Getting near the end. BB2 and GG2 showing mostly milky/ cloudy trichomes with some amber. These two showed the deficiencies and have been flushed on day 76. One more flush and they will be harvested first. BB1 and GG1 look to be about a week later.

🤩🤩

Not starting yet! Will place in paper towel on Dec 30th and plant in soil on Jan 1 Good luck everyone!!!🏻💚 Revision— just placed a seed direct to soil today- Dec 30. Should germinate slightly after the 1st! Updated. Sprouted and ready to go!

Week went again very uneventful. The plant does what she is supposed to be doing (gaining weight) :). Still lots of new pistils appearing overnight, I am checking the Trichomes daily, however, everything remains milky, with only very little % of amber trichomes. Once amber colours start increasing I will start flushing.

Cut top of this week going to leave bottom for a week or two :))))

I think she is all set now But I could have waited one more week But I ran out of soil foxfarm ocean forest And some other stuff which makes me Recycle this pot and transplant red poison auto who is right now flowering very fast and good so it is the end for sweet Gelato our first sweet Gelato from sweet seeds Thanks a lot guys for helping me out. Thanks a lot grow diaries for all your support blessings and lets get this girl harvest alright my dudes will be uploading more content soon at the mean time we will be showing you the bud quality against Quantity and hopefully you will see how STRESS this girl was for an auto we know now that they are good for LST and HST better than any other techniques and just some auto like the ones you mix with thai Legendary genetics will grow very fast and recover very good reason why its better to apply fimming to autos that can run fast over recovery because without that gap you Cant use those techniques since the plant wont allow you its genetics are going to get STRESS and wont yield as much as it is supposed to But other than that is the real fact that this lady was under phlizon lights 600W And sadly we found out those are not Full spectrum lights so we are Very eager to join contest and try to win With the support of the whole community So we can continue to grow and show The world ah educational and real Pot smokers team all active in all social networking to point out this is love For all the world back and forth Thanks a lot please join me Please like share Comment Leave your thoughts I do appreciate every single one Hope you guys have a happy growing and happy harvest as well Enjoy SuMMer will come soon Are you ready?

The harvest of the first medusa F1 hybrid at day 93 after germination. The trichomes were starting to turn amber. I probably could have let her ripen for a bit longer. I am amazed how fat she has gotten, the weight of the flower is too heavy for the branches. Way to go RQS for breeding such a fast growing autoflower. She is already in the drying tent for 5 days now at a temperature of 19 °C with a humidity of around 55-60%. I want a nice and slow drying process to preserve the terpenes and cannabinoïds. This will take about 2 weeks in my opinion, when the branches start to give a clean snapping sound when bending. I will make a harvest blog once the flowers are dried and I have weighed the buds for the yield. This lady only received some LST and a little defoliation throughout the entire grow. I also dont flush the plant at the end since this myth was debunked by a scientific article. A flush is only needed if you overfed the plant. Dr bruce bugbee also confirmed this. The dry tent smells of hay/grass, which is logical because the plant still has a lot of chlorophyll inside. Untill the harvest blog! Check my other Medusa F1's for the progress of the experiment. I hope to give other people advice in growing these F1 hybrids.

Day 118 Mon PH 5.8 EC 0.4 DLI 12h PPFD Water 16-24c

Welcome to week 7 of my White Truffle grow! I switched to flowering 5 days ago, 12/12 light cycle. No signs of pistils yet, shes growing nicely, but no crazy stretching. Since this is my first time growing photos, I'm really excited to see how the week goes :) I need to defoliate a lot, because the humidity is a little too high after watering the plant

Hello Diary, The third week of vegetation has ended and the plants are entering the flowering phase. The flowers have started to form, which is nice to see in the photos, all in all I am satisfied with how they are developing. They grew a little more than 10 cm and got a lot of new leaves, so now they are really bushy. I'm thinking of doing a little defoliation next week, I'll see how it goes. The humidifier is still on to keep the humidity around 60% while the temperature is around 22 degrees. They still don't ask for much water so I only had one watering this week when I gave them about 2 liters of water each. This time I added Bigger Flowers and Thicker Flowers at the recommended dosage for the third week of vegetation. Here's what it looked like last week. 12/02/2023. - Day 19. Watering. I prepared 4 liters of water, lowered the pH. to 6.0 with Plagron's Lemon Kick and added Bigger Flowers 0.5/1 lit and Thicker Flowers 0.1/1 lit and with that amount I watered both plants evenly. 14/02/2023. - Day 21. Photographing and height measurement. End of the third week of vegetation. Medusa F1 #1 - 32cm Medusa F1 #2 - 28 cm That's all for this week, see you soon.

Both plants have almost stopped growing in heigth now and are in full flowering mode now. Barbarian (=AK-47 x Barbara Bud) Plant #1 is 15 cm shorter than plant #2, but a little bushier. Both have grown very well and are strong and healthy. They get more and more flower clusters now and start to fill up all branches. Trichomes start to appear all over...the plants start to get sticky and develop a weak sweet aroma now. Its time to take off the biggest fan leaves now for defoliation, I took a round of pics before and after.

Week 8 flower : still flushing with ph water everyday the run off ec is 0.5 gonna keep flushing for another week . Finishing on 9 weeks The blue cheese I have 2 different phenos . 1 is very blue and weird shaped leaves and is nearly ready gonna give it till end of the week and do 48hrs on dark before harvest The other blue cheese is more green but has grown a lot bigger the colas are amazing it definitely needs another 7-10 days . Sunset sherbet this will be flushed for a few more days and left in dark for 48 hrs This is the first time using led lights and all the bad stuff I heard about mars hydro . I have to say I’m very impressed with what it’s done .

Transplanted into 10 gallon pots

This phase is not veg, I am new to this site so navigation is new to me. Please note "actual" time is a week ahead of my time line. That said, nothing exciting this week. The seeds sat in water for 48 hours then planted in soil. Three days later like all my seeds I plant, they were officially seedlings. Just when I thought everything was good, some bugs had to come and ruin my day! Stay tuned for next week and my battle against thrips!

🍀🍀🍀🚀

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

So today is day 11 of flower on my gopher glue from atlas seeds. This girl is a monster that I’ve barely been able to keep in check. The growth is mind blowing. I’ve had to defoliate almost every other day these past two weeks and she’s not slowing down. Going to have to move her into my 5x5 to let her have the room to finish and grow how she wants. Smell is lovely and starting to get noticeable if I open the tent. Stay tuned and wish me luck