Hi@all, this is the last week in the vegetative phase. Starting tomorrow it will be switched to 12/12. Looks quite good to my taste, except for too much light and too little fertilizer. Both light and fertilizing are somewhat under control for now (hopefully) I continue to enjoy trying to adjust all the values of the plant/nutritions and environment correctly and finding out what works well and what doesn’t. Grow Hard. Go Pro. 🌱😎👌

Finally the stretched stopped. Cut about 10 tops bent about 20 with 90s. Still right in the lights. They are looking very happy even though they are so close to the light ( thanks to high c02 levels most likely.) Another week or 2 before I cut the temps and co2 levels down. Been trimming all leaves below light line. Stinky and brutally sticky I feel like Clark griswold with pine sap when ever I am bending the tops and such.. I think even with them being in the lights I will still get a few pounds of premium flower to smoke :)

Plan to harvest on Sunday thats day 60 and I spotted a little pm on a few of the lowers so its time to cut. Added flora clean Sunday will go straight water today. Can't wait. So far on my strain hunt I'm gonna retire the mango and headband (cause I've had these genetics for a year) the enemy's dream because it's small and I didnt take clones in time and I'm on the fence about the Skywalker so ill wait til I give it one more shot indoors and once outside. And I'm on the fence about the white widow since I've had it before. Gotta make some hard choices especially if I get that order in to seedsman before the sale ends. Next grow will be: Alaskan Purple Gelato og Do-si-Do Bruce Banger Runts Skywalker og White Widow Amnesia Haze Followed by the same strains outdoor. I'm thinkn about ordering seedsman 3 new 420 strains and sum moonbow or moonboots any thoughts?

Привет садоводы ! Растения растут потихоньку , развиваются

Start of week 2

Ho montato una growbox 100×100×200 cm per consentire una migliore areazione e crescita, le piante sentono lo spazio disponibile attorno a sé, quindi questo era il momento giusto, ora si viaggia con una mars hydro fc3000 con dimmer al 45 % a 50 cm, un ottimale 350 ppfd , ppfd aumenteranno a 550 gradualmente in 15/20 giorni, aggiunto il supplento di spettro blu di marshydro, non sembra male per ora stann benissimo😇

Hello growmies 👩‍🌾👨‍🌾🌲🌲, Let's go for one more try PS5 contest from @Fast_Buds 🔥 The seeds come from a win of Diary of the month, didn't remember wich 🤔. Thanks to @marshydrococo2 and Mars Hydro Lighting for the FC 3000 and 6 inch fan kit 🔥🔥💕💕. Day 0 I've put the seed in paper towel. Paper towel + water + seedbooster 7 drop for 1l. Day 01 Seed popped in 24h, 3/3, fast for seed stored since several months. I'll keep only the 2 best seeds, the third will go to friend home Day 02 Put seeds in plug Day 03 #1 and #2 come out of soil Day 04 #1 and #2 Leaves opened Day 05 Looking good, keeping wet soil Day 06 Looking good, keeping wet soil Day 07 Looking good, keeping wet soil Seeding box Temperature around 26*C 7w led 24/24 Humidity 85-90% 💦 I vaporise the plug with water + roots PH @6 I'll prepare soil and put in 1 liter pot and under light the next week . Wish me good luck 🤞🤞 Have a good week and see you next week 👋 Thanks community for follow, likes, comments, always a pleasure 👩‍🌾👨‍🌾❤️🌲 Mars Hydro - Smart FC3000 300W Samsung LM301B LED Grow Light💡💡 https://www.mars-hydro.com/fc-3000-samsung-lm301b-led-grow-light Mars Hydro - 6 Inch Inline Fan And Carbon Filter Combo With Thermostat Controller 💨💨 https://www.mars-hydro.com/6-inch-inline-duct-fan-and-carbon-filter-combo-with-thermostat-controller Fast Buds - Gorilla Cookies FF🌲🌲 https://2fast4buds.com/us/seeds/gorilla-cookies-fast-flowering

Just wow! She turned into such a beast! Feeding her every other day to keep up at this point! So many bud sites 👏👏

Flushed her and split the stam due a slow flowering , now she is producing new growth and flowers 😅 is this oke?

