Still vegging, no preflower yet. Spreading her out till mid-flower. Hopefully she'll be a big girl. Accidentally snapped a branch in half attempting to supercrop. Taped it up, looking good as new... Been switching to led when temps from mh are too high...

Few more weeks

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Stacking

Ciao ragazzi e bentornati qui, in una nuova pagina di questo diario.😉 Le sorelle Mimorange 🍊 sono diventate sicuramente le mie preferite nella tenda.😍 Sia per per l odore che per l aspetto dei buds, si stanno ingrassando parecchio e i peli spessi sono diventati gialli. Mentre l odore è dolce di mandarino.🔝 La crescita si è fermata e ora sta dedicando tutto alle cole! Intanto continuo ad aprire i rami per arieggiare le zone e illuminarle meglio.👍 Eh niente ragazzi! È rimasto ben poco da dire, aspettiamo che i fiori si maturano per bene😋 Grazie a tutti per aver guardato e restate sintonizzati per nuovi aggiornamenti!🙏 Buona settimana e felice crescita 🌱 🌱🌱

8/17 - Fed the ladies with liquid nutrients today. Also did some selective defoliation. The soil looks really healthy. You can see how happy my worms are. The two are coming along nicely and just starting to bud. 8/19 - Top fed all the ladies today with Uprising Grow, Uprising Bloom, and Elemental. 8/21 - They are in bloom! They are beginning to flower and looking lovely. In between feedings I water with RO water and molasses. They seem to love it. 8/24 - Blooming along nicely! Watering just about every day now. Added some mulch to the tops that I made from the dried leaves I take during defoliation. Hoping to keep the tops a little more moist.

Germination Report: Runtz vs. Runtz 🌿✨ Hey there, green thumbs and cannabis enthusiasts! 🌱🌟 I'm thrilled to share the exciting details of our Runtz vs. Runtz germination journey. Buckle up, because this ride is packed with fun, knowledge, and a touch of green magic! 🍃💫 The Germination Journey 🌱🚀 Our Runtz seeds were given the royal treatment from the get-go! We kicked things off with the Cannakan method, ensuring our precious seeds had the best start. Here's a step-by-step breakdown: Hydration Stage 💧: Seeds were soaked in water, embracing their first taste of life. This process lasted about 30 hours, allowing the seeds to absorb enough moisture to kickstart germination. Watching those little seeds swell up is always a magical moment! 🌟 Transition to Soil 🌿: After their water bath, the seeds were gently transferred to soil. This crucial step ensures they have the nutrients and environment they need to grow strong and healthy. Each seed was placed in a cozy, nutrient-rich bed, ready to sprout and thrive. Understanding Runtz Genetics 🌸🔥 Runtz is a legendary strain, celebrated for its powerful genetics and exceptional traits. Let's dive into what makes Runtz so special: Parentage 🌿: Runtz is the love child of two powerhouse strains: Gelato and Zkittlez. This dynamic duo contributes to Runtz's unique flavor profile and potent effects. Flavor and Aroma 🍭: Expect a delightful explosion of sweet, fruity flavors with a hint of candy-like goodness. The aroma is equally enchanting, filling your space with a tropical, sugary scent that's hard to resist. Effects 🌈: Runtz is known for its balanced high, offering both euphoria and relaxation. Perfect for those seeking a joyful, uplifting experience that melts into a soothing body calm. What to Expect 🌿✨ As our Runtz plants grow, here are a few things to watch for: Vigorous Growth 🚀: Thanks to its robust genetics, Runtz is a strong grower. Expect rapid development, especially in the early stages. Keep an eye on those green shoots as they stretch toward the light! Resin Production 💎: Runtz is a resin powerhouse, producing dense, trichome-covered buds. This not only enhances its potency but also contributes to its striking appearance. Balanced Structure 🌱: Look for a balanced structure with a mix of sturdy branches and lush foliage. This makes Runtz ideal for various growing techniques, whether you're a novice or a seasoned grower. The Joy of Growing Runtz 🌿❤️ The journey of growing Runtz is as enjoyable as the end product. Each day brings new growth, surprises, and the satisfaction of nurturing such a phenomenal strain. Whether you're growing for personal use or to share with friends, Runtz is sure to impress with its vibrant traits and rewarding yield. Stay tuned as we continue this exciting adventure! We'll keep you updated on the progress, sharing all the green goodness and joyful moments along the way. Happy growing, everyone! 🌿🌟💚 Germination method 🌱 @thecannakan Genetics Runtz F1 @zam.nesia Runtz auto @kannabiaglobal Nutrition @aptusholland 🌿 @aptus_world 🌎 @aptus_es 🌍 @aptusbrasil 🌱 @aptus_thailand 🌿 @aptus_portugal 🌳 @aptususa_official 🍀 @aptusplanttechnz 🌺 @aptusplanttechaus 🍃 Ambient controls🎮 @trolmaster.eu @trolmaster.eu.support @trolmaster.support @trolmaster.agro Soil @promix_growers_eur @promix_cannabis LED - @lumatekeu Watering- @autopot_usa @autopot_global Love and attention- @dogdoctorofficial #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trolmaster #trolmastereurope #trolmastersecrets #Autopots #RuntzBattle #KannabiaVsZamnesia #GreenJoy As always thank you all for stopping by, for the love and for it all , this journey of mine wold just not be the same without you guys, the love and support is very much appreciated and i fell honored and so joyful with you all in my life 🙏 With true love comes happiness 💚🙏 Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so 💚 More info and complete updates from all my adventures can be found ⬆️link in the profile description ⬆️ Friendly reminder all you see here is pure research and for educational purposes only 💚Growers Love To you All 💚

