Feeding to run off. ph 6.0-6.3 Not much new to note. Buds still sticky and smelly. Humidify has been kinda higher this week with the rain my area has been having.

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Topped again and final structure now 1-2 more weeks veg

Today is day 71 for these ladies and they are doing just amazing! Stacking up densely with a Very sweet smell , I still get hints of vanilla ! Not to much longer to go these girls few more weeks an they should be done! Stay tuned for next week ! ✌️

The Smoke of the little bit that I tried was hard to grind and still too wet, I will see how it'll be after the cure. The Bubble Hash Rosin that i made is very delicious and has a pretty chill high.

June 10: start adding big bud 1.3ml/L

Aplicamos recientemente jabón potásico por problemas con trips... estamos controlando todo a tiempo, en 3 semanas ya pasaremos al armario grande para continuar dándole crescimiento para las nenas farmers!🍁

Growth is just going amazing. Both phenos are doing just astounding. I'm overall delighted with these genetics. Days 35-37 Growth is going amazing as you can see. When preflower stops. I'll move it under a 300w light from mars-hydro. Hopefully within the next 2 weeks. I have moved over to giving bloom now. She is showing light mag issue so I added Xpert Nutrients Calmag and have been feeding the 20L pot without it fully drying up. I love soil growing. Day 38-39 She's pushing on at an alarming rate. I did not plan for it to be these big. They're going to get 50-100% bigger. So, it's not necessarily their size now. But in 3 weeks. I need to start using IR in my flower tent to push my fems into high gear. Adding 2hrs of extra light should easily cut days to a week depending where they are. Got to also becareful as if I add IR to anything in preflower it'll stretch like crazy. So, im at least 5 days or so before my flower tent will have no preflowering plants just all girls into heavy flower. This plant will STAY away from any IR 730nm for at least another 2-3 weeks. So, she'll do all her preflower under the p1000, which will be an issue in itself. Day 40-42 Took her down to separate her as they're far to close, to big and too many shoots not to do anything will only set the mid-lower parts back weeks during the flower process. I did do some very very light lollipopping at the very ends. The shoots were the smallest. And removed their fans obviously. That's the only defol I've done more or less over this ENTIRE grow. Which is very rare for me not to remove some leaves. With autos, you really shouldn't. Some can take it & still do well. But left alone. And good lighting/airflow throughout the plants. Has really made a huge difference. I separated them as best I could with as minimal stress as possible. It'll take a few hours to look all pretty again when she settles. She'll look really good. No HST/Defols done in any major way. Left it all. And just let them do their thing. Working with it, the smell is LOVELY like a black berry smell. Is absolutely lovely scent she's giving off. But, she is a good candidate for stealth growing. Only when she's worked on does she pong. And you have to be close to smell it. Day 42 and she's doing AMAZING. Really happy to see both phenos looking beautiful & separated really well. Hoping she'll push through pre flower in the next 10-12 days. Thanks to my sponsors Herbies (who's seeds can be gotten at 20% off using the Zamnesia ordering from them, or buy from Herbies it's an amazing auto) Xpert Nutrients have done an amazing job powering it's Growth with ease through veg-preflower. DISCOUNT CODES 20% OFF 20% off with Zamnesia with code: ZAMMIGROW2024 "entire catalogue, all breeders" 20% off XPERT NUTRIENTS/KANNABIA with code: GGST "free eu shipping with with " 20% off Oringal Sensible Seeds with code:GGSTGD

What a damn Beatiful plant they always fade so nicely like fall color she’s super fat tricomes everywhere perfect little plant I’d say a little over an oz dry and it was super fast it didn’t waist any time stay tuned for the harvest results

Siamo all'ottava settimana di fioritura.le come non sono ancora come vorrei che siamo.... Aspetto ancora un paio di settimane poi vediamo come stanno...per ora stanno tutte bene

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Ich werde am nächsten Tag anfangen zu entlauben und bereite sie auf die Blüte vor.

Day 64 (18/05/18) - Impressed with the size of these girls, especially the StarDawg but not really impressed with the stated time from the seed breeder as it was advertised as 8-9 week strains and I can see them easily going another 2 weeks maybe 3 unless they change overnight. One of the girls is over 3ft tall which I can understand she will need more time to fill out etc etc.. I'm a photoperiod grower but thought I'd try out a few autos which in all honesty has been fun just though't they would be a bit quicker. A side from me moaning, they all look really good and i'm certain I'll get some really nice healthy flowers. First auto grow but definitely not new to growing. Always been against autos but they are not that bad, my final decision will come from the finish.. Yield, smoke quality and buds. But all in all, so far so good. Well done from fastbuds

19.9 5th veg week done and still all rocking healthy and almost ready for flowering stage. I can't grow these much bigger space is the issue here. I decided to go jungle style this round and see how it goes. I'll see if I'll put netting in there to help with spacing.. One week and I'll flip to flower if not sooner let's see.. I removed some damaged leafs and lower parts also. These pics are day prior to that. Blue Fire's are about the same height other one is clearly more bushy at this stage. The New 's have pretty similiar structure. Other one is little smaller and it got topped one node earlier too. I think the size of these will determine when I start flowering. More precise when that smaller one gets bigger I'll flip my lights to 12/12 schedule. Ok so not much more thanks again for stopping by and for all the support! Thank you guys! 🙏 Happy growing !!

