of the Lil' Red Riding Hoods (Zkittlex x Mendo Purps). I'm loving the stem rubs on the Lil' Reds, one of them smells distinctly berry to me, I'm excited to see how the smells develop as bud sites form and begin to stack. I found another male this week.. This time it was one of Bodhi's Staff of Life, but an F2 batch of seeds that was made by @Jonpott_og. I'm really excited to try this strain, and was disappointed to have to chop another, but fortunately the canopy didn't suffer much, and in fact, probably benefited from the extra airflow. Speaking of airflow, I did perform more defoliation, particularly focusing on the lower 1. That is a /3 of the plants, and plan to continue light defoliation over the next two weeks to increase airflow and light penetration. Until this week, I've been mostly letting them run wild. Also, I've got pollen arriving today! I ordered two strains of pollen: Goji OG and Sunshine Daydream. My plan is to make some crosses by pollinating only the lower branches. Any recommendations or strategies? My plan is to turn off all of the fans and equipment to make the air as stagnant as possible in order to minimize pollen blowing where I don't want it. I'm thinking of using a Q-tip or small soft brush to pollinate the chosen bud sites. Should I spray the tent down with water afterwards? I heard some spray after 24 hours to make sure there is nor more viable pollen flying around. Again, I've never tried this before and would love any advice! Happy Growing, everyone 😎

Smooth sailing, not even into 2 weeks of flower and already throwing frost on the lowers and tops. Planning on moving the ladies, and staking some of the stalks to just get her to spread out a bit more when moved into the 3x3x6.5.

Start of Week 9 🙌 I plan to use fertilizer for bud growth from day 64 to day 70+... depending on when the harvest time occurs 😉😄👍 Started working with fertilizer today, every 2 days a mixture of 10ml per liter as long as the buds have not properly developed trichomes 😵 I hope this works 😵😲😱 Day 68 with fertilizer again

•Morning of day 19, ¾ through week 3. Did a light defol on both ladies. I gotta say I'm a big fan of Big Bud by Seedstockers! This girl is going to be exactly what her name is. I know its early with roughly 40 days to go, but I will for sure be growing this girl again. Any suggestions drop me a line. Happy gardening and stay safe Gromies! 🔥🌱🙏🖖✌️😷 •Morning of day 15, start of week 3. °Big bud is 32" in diameter after more LST. And 37"tall (soil to top). Less stretching and more compacting of nodes. Very pleased! She's feeding at full strength and looking like she might want more. Very vigorous growth. °Agent Orange. 30" in diameter after LST. plant did NOT respond well to LST. AND IS 36½" tall (soil to top). Also showed signs of nutrient burn. Will only feed half strength every 3rd watering. Any suggestions drop me a line! Happy Gardening!

Watering with a pipette @5ml per day

And after 2 rainy days and a sunny one after them, here comes Harvest day !! 😎 THe plant was sorrounded by a lot of bugs , as you can appreciate in the photos, it was neccesary to clean up the material... Never done this before but watched a video of Jorge Cervantes where he was cleaning the buds with H202 THe concentration was 200-250 ml with 22l, and i used 6l of water with 50 ml of H202 at 3%.... After the bath, like 90 % of the bugs are gone.. Im happy with te results, the buds/flowers are nicely lined up at the same height, and the aroma is really nice,but im curing the weed a couple of months at least... Today rolled up one and the taste is sweet on the exhale with spicy tones in the mouth too, but a proper cure is needed until full flavor develops in my opinion :) Overall a nice experience, didnt expect that purple tones appearing in the end and didnt expect such intense smell too hahah really stinky plant.. She screams im here, dont care what you think about me hahaha It has been drying for 5 days as the buds werent too compact and didn took too much time to dry.. Thank you for reading and i hope you liked the documentation of this strain here in GrowDiaries :D Take care, and Good Vibes!!! ///// Bad news: The scale is broken, so next days im buying a new one an the uploading the weight :) //////// Aprox weight : around 40-50 grams i would say

Hello Diary, Purple Lemonade has reached the end of the second week of flowering. The flowers have started to form nicely. The areas around the flowers themselves are lighter so it is clearly visible where all the flowers are forming, and I have much more motives for taking photos. Purple Lemonade has started to stagnate in growth, this week it has grown 8 cm. At this stage Purple Lemonade has taken its final form and now the plant will direct most of its energy into the development of the flowers. The leaves are a healthy green color and so far I do not show any signs that the plant is lacking anything. Watering was every three days, I continued to add CalMg and Bio-Bloom Fertilizer. The conditions in the grow box are now much better. The temperature is around 28 degrees and the humidity is below 50%. Purple Lemonade is progressing very nicely so far, which I am very happy about. Here is a short overview of the week. 24/08/2024 - Day 31. Watering. I prepared 9 liters of water. I added CalMg 1 ml/lit, Bio-Bloom Fertiliser 1.5 ml/lit and then lowered the p.H. to 6.0. With this amount I watered all three plants evenly. 27/08/2024 - Day 34. Watering. I repeated the same procedure as three days earlier. 28/08/2024 - Day 35. End of the second week of flowering, or the fifth week from the beginning of vegetation. Photographing and measuring the height of the plants. Purple Lemonade - Day 35. - 60 cm That's all from me for this week, see you soon.