Re-potted into ceramic pots today and, indeed, the bottom 3/4 of the soil was quite damp. The root system was larger than I expected but quite grey in color, not vibrant white. I'm going away for 10 days so I'll just leave these babies alone and hopefully they lively up themselves.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Sooo, They Broke Ground On May 4th After Germinating On The 1st, Forward To Day 3 And These Babies Seem Happy With Their Environment And The 20/4 Light Cycle

Día 13/10/20 día 37 de floración Nuestras nenas continúan estables, el único cambio es la bajada de temperaturas, sobretodo de noche aunque con la ayuda de un calefactor la mantenemos en 23 grados. Poco a poco los días pasan y se va a cercando el lavado de raíces, por lo que ya no subiremos demasiado la ec de las niñas, no te lo pierdas!! Día 15/10/20 día 39 de floración Continuamos vigilando las nenas, hoy ha tocado una inspección detenida y un aspirado de la sala para minimizar riesgos. Por otro lado la nutrición sin cambios, sigo con el riego por goteo programado para riegos de 1,5 min cada. 6 horas durante el día. Ahora solo falta seguir controlando a espera de cosechar los resultados, te lo vas a perder?? Día 17/10/20 día 41 de floración Hoy rellenamos el tanque de nutrición, al final se queda con 1.85 ec y 6.1 de ph, esta será la ec más elevada que utilizaremos en nuestro cultivo. La mantendremos así durante unos días hasta que toque hacer el lavado de raíces para asegurarnos de cosechas unas flores con un aroma y sabor sin contaminantes (algo de lo que ya nos aseguramos desde un principio al utilizar zyco)

Drying it outisde iwth up to 80% humidity, i am Just praying for mold not to apear.

So today marks the 80th day for the zkittlez and forgotten cookies. They will be going into flush next week!! The orange sherbet is stacking and fied the 3x3 wall to wall. Grape walker kush is 4 feet tall.. Gotta love coco :D

22 Diciembre: Hoy se pasó a etapa vegetativa nuevamente, se regó abundantemente de manera manual con lanza de riego para bajar la EC del sustrato a rangos vegetativos(3.5~6.0), se obtuvo runoff de 5.9pH y 5.0EC, durante los siguientes días se debe seguir bajando la EC con más cantidad de disparos al día.

Day 43 - she is growing very well a. Blue Dream smells amazing, the most fragrant fastbuds strain i have ever grown b. the flowering is going very quickly, there are sites everywhere c. uploaded video Day 44 - removed the under brush a. this plant has a lot of very small branches that need to be removed b. replaced 6L of nutrient solution, raised the ppms to 850 c. the flowering process is going very well Day 45 - beast a. the buds are growing exponentially by the day b. there was 6L of nutrient solution missing from the DWC, replaced with plain water to keep ppms in check between 650 and 850ppm c. the smell is very intense of this plant, it has a very interesting special smell for sure, unlike any other strain ive grown Day 46 a. growing very well, the buds are expanding b. drinking so many nutrients, she is a hungry variety c. the stems on this plant are out of control! d. added 6L to the DWC, raise the PM to 900 Day 47 a. buds are forming nicely b. she is growing very well, still producing new stems! Day 48 - beast a. gave her a 6L shot of Cal-Mag + Mineral Magic booster, the plant is so large she needs more Calcium b. the smell is quite intense, the resin is already forming on the sugar leafs and the buds Day 49 - great a. growing very well, still drinking 6L per day - just giving her spring water, PH 6 right now... once PPMs get down to ~600, I will change the DWC for fresh flower blend. b. the stems are hard like wooden c. she needs a little more LST