🌿 Grow Update: Week 6 of Flower 🌸 Hey growers, We're cruising through Week 6 of flowering, and I gotta say, things are looking solid in my grow setup. This being my first rodeo, I'm pretty stoked with how it's all turning out. The plant's rocking a deep green, which could be a bit of nitrogen overload or just her natural vibe. Regardless, she's thriving, Ive been so stupid letting her get so big in a 5gallon i wouldn't be surprised if she is rootbound.. Got a bit of a snag with some lower bud sites getting overshadowed by the top canopy. Didn't want to push my luck with more defoliation i cant really at this point of flower, but hey, it's all a learning experience next round, I'll be more surgical. Already thinking about the next grow — tossing in a couple of plants in 5-gallon pots, keeping veg short and sweet at 4-5 weeks. Gonna tighten up the training game for sure. Despite the lower buds not getting as much love, the top ones are coming along nicely. She's a thirsty one, so I'm hitting her with 4 liters at lights on and another 2 liters a few hours before lights off to keep that coco from drying out. Got about 3-4 more weeks to go, and I'm itching to see how it all pans out. Can't wait to see the final yield and taste the goods. Here's to a killer harvest ahead! 🌿💧✂️🌸 #GrowLife #Week6 #FirstTimer #HarvestCountdown

L'ensemble se porte bien, seul un phénotype /4 paraît plus faible que les autres

Blue Cheese F1 automatic Week 6 2/9-15 The Cheese gals are in full flower, the buds are puffing out and stacking. I even see some lower buds connecting to the upper buds and some pistils are turning brown. There is some smell when I open the tent. The F1 genetics are reflected in that these 2 plants are almost identical. I don’t see much difference in their growth so far using the different mediums. Soil and soil/coco blend. Maybe harvest will show a difference in yield from each one. Time will tell. On 2/13 I did major defoliation on my Cheese gals. I removed all large fan leaves and any leaves shading bud sites. Initially, I thought this would be my last defoliation, however I have heard that 1) they continue to grow new leaves until day 20 of flower and 2) there must be enough foliage on the plant to photosynthesize energy. Well, I hope I left enough leaves for energy to keep bulking up the buds. Stretching has slowed down. Both girls grew only an inch and now 17 inches. This is only the end of flower week 2. Controller is set to flower. I add 2 gallons of water to the T700 humidifier daily to keep the VPD in line. 2/9 & 11 4 gal fed 2 liter each nutrients added at ½ of recommended amount. Making 4 gallons since I have 2 pots of carrots and a Dill in the back. Bloom Juice 45ml Plant Juice 75 ml Royal Rush 15 ml Power bud 15ml Green sensation 7.5ml Recharge 2.5ml/gal 4 ml Cal Mag 5 Ppm 333 Ph 7.02 Temp 66 2/13 5 gal Bloom Juice 60ml Plant Juice 60 ml Royal Rush 20 ml Power bud 20ml Green sensation 10ml Recharge 2.5ml/gal 4 ml Cal Mag 25 Ppm 538 Ph 6.6 Temp 66 Your likes and comments are appreciated. Thanks for stopping by. Growers love 💚🌿 💫Natrona💫

Legend Timestamp: 📅 Measures: 🛠️ Water: 🌊 Actions: 💼 Thoughts: 🧠 Events: 🚀 ________________________________ 📅 D36/V34 - 28/09/23 🛠️ 🌊 💼 New LST - Made Timelapse of the grow 🧠 🚀 ________________________________ 📅 D37/V35 - 29/09/23 - 🛠️ 🌊 💼 LST on the younger lady. 🧠 🚀 Marlene Senior is pre-flowering ________________________________ 📅 D38/V36 - 30/09/23 🛠️ EC raised to 1.2 pH is stable to 6 🌊 Added 5L and nutes 💼 🧠 🚀 ________________________________ 📅 D39/V37 - 01/10/23 🛠️ 🌊 💼 LST again on the younger and HST on her main bud 🧠 The bigger one is ok for now, I'm going to let her grow normally a little bit 🚀 ________________________________ 📅 D40/F01 - 02/10/23 🛠️ 🌊 Added 2L water and nutes 💼 LST on Marlene Junior and a little bit on the older as well 🧠 🚀 ________________________________ 📅 D41/F02 - 03/10/23 🛠️ EC and pH are both stable 🌊 Added water 2L 💼 Made timelapse of the last nights 🧠 She's drinking a lot, I need to understand how to manage the flowering stage 🚀 ________________________________ 📅 D42/F03 - 04/10/23 - 🛠️ 🌊 💼 Big Defolation and strong LST 🧠 Maybe the last training before full flowering stage 🚀