Legend Timestamp: 📅 EC - pH: ⚗️ Temp - Hum: 🌡️ Water: 🌊 Food: 🍗 pH Correction: 💧 Actions: 💼 Thoughts: 🧠 Events: 🚀 Media: 🎬 D: DAY, G: GERMINATION, V: VEGETATIVE, B: BLOOMING, R: RIPENING, D: DRYING, C: CURING ______________ 📅 D64/B27 - 18/06/24 ⚗️ EC: 1.0 pH: 5.2 🌡️ T: 26°C H: 80% 🌊 FLUSH 🍗 💧 💼 FLUSH first day 🧠 🚀 🎬 1 TL video ______________ 📅 D65/B28 - 19/06/24 ⚗️ EC: 0.2 pH: 7 🌡️ T: 26°C H: 80% 🌊 FLUSH 🍗 💧 💼 FLUSH second day 🧠 🚀 🎬 1 TL video ______________ 📅 D66/B29 - 20/06/24 ⚗️ EC: 1 pH: 6.2 🌡️ T: 26°C H: 80% 🌊 15 L 🍗 CalMag - Bloom A-B - Bud Candy - B52 - Overdrive 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D67/B30 - 21/06/24 ⚗️ EC: 1 pH: 6 🌡️ T: 26°C H: 70% 🌊 🍗 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D68/B31 - 22/06/24 ⚗️ EC: 1 pH: 6 🌡️ T: 26°C H: 70% 🌊 15 L 🍗 CalMag - Bloom A-B - Bud Candy - B52 - Overdrive 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D69/B32 - 23/06/24 ⚗️ EC: 1 pH: 6 🌡️ T: 26°C H: 70% 🌊 🍗 💧 💼 🧠 🚀 🎬 1 TL video ______________ 📅 D70/B33 - 24/06/24 ⚗️ EC: 1 pH: 6 🌡️ T: 26°C H: 70% 🌊 🍗 💧 💼 🧠 🚀 🎬 1 TL video

Filling up the screen nicely

Last week of veg,now start floração..

Hello. This is the end of week 4 and the beginning of week 5 of veg. They have got over their repotting shock and are taking off. Getting some good sized leaves coming out now. Hoping to get them out in the greenhouse by the end of the month, but it's too cold out there overnight. I've been using essential oils for a few weeks now, and I'm liking it. I had a recurring spider mite thing going for the last few months. In my cloning box, I would find a small patch of them and I would buy good bugs to combat pest bugs. But they keep coming back. I was just trying to keep my medical grow clean. No insecticides no pesticides no fungicides no herbicides. And I would buy more bugs. I saw it as never ending... So I was looking into something different to combat the pest with. The site I got those pages from seems to be gone. But I was look up essential oils to see what other sites said about them. Like I said, I'm liking it. I feel like I've got a sense of control back over the pests and don't mind the smell either, and the plants seem to don't mind it. There no awful smell or messy greasy feeling I find after I've sprayed insecticidal soap, and the essential oils aren't poisonous either. I can put a drop in my mouth with no effect. It evaporates off the leaves in a few days and it's pleasant to use There's some for pests and others for mold and fungus. I find 8 to 10 drops is enough unless you've got an infestation. Anyway... Like I said... I feel like I've got my sense of control back... Feels Good.... Look into it.. Give it a try...! I'll be using it in my garden this year. I was in contact with UKHTA Seeds last week and they said they don't mind if I give away my contest winnings of a 50% off code. Is anyone interested in a 50% off code, has to be used before May 1st 2026 though, Just privet message me if your interested, so I can see how many are interested. I'll post it on the questions page next week, if no one is interested. OK Have Fun. Chuck.

-27.06.2024 The first week of the vegetative phase begins today. The little plants look quite good. The light is still 100 cm above the plants and is running at 30% (5% more than last week). The values measured with the Photone app are ppfd = 240-270 and DLi = 15.5 - 17.5. The temperature is 22.9 degrees and the humidity is 65%. -28.06.2024 The plants were watered properly for the first time today. About 500ml per plant. A little bit of mycorrhiza was added to the water.. -29.06.2024 Visual inspection, everything looks good. I put sticks in the soil as a precaution to give the plants some support. -30.06.2024 Today the soil felt quite dry so the plants got about 200ml of water (per plant). I also increased the light intensity slightly. Measured values with the Photone app: Ppfd = 300-320 DLi = 22.5-23.6 . -01.07.2024 Just a visual check, everything looks good so far -02.07.2024 visual check, the soil was dry again so each plant got 200ml of water. The distance to the lamp was reduced by 20cm and it now hangs 80cm above the plants. Measured values with the Photone app: PPfd = 360-370 DLi = 25.8-27 -03.07.2024 The last day of the first week in the vegetative phase. The soil was dry so each plant got 200ml of water.

