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Apricot left 4 Strawberry gorilla right 4

Alla prima strawberry banana gli ho fatto il lavaggio radici, ancora una settimane più o meno e ci siamo gente😀👍💪💚💛 Non vedo l'ora di raccogliere perché sto rimanendo anche senza terapia🎺

1-2-2022 A solution has been found and implemented. A simple quick project that cost little and not much time to make. Works very well. She is responding to her new environment and soon she will be into her new home in true Aeroponic spray only fashion. 😎

Ja in der Woche habe ich die Mimosa Fast geerntet und zum Trocknen gehangen. Bei der Ernte habe ich nur die ganzen großen Blätter entfernt und dann die Triebe auf gehangen.

Semana del 19 al 25 de abril La semana pasada aplicamos el insecticida Tec Fort y fenomenal, no vimos ningún otro insecto, ni daños en las hojas. Por prevención hoy, 19 de abril, lo volvimos a aplicar (1ml por litro de agua). Voy a parar con la poda y en una o dos semanas volveré a podar las hojas bajo la malla o aquellas muy grandes que hacen sombra a los cogollos. Tampoco quiero estresar tanto la planta. Creo que las plantas van bastante bien y que he mejorado desde la primera vez. Soy muy nueva en esto, pero creo que voy bien. Dentro de unas semanas comenzaré a usar el microscopio para ver que tal van. Espero obtener cogollos gordos😍 de momento huele muy afrutada.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

T- 23 days

This week was particularly rough with the shock to the plants from overdosing on myco+ 3-0-3 Really instilled a sense of extra caution and at some level paranoia lol fortunately the plants have shown to be very resilient in their desire to Thrive and grow because a rain water flush worked like a dream

Three weeks into flower and things are moving along. I defoliated some of the lower branches and spread out a few branches here and there. Other than that it's the same situation as always. Nutrients are pumping and lights are beaming. Everything is running smooth and all is well with the world. Like some namaste shit going on around here at the moment. Could very well just be the calm before the storm...

Septima semana de floracion, se ha formado una preciosa cola la cual se esta llenando de blanca resina, espero ansioso a que engorde del todo para proceder al lavado de raiz. 📅 Dia 43: Riego con nutrientes EC 1100 EC escurrida 1650. Perfect. 📅 Dia 44: Descanso 📅 Dia 45: Riego con nutrientes EC 1100 EC escurrida 1550 📅 Dia 46: Riego con nutrientes EC 1300 EC escurrida 1650, se nota como empieza a engordar el cogollo. 📅 Dia 47: Riego con nutrientes EC 1300 EC escurrida 1650 📅 Dia 48: Descanso, comienza a comer mas lento, se aproxima el lavado de raices 📅 Dia 49:

I like my grows to be simple, clean and efficient. The Mars 2000 plus RQS top-shelf genetics, combined with the super-simple RQS organic "Easy" line of nutes is making this beautiful grow! 6 strains, 6 healthy, thriving girls. I intentionally set 2 seeds at 3-4 intervals so I can rotate air space and have 2 harvested every 4 weeks. The organic Easy line of nutes is simple to use, clean, organic and delivers lush, healthy growth. No more mixing liquids. I feed sparingly but always give cal/mag with all waterings/feedings. I pH down water ONLY at the beginning (before feeding starts) or in between if pH runs high and I won't be feeding within 2-3 days. Feeding drops pH in coco and as nutes are consumed pH rises back to coco's neutral 7.0. Simple. I rarely water "till runoff". Lighter feedings mean less buildup. Clean. Abundant, tasty, smooth harvests is my goal and this combo delivers! I'm still enjoying last Fall's harvest of Green Gelato 😎

This is most likely my last update before harvest. More and more trichomes are turning cloudy with about 2-5% Amber. Gave her her last feeding yesterday and I figure there's about a week left. My usual plan is letting the water level drop for a few days then flush when there's 3 days left. A lot of the buds in the middle are ending up fairly small but everything's really dense.

lyncht mich nicht Leute, sie hat nur 7 Wochen Blüte gemacht und war am Anfang der 8.. Viel Stress hier für mein illegales Hobby. See ya! ✌️

Woche 3 verlief nach Plan. Ich habe immer wieder die neu gewachsenen Sonnensegel vom Hauptstamm entfernt. Gegen Ende der Woche habe ich mit leichtem LST begonnen. An Tag 21 habe ich die ersten mini Stigmen der Vorblüte entdeckt.

Nice lemon terps

Putting on weight fast now in peak flower. Love the structure of the plant and really regretting not taking a cutting. Oh well, ce la vie. Will stop adding PK in the next few days before cutting back on nutrients next week then flushing for the last 2 weeks. This plant is at the back of the timelapse.

Hi everyone 🤗. Your last vegi phase has been reached :-). It developed beautifully 😀, and has become a huge bush. I am very excited to see how it will look in bloom 😅. In the coming days it will be placed in the flower chamber and can then spread out for production :-). I wish you a nice week, stay healthy 🙏🏻 and let it grow 🌱 Strain : Sour Diesel ☝️🏼😍 Genetic: Diesel x Northern Lights 👍 Vega Lights : 2 x Todogrow Led Quantum Board 100 W 💡 Flower Lights : 2 x Todogrow Led Cxb 3590 COB 3500 K 205 W 💡 ☝️ Soil : Canna Terra Professional + ☝️ Nutrients : Canna Terra Vega, Canna Terra Flores, Rizotonic, Cannazym, CANNA Boost, Pk 13/14, Canna Cal/Mag, Canna Ph - Grow, Canna Ph - Flores ☝️ 🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EG. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 6.0 💦 💧

There’s microscopic bugs crawling on my buds! Going to post a grow question about them. No more nutrients, she’s definitely getting close, so let’s use plain water and hope for the best in the next week or two.