6 Blütewoche: In der 6 Blütewoche habe ich bei zwei meiner Ladys Cal-Mag Mangelerscheinungen festgestellt, die ich mit jeweils 1.25 ml cal-mag Lösung in 1l Wasser gegeben habe. Ansonsten wachsen und gedeihen die hübschen, die Buds fangen an frostig zu werden, ich hoffe das in den letzten 2 Wochen der Blüte die Buds noch an Größe zunehmen. Ansonsten bin ich sehr gespannt wie sich die Ladys noch entwickeln werden. Ich werde euch auf den laufenden halten, viel Dank an euer Interesse. Bis next Week

the girl started to lighten, although I kept giving her 1100 ppm 2 times a row. ph 6.3 I think it's the pot's fault, it's too small! the roots want to run to collect the waste water. but basically the flowers look very nice:) and the smell after opening the tent is just wow, I already feel that it will be really good:) good luck to everyone:).

I love how fast this cultivar finishes! I’m in a humid basement. It takes a ton of effort to keep it below 60 rh. So far, no signs of mold or powdery mildew. I harvested her mother about a month ago,she made it through with no problems.

New Grow reusing old equipment from a fish tank LED and an IKEA fabric wardrobe. 😃 I hung two 75W LED Acan/Eco lamps inside the IKEA TENT I had laying around. I bought a bag of Miracle Grow Organic soil and two pots at Home Depot for $20. Pulled a fan out of an old computer. Bought a $13 humidity and temperature gauge with Bluetooth. 😃 Ordered my Fox Farm nutes and Cal Mag on Amazon. $30 & $10. RO comes from the fish tank setup. Bought my seeds at Growers Choice. Let’s see how this goes!😷 12/9 - 18 hours in water glass. 12/10 - 24 hours in paper towels. 1/2” tap root. 12/11 - Straight into soil. 😁

She definitely outgrew the rest😯.. Love to see the fast development like Sweet Seeds describe😃. Let the (Red?) Buds come 😁😂🤪 See y'all next week right 🆗🆗🆗🤙🏻

My gorilla cookies from fast buds is really starting to fill in now the buds are getting nice and large. Also the buds have really really pretty tricombs there super white and just pretty. The plant has a super strong smell a carbon filter is a must with this one for sure. Even with one plant it’s to much for my carbon filter you can smell it thru the hz. This plant has a very high potential for making extracts

Will grow again for sure shout out to @420fastbuds for the strain what a all round great plant!!!!

😲😳 wow!!! Is this strain something to behold, absolutely gorgeous to look at, such a exotic smell it's like a sweet cream cake with lemon frosting topped with fresh cracked pepper all while surrounded by fresh cut pine aroma. I have 2 phenotypes I have dubbed the Stinker and Sister Stretchy. The stinker suffered a severe lock out at the beginning of flower so she's at least 2 weeks behind. Sister stretchy is begging to be harvested. I still have almost another week of flowering according to the breeder but :(, after my routine inspection of her trichomes on the caylx' and buds not the sugar leaves I found myself looking at a forest of tricomes that went from 80%cloudy with remaining amber. Today's inspection with a 60× jewelers loop revealed a surprising half of the trichomes cloudy with the rest amber. So it is any day now 😃. Can't wait because it's gonna be some fire ass bud.

The plants are growing at a good rate now and drinking a litre each per day. I feed them by hand and each plant gets 2litres every other day. Didn't do anything else this week other than install the trellis on the last day. Love the way these genetics grow and fill out the tent. When I was growing the mother in the pheno hunt I remember remarking how well this plant took to being topped. These 2 plants are front and right in the timelapse video.

Ab den 13:11 ab zum trocknen. Da freue ich mich

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