Aquí tenemos la quinta semana se nuestras plantitas PurpleKush de la familia de Kannabiaseeds. están creciendo muy bien, tienen buen color y espero que sigan así de sanas. Pronto nuevas noticias 😘

The seedsman seed is veg way more than fast buds but the fast buds plant is very healthy

💚💜 Mein erster Indoor Keller-Grow neigt sich dem Ende zu. Es ist bunt geworden im Zelt. Die erste Blüte habe ich bereits vaporisiert und bin ziemlich begeistert vom Geschmack und der Wirkung. Leider habe ich aufgrund persönlicher Umstände nicht im Ansatz geschafft hier ein paar Tagebücher zu führen. Es war für mich ein extrem stressiger Winter und ich bin froh, dass ich wenigstens regelmäßig ein paar Fotos machen konnte. Der Anbauraum hatte zwischen den Pflanzen gemessen eine Minimaltemperatur von 17,4 Grad und während der Vegetationszeit konnte ich die Auto-Damen Tagsüber mit bis zu 28 Grad unter einer Sanlight Evo 4-120 1,5 verwöhnen. 18/6 - Licht/aus. Die Luftfeuchtigkeit war in der Veggiephase bei ca. 65-75 Prozent im Zelt und in der Blütephase konnte ich sie Stück für Stück absenken auf 55-43 zum Ende hin. Gedüngt habe ich ein einziges Mal mit 1:20 sauberem Urin am Ende der dritten Woche. Ansonsten gieße ich auf das Terra Preta ähnliche Substrat ausschließlich mit hartem Leitungswasser mit Ph 7,6. Das Substrat wurde kurz nach der Sämlingsphase mit einer dicken Schicht Laub, Braun- und Grünschnitt Mulch abgedeckt, welchen ich zuvor dreißig Minuten bei 150 Grad im Ofen gedämpft habe (Sterilisation). Es kamen Nematoden, Raubmilben und Gelbtafeln zum Einsatz, weil wir mit einer ziemlich unangenehmen Trauermückenplage zu kämpfen hatten. Anfang der Blütephase kam es zu einer Nährstoffblokade aufgrund von Überwässerung. Das Substrat hält die Feuchtigkeit sehr lange und die Mulchschicht verhinderte ein Austrocknen des Substrats. Wir haben anfangs deutlich Zuviel gegossen und das Substrat nicht etwas austrocknen lassen. Nach Anpassung des Gießintervalls auf alle drei Tage mit ca. 2-2,5 Liter, löste sich das Problem nicht in Luft auf, aber wir konnten es aufhalten. Meine Pflanzen sind bereits geerntet und hängen zum Trocknen. Viel Spaß mit den farbenfrohen Bildern. Happy Growing! 💚

First week of flower!

Week 9, the Girl Scout Cookies is starting to go into flower. It’s been in transition for around 3 days before this video. Starting to stretch so plenty of plant bends will be on hand. Stay tuned

Hello everyone, Been busy but I shoot a little video for yall to see, also if growing is something you guys intended to do, I suggest you guys get yourselves a Digital Microscope or a jewlers loop. I just got myself a Digital Microscope for under $20.00 on Walmart.com, I got me a cheap one to start with so I can learn how to use it properly. But for under $20.00 this one brings 8 led lights, a adjustable mount, comes with 3 different connection choices build in, magnifies from 50-1000x, can take pictures and also videos and my favorite part, it connects right to my mobile device, you download and install a Google app and your ready to go, ill work with it and add pictures next week... See you guys soon 👊👊👊

Good week goign from strength to strength. Introduced pk 13-14 at half dosage to start.

Pretty good week for the stretching. Even thou my tank had some problems (I believe biobizz is not meant for tanks), the ladies are thriving. Changed to my trusted brand of base nutrients, green planet nutrients. This time trying medi one. Hope my grow shop will continue bringing green planet, it is a bummer they might stop importing it. Plant 4 accidental mainlining after breaking the two main tops training before switching to flower. I can see the how awesome is Sanlight led evo for this tent, ladies are all even and love the overall environment of the budbox and the lights. Noticing a huge difference in nutrient consumption compared with hps. Drinking way less. Overall excited and happy of this grow, couple of little problems trying organic base nutrients, but that’s how we learn, right?

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This is mt favorite sativa dominant strain, I had the chance to grow her before and each time has the same fruity cocktail 🍹 aroma very sweet and fruity, gives you tropical vibes, and it's fantastic the quantity of quality resin glands that she's able to produce, very good strain as always from Royal queen seeds, I'm growing another 2 plants of haze berry in a diferent run right now, I just love that aroma of her, stay tuned to see this ladies from start to finish! Can't wait! 🔝❤️💚💛

Finally got there defoliation end of wk3

Day 16-27/12/21 doing well!!! Day 20-31/12/21 plant is looking good!!!! Waiting to move half of them to another tent!!!!

Everything is going great I'm more worried about the chocolate haze. Mango haze. White widow they arent as big didn't start with the same nutrients but ive altered them to be the same hopefully they'll speed up