We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

3/26/25 day 63 since 12/12 around day 56 since first pistils. Shes supposed to go a full 9 weeks. the top buds are peppered with amber but a couple nodes lower and theyre possibly not all the way cloudy. i was planning on chopping today but im not sure if im still going to. I may do 24 hours of darkness and see how it 3/28/25 chopped at day 65 after 24 hours of darkness

So this little lady was grown outdoors in natural light, in ground, and had crazy heat, cold, humidity, rain, drought, etx—- all things considered, she’s a skunky little beauty! ✌️🏻💚🌿💨

Just started soaking/germinating 2 Wedding Cake, 1 Platinum Cookies and 1 Blue Dream. Blue Dream is one of my favorite strains and I suggest everyone always have afew OZs stashed away, I’m currently getting low on that so I need to restock for the year.

Day 14 Blueberry Muffin Tight internodal spacing

it's not da opinions that started smelling ! Yeap it gets to over 40 celcius in da sun on da table. Good thing da sun goes straight through

Still see a few white hairs growing out and the buds look a bit bigger. Plants are fading and looking good. The beginning of the week will be the last time I feed nutes. Straight PH'd water from now on. Lookijg at the tric's a lot of clear ones still. I'm thinking it will still be another two weeks until harvest. Thanks for looking.

So she grew another 26cm this week!!!!!!! But that means the flowering stretch is coming to an end. Her flowers are starting to form nicely. They look really dense at this early stage. Can't wait to see what she's like in a few weeks.

Few things came up been away a little while had to get a another phone as well but I’m back . This is the grow so far , obviously a heatwave recently so problems with the temp n humidity I’ll be trying to get this back under lock I’ll be more with the grow as well .. they seem to be doing alright few problems I think but I’ve put them on grow questions. As first grow I’m not sure whether they are right at this stage or should have been budding more Happy growing 🤙🏾

Ho messo le due bimbe che ormai sono cresciute quasi 50cm nei vasi che mi ha mandato Royal queen Seeds ma dovevo farlo prima quando erano più piccole 🙄 Sto tenendo le ragazze fuori dalla finestra stando attento ai vicini che sono sempre curiosi 😛🔜🤞🔛🕉️🔈 Ho continuato il manifold e adesso gli arrivano circa 14h di luce in tutto….promettono bene questo è sicuro 🤘🏻👨‍🚀🏻

Day 47 - I topped, defoliated and flushed with plain ph’d water 10 days before switch to 12/12 These led lights keep the plants really short with a lot of middle bushy growth have already taken 2 bags full of leaves and all look healthy still🤞👍 Day 48 - Looking good day after topping and defoliation :) good sign will update end of week 8 flip to 12/12

and on it goes. i don't have much to report. due to some very hot days she got alg-a-mic and acti-vera from BIOBIZZ for a better nutrient uptake. she has grown another few centimetres, looks healthy and strong. i had applied LST to her again to get the side shoots more into the sun.

Getting close. Nice buds but trichomes are still mostly clear. Very healthy lady. I really let this girl go on her own after some early trimming. Definitely the best plant grown by me to date!

Learned a lot from this grow and am very happy with the results. Pulled 2.8 Oz and 1.1 Oz of trim/popcorn buds in a one gallon pot. Definitely wont be doing that again, but had a lot of fun throughout the entire process. Going to be starting another grow soon! Very excited for that.

Me encantó la cepa y su facilidad de cultivo ! Aun que tuve muchos problemas ambientales y climáticos . Me atrasé unas 3 a 5 semanas con estas nenas , pero nos recuperamos bien ! Usamos malla scrog chilena #kanovicultivo , lo mejor que he usado en malla scrog , no se le comparan , su espacio preciso! . Las 4 comenzaron en pequeños vasos , luego de 1 a 2 semanas , trasplanté a macetero de 5.8lts , finalizaron 3 en maceteros textil 19lts y 1 en macetero de 20lts AirPot ! Comencé a brindarle 20hrs de luz / 4 hrs oscuridad , a la 3era semana 19hrs de luz y a la 5ta semana bajé hasta el 18 / 6 . Usé un panel QB de 480w regulables , chips marca Samsung de 3500k , chips epistar UV 660nm iR , el mix completo gracias a mi bro MKleds chile ! Se pasó ! De todas maneras recomiendo una potencia mínima de 600w ( QB LED ) para espacio de 120x .. Usé un bio estimulante chileno , que a mi parecer fue uno de los mejores que he visto y usado ! El grande #trichomemania , te cuento que este producto activa un mecanismo de defensa en la planta (SAR) , haciendo que reaccione y se trate de defender con mayor producción de resina , terpenos y tricomas ! Es increíble ! A los 24hrs tienes resultados , un saludo grande a los hermanos ! El mejor producto 10000000%.... Grande eva seed , buenisima esta cepa , me dí cuenta que si se deja madurar un poco más , su sabor es más frutal candy , exquisita cepa !.... Estamos probando con un papel de blunt organico 100% libre de tabaco marca *jamaican buzz*...al fumarla su efecto es notorio , enseguida viene el efecto psicoactivo y cerebral , se viene a la vista un tanto distorsionado el entorno ...la vision un poco más brillante , y a la vez relajado .. Hoy 18 de agosto estamos probando con un papel de celulosa organico marca lion rolling circus ( foto al final del album ) , quema bastante bien , al parecer ya está casi en su totalidad secado , combustión lenta , buen sabor afrutado citrico con toques candy diesel ...uuff efecto despues de 3 quemadas ya por los cielos , totalmente cerebral y estimulante , un gusto charlar con amigos ! Al manipular su fruto , la planta expele un olor afrutado con limon maduro y skunk , con finales de candy terra , una delicia , muy buena cepa , ahora mientras escribo me siento un tanto "mareado" con esa mitad de blunt ! Buenisinaaa!... ____ La verdad cuando comencé a cortar cada planta era como llenar "infinitamente" el armario donde dejaría secandola , se llenó casi la mitad y un poco más sólo con 1 planta cortada ! Increíble producción , yo estimo unos 90g por planta aprox , ya he consumido un buen peso además ...veremos en estos días que esté por completo su secado ! Esta riquísima , sus efectos fuertísimos ...100% ... ___ Una cosecha buenísima, muy parecido como obtengo resultados en comparación con el sodio , todo bien me gustó la experiencia !.... Además tuve la oportunidad de hacer extracción en seco de su materia vegetal . Obtuvimos entre un 18 a 20% de retorno ! Para mi primera vez , geniaaaal ! Su utilizó prensa de 12 toneladas , de apretó a 80°C por 4 minutos . . . Usen lemon king ! Una delicia .