1 GC last stunted survivor, 1 SG stunted survivor and remainder 2 SG and 3 SS are going good let's see where this grow will take us. I tried germinating Gorilla glue 4 but both of them didn't push through after sowing them. I might be doing something completely wrong while sowing. Can't push more seeds through germination because the rest of them are at different stages of grow and everything will fall apart. Let's hope the 7 plants make it through fingers cross. Review: Plants aren't as green as I would expect them to be either the medium is too inert that they are turning yellow and stunted. So I tried fixing it with aggressive push of nutes and checked the EC and now it's at a comfortable 0.70 average among all the pots improving from meager 0.20.

Run-off got pretty high on the plants in the main tent when I tested it this week (2300ppm) so I flushed the plants down to around 900 over a few water events with half-strength nutes (~450). I think this, plus (mainly) the plants being too close to the LED caused them to throw some foxtails - particularly the middle plant (although I still think that spindly shit is also partly due to the bag seed pheno). Noob mistake on my end and I didn't realize until it was too late. Now the light is turned down and the run-off is back in a good range. It got high because my auto-watering halos were mostly running off the pots and not sinking in - this is because I filled the pots to the brim with coco (another noob mistake). Looks like I'm hand watering until harvest :) Big Mumma in the blurple tent on the other hand is still killing it.. Apologies for having to upload videos of the microscope - too hard to hold it still and press the button for photos lol.

~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_ 10/22/21 😻Harvest week!! Trichs are finally there friends!..We'll update with photos,vid and weights after our camping trip..thanks for dropping by and happy harvests everyone!! https://youtu.be/JC6zVPeKFPk ~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_

Buds are really swelling and smell has come on strong ! Really shaping up to be nice plants and good looking buds. The trichomes are starting to stack on and hopefully will get better as the buds begin to bulk up here in last few weeks ! But really a beautiful plant and has great structure! Many main colas instead of just a Christmas tree shaped plant with 1 , so far that’s a bonus ! Beginning week 8 and things have come along great. After a slow start I’m really impressed with how these are looking. 1 of the 2 has quite a bit more color starting to appear on some leaves and in the new buds but both are turning into beautiful plants. Not a lot of smell coming from them yet but just starting to notice a few trichomes on some sugar leaves near the highest forming buds. Excited to see how things progress! @blimburm thanks for the genetics! Starting to really get excited about this Grizzly Purple Auto !

El video es de hoy 30/09/2025. Llevamos 2 dias lloviendo bastante por aqui, las e tenido que resguardar bajo un tejado. La Auto Moon Rock de momento va ganando la batalla con 20 cm frente a las Auto Fractal que miden unos 12 cm. Esta claro que la culpa a sido mia, estamos ya con pocas horas solares y al no poderles seguir alargando las horas pues pasa lo que pasa.. pero aqui muestro un cultivo real no escondo nada.

This is the sixth week of flowering. The plants feel really nice. Their water consumption increased, so I have to water them three times a week. First time I give them nutrients, the other two times I only give them fresh water. This week I gave them Green Sensation by Plagron. This is the first time I am experimenting with this additive. The lights are still at 80%+ sunlight simulation is on.

Strain: Fast Buds – FrostBanger Grow Type: Indoor Pot Size: 5 Gallon Medium: Coco and Perlite Nutrient Line: Athena Week 11 Update – Harvest Chop day for FrostBanger! This girl had such a wild structure short but stacked, and her trichome coverage definitely lived up to her name. I took her down and hung her to dry; really looking forward to sampling her once she’s properly cured. She might not have been the tallest in the tent, but she held her own with some seriously frosty buds. Can’t wait to see how the final product smokes. Watering Final week watering: 1.2–1.5L prior to chop. Indoor Climate Conditions (Drying) Day Temperature: 20–22°C Night Temperature: 17–18°C Humidity: 55–60% See y’all next week for the dry/cure update! And don’t forget to use my discount code ISLANDT for 15% off your next order at Fast Buds!

They got huge. Nice green leaves and smell great. I bend the fan leaves a little to get more light in the canopy. They love the nutes. We having a great time! Transplanted 3 to 3 gallons pots. They love the air. Topped(fim’d) one. She getting lanky but I feel she’ll snap